Manyan litattafai 3 na Stendhal

Ƙoƙarin rubuta ingantaccen labari na gaske ya ƙunshi babban rikitarwa, mai yiwuwa fiye da kowane nau'in nau'in wanda makircin yake aiki don ci gaba da cika labarin gaba ɗaya. Haqiqa adabi ne tsirara kuma Stendhal (pseudonym na Marie henri beyle wanda a ƙarshe ya cinye marubucin) shine majagaba na halin yanzu wanda ya dogara da sihirin haruffa.

Sihiri mai sihiri a cikin hirar su, a cikin kwatancen su da tunanin su don tsara labarun da ke iya ban mamaki daga sauƙi cikin jituwa ta motsin su. Ƙaunar tausayi ta haruffa waɗanda aka sifanta su kuma aka zayyana su a ciki da waje, bayan labarin da za a faɗi ya juya zuwa wuri mai sauƙi, uzuri na ƙarancin nauyi fiye da labarin rayuwa, tunani da motsin kowane ɗayan masu faɗa.

Amma mafi kyawun duka, lokacin da kuka rubuta mai girma realist novel Salon Stendhal labarin yana ci gaba da tafiya cikin mafi kyawun yanayi, wanda aka buga shi ta hanyar juyin halin a fuskar yanayin sa da kuma hanyar sa ta zahiri.

Bayan Stendhal, da ra'ayin na sihiri haƙiƙanci za a ƙulla a matsayin version a cikin abin da m, da hasashe aka hadedde, inda ko da abnormality na tunanin mutum da kuma hali aka hada. Duk da haka, irin wannan bakon, wancan sabani, kowane ra'ayi na zahiri da kowane ruɗi koyaushe yana cikin abin da Stendhal ya rubuta.

A ƙarshe