He mea kākau nāna e hana i kāna hana ponoʻī. No ka mea, ke neʻe nei kāna mau hoʻolālā ma waena o ka pilina, kahi o ka kānalua, ka noho ʻana o ka home a me ka hana koʻikoʻi ma waena o nā dilemmas a me nā ala i manaʻo ʻia e nā kiʻi me kēlā wahi o ka hoʻokūkū ʻo ia ke ola ponoʻī.
No laila ua hālāwai mākou me Tessa Hadley (ʻaʻole e huikau me ka mea kākau pū kekahi Hula Tessay) e ʻae iā mākou iho e lawe ʻia aku i kahi puke kikoʻī loa kahi e pili ana i kāna poʻe protagonists, me ka hoʻokokoke ʻole ʻana i ka hohonu hohonu o ka mea maʻa, e hoʻopau iā mākou e noho i nā moʻolelo e like me kēlā mau ʻuhane omniscient i ʻike i nā mea āpau. ʻO ka poʻe heluhelu ma ia ʻano ʻehā e like me Big Brother. ʻO ka manaʻo, ʻaʻole hiki iā ʻoe ke hoʻokaʻawale iā ʻoe iho mai kēlā aniani kahi e ʻike ʻia ai nā mea a pau me ka maʻalahi, a i ka manawa like hoʻi, ka hoʻohiwahiwa ʻana i kēlā me kēia lā.
ʻO nā moʻolelo kiʻekiʻe 3 i manaʻo ʻia e Tessa Hadley
He aha ke koena o ka malamalama
He mea maʻalahi, ma nā helu ʻokoʻa ʻaʻohe kaulike. ʻOi aku ka maikaʻi i loko o kahi kaiapuni o nā kāne i lilo koke i triangle kahi e kū ai nā kihi ma waena o nā kihi ʻoi aku ka paʻa. ʻO ka makemakika o ka noho pū ʻana ma lalo o ka hale hoʻokahi. ʻO ka mea ʻino loa a… akā naʻe, ʻoi aku ka maikaʻi i kahi exorcism ʻē aʻe e kū mai ana mai ke kūlana paradoxical.
He mau hoaloha launa ole laua no kanakolu makahiki. ʻO Christine, ka mea pena naʻauao; kāna kāne ʻo Alex, he haku mele i hōʻino ʻia i kona wā ʻōpiopio a he poʻo kula i kēia manawa; ʻO Zachary ka mea kūʻai kiʻi lanakila a me kāna wahine koʻikoʻi ʻo Lydia.
I kekahi pō kau wela, loaʻa iā Christine lāua ʻo Alex ke kelepona; ʻO Lydia, huhū, mai ka haukapila: Ua make ʻo Zach. ʻO ka manaʻo hoʻokahi e komo i nā ʻekolu: ua nalowale lākou i ka mea lokomaikaʻi a ikaika loa o nā ʻehā, ka heleuma nāna i hoʻopaʻa pū iā lākou, ʻo ia ka mea hiki ʻole iā lākou ke nalowale. ʻO ka puʻuwai, ua neʻe ʻo Lydia me Alex lāua ʻo Christine, a i nā mahina ma hope mai, ʻo ka nalowale, mamao loa mai ka hoʻoikaika ʻana i kā lāua mau paʻa, e lawe mai i luna i nā makemake kahiko a me nā ʻeha a hiki i kēia manawa ke kanu ʻia i loko o ke koena i hāʻawi ʻia e ka squareness o ko lāua pilina.
Aloha manuahi
ʻO ke aloha kūʻokoʻa kahi palena e lanakila ai i ka ego o nā kāne maʻamau. A i mua o nā manaʻo mamao ʻo ka ʻoiaʻiʻo he mea kokoke i ka ʻuhane e hiki ke hoʻohewa iā ʻoe i kekahi ʻano Gehena. ʻO ka manaʻo i ka wā i hoʻokomo ʻia i loko o kēlā hoʻokuʻu ʻana, hiki i kekahi mea ke hiki. A ʻaʻohe hiki ke hoʻi i hope me ka ʻole o ka ʻeha nui, ʻo ka egos a me ka lunamanaʻo.
Ma ka hale o Fischer, ua mākaukau nā mea a pau e loaʻa i kahi malihini no ka ʻaina ahiahi: ʻo Nicholas ʻōpio, ke keiki a kahi hoaaloha ʻohana kahiko. A hiki i kēlā pō wela i ka makahiki 1967, ʻaʻole ʻo Phyllis, kahi wahine wahine nani he kanahā makahiki, ʻaʻole hoʻi kāna kāne ʻo Roger, he diplomat ma ka Foreign Office, i hoʻōki i ka nīnau ʻana i ko lāua ola pū ʻana, ke kiʻi a lākou i haku ai i kahi ʻohana maʻamau o ka London. bourgeoisie. Eia naʻe, ma hope o ka ʻaina ahiahi, honi ʻo Nicholas iā Phyllis i loko o ka māla pōʻeleʻele, a no ka manawa mua ʻo ia e nīnau ai inā hauʻoli maoli ʻo ia, a hoʻomaka ke kumu o ka home e haʻalulu.
