Among the new faces that are taking over from the actresses most sought after by producers and directors around the world, appears a Margot Robbie who has been making her way with that good work against all odds and prejudices about her graceful physique as a possible value. dominant in his career.
But as I say, nothing is further from reality. Because in the frivolity of many of her roles, this actress establishes a chair on the edges that every character must offer, even the easily labeled ones. Margot surprises by playing either a good girl or a fatal woman. And that raises her price and her cachet because it ensures the undeniable duality of cinema: the image and the background.
From Tarantino but also Scorsese They have opted for this actress to provide that plus that two directing monsters like these two seek at all costs. And Margot never disappoints to pull amazing mimicry in each scene. From naivety to frivolity, going through the comic or the sinister.
Margot is Australian and has already appeared in a variety of films, from comedies to dramas. She is mostly known for her roles in the movies "The Wolf of Wall Street", "I, Tonya" and "Once Upon a Time in Hollywood".
Robbie was born in Dalby, Australia, in 1990. She began her acting career on Australian television, then moved to Hollywood in 2011. Her big break came in 2013, when she was cast as Naomi Lapaglia in the film The Wolf. Wall Street" with Leonardo DiCaprio. The film was a critical and commercial success, and Robbie received praise for her performance.
In 2017, Robbie starred in the film "I, Tonya", a biopic about figure skater Tonya Harding. The film wowed critics, and Robbie received an Oscar nomination for Best Actress. In 2019, she starred in Quentin Tarantino's film "Once Upon a Time in Hollywood." The film was also a critical and commercial success, and Robbie received an Academy Award nomination for Best Supporting Actress.
Top 3 Recommended Margot Robbie Movies
Barbie
AVAILABLE ON ANY OF THESE PLATFORMS:Only Margot Robbie could embody Barbie to lead her to unexpected frontiers. Because she was trying to awaken that estrangement that she made of the famous doll a nemesis of herself. The self-destruction of the most sexist female toy totem.
The argument could not be more accurate. Barbieland is that utopian world for the most posh and naïve people within the most dandy stereotypes. When Barbie is kicked out into the real world for not being perfect enough, everything spills over into comedy with an acid, shrill, delirious and even tragic point at times.
With the excuse of the stereotypes of beauty and happiness made in instagram, we find a successful comedy where Ryan Gosling is also planted. Although at times it seems out of place and it is she, Margot, who assumes the strange transition from one world to another with a greater sensation of the paradoxical.
Babel
AVAILABLE HERE:Until the irruption of her Barbie, this film represented the outbreak of the actress, demanded to the maximum in an allegedly overacted interpretation from the excesses of the world of cinema. Next to Brad Pitt, and at the same interpretative and magnetic level, covers the days of a moving cinema from silence to image and sound. Delirious humor, criticism of a creative context of the seventh art that already had its things in the 20s...
Unforgettable the authentic Nellie LaRoy with her climb to Olympus and her fall to hell. Here with the reality part of her sublimated from her intoxication as hyperbole.
And she, Margot, masterful even in a part of a feminism claim that those days, more than ever, needed the breaking of some very marked stereotypes such as the feminine towards the random in the cinema, the secondary, the artificial.
Hilarious comedy but also tragedy. A film that engages from the lavishness that hides the miseries of the human being dedicated to the task of divinity, admiration and the easy final fall as part of the other film that the spectators also watched with longing, the one in real life. of its actors. Cardboard scenarios on either side of the cameras. Excesses to be able to cope with everything, loss of identity and recklessness in the face of life as the adventure to live so that everyone knows the true immortality of movie figures, so idolized and finally forgotten from one day to the next. Overflowing passion and a time lived at full throttle. Because Nellie's glory was, by itself, the punishment of the successful woman.
Yo, Tonya
AVAILABLE ON ANY OF THESE PLATFORMS:In all reproduction with biographical overtones is where each actor or actress plays it. Because putting yourself in the shoes of a real character has more relevance and notoriety. Learning the "performance" in life of the protagonist extracted from reality involves an unsuspected difficulty. Margot passes with flying colors, although her overwhelming physique, mitigated for the occasion by makeup and costumes, at times imposes itself on the character to represent.
A case of Tonya that, in addition, given the quite recent events surrounding the character, many of us were still able to recover from television memory, refreshing what was strange news and providing us with much more complete information about what could have happened...
1990s. Tonya Harding is a promising American ice skater, a working-class young woman, always in the shadow of her ruthless and callous mother, but with an innate talent capable of doing a triple axel in competition. In 1994, her main rival for her Winter Olympics is her compatriot Nancy Kerrigan, who, shortly before the Games, is hit in the knee with a crowbar by a hired thug. Suspicion fell on Tonya's entourage, which marked the beginning of the end for her career.
Other Recommended Margot Robbie Movies
Once upon a time in ... Hollywood
AVAILABLE ON ANY OF THESE PLATFORMS:Being a film raised to show off Pitt and DiCaprio, Robbie's presence touches a rebate in each of his scenes, providing a new angle between the two monsters of interpretation turned into Tarantino's imaginary in those characters straddling reality and fiction.
Because what about Tarantino and some of his more "realistic" films points to representations that at times appear to us as glimpses of a surprising reality among lavish cinematographic and other spaces where reality is shaped as metafiction for admired observers.
Hollywood, the 60s. The star of a television western, Rick Dalton (DiCaprio), tries to adjust to the changes of the medium at the same time as his double (Pitt). Dalton's life is completely tied to Hollywood, and he is a neighbor of the young and promising actress and model Sharon Tate (Robbie) who has just married the prestigious director Roman Polanski.
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