Ua hoihoi ʻia e kēia keikikāne kipi a me ke ʻano bohemian, ua hoʻolei ʻo Phyllis iā ia iho i kahi huakaʻi manaʻo e hiki ai iā ia ke ʻimi i kāna mau makemake pili loa ma lalo o ka maka makaʻala o kāna kaikamahine ʻo Colette, he ʻōpio wale nō e kokoke ana e komo i ke kanaka makua. E hoʻokūkū ka ʻike i ka ʻike honua o nā Fischers a hōʻike i nā mea i hūnā ʻia ma hope o ke alo o nā hiʻohiʻona.
Free Aloha immerses mākou i loko o ka pulsating London o ka hopena o 60s, i ka countercultural neʻe seeeded i coexistence me bourgeois waiwai, alakaʻiʻia e Phyllis, he wahine i aa e hoʻokolo nā mea a pau i manaoia mai ia ia e like me ka He aha ka wahine a me ka makuahine. ʻO ka nani a me ka maʻalahi, ma hope o ka mea i koe o ka mālamalama, hōʻike hou ʻo Tessa Hadley i kāna mākaukau e ʻimi i nā hoʻomaha noʻonoʻo, hoʻopiʻi i kēlā me kēia lā me ka manaʻo a hana i nā lewa hoʻopuni i loko o kahi puke e ʻōlelo ana i ka nalu ākea o kā mākou hoʻoholo.
ʻO nā lā i hala
I kekahi manawa, ua pau ka mea a mākou i ʻike ai i ke ʻano o ko mākou ʻano. I kēlā manawa, pani ka mea i hala, haʻalele a waiho wale ʻia e hāʻawi i nā ʻike melancholic, makemake, kekahi hewa a me nā mea āpau i hiki ʻole ke hoʻihoʻi ʻia. Mai ia manawa mai noho ʻoe me ʻoe, ʻaʻole ia he mea ʻē aʻe ma mua o ka mea i koe mai kahi amalgam ...
E like me kēlā me kēia kauwela, hoʻi nā kaikunāne ʻehā i ka hale i pili i ka ʻohana no nā hanauna. Aia ma kahi kūlanakauhale ʻEnelani liʻiliʻi ʻaʻole mamao loa mai ke kapakai, ʻo ia kahi i lawe ai ko lākou makuahine, i hānai ʻia me kāna kāne, i lawe iā lākou i ko lākou wā kamaliʻi. ʻOiai ua piha i nā mea hoʻomanaʻo, ua ʻano ʻē ka hale iā lākou, a ʻoi aku ka pipiʻi o ka mālama ʻana, no laila ke manaʻo nei nā kaikunāne e kūʻai aku a hoʻopau mau loa.
Me ka ʻike ʻana ʻo kēia paha ke kauwela hope loa a lākou e noho pū ai, piʻi nui nā manaʻo a aia ka mālie ʻino i hoʻonui ʻia e ke alo o Pilar, ka wahine hou a hanohano a kekahi o nā kaikunāne, a me kā Kasim, ka wahine. keiki aloha a kekahi hoa kāne. Hoʻokumu ʻia kahi hui o nā hoʻomanaʻo, nā mea hoihoi a me nā ʻano pilikino kahi e ola ai ka ʻohana no ʻekolu pule lōʻihi me ka mahana inā makemake lākou e mālama i nā pilina i ʻoi aku ka nāwaliwali i kēlā me kēia lā.
Ma The Past, hōʻike mai ʻo Tessa Hadley iā mākou i kahi moʻolelo kahi i hoʻoweliweli ʻia ai ka wā kahiko o kahi ʻohana e pahū a lilo i mea paʻa ʻole. ʻO ka hoʻomanaʻo a me ke kamaʻilio ʻana i kēia manawa i loko o kahi moʻolelo o ka moʻolelo nani a me ka phlegm Pelekane maopopo ʻole, kahi e ʻike ai ka mea heluhelu i ke kaʻana like ʻana o kahi ola, ʻoiai ma ke kumumanaʻo a lākou i kaʻana like ai, ʻike kēlā me kēia o nā kaikunāne ʻehā i ko lākou ala ponoʻī, me kā lākou mau manaʻo hoʻonāukiuki. a mai ko lakou ano o keia wa a i hala.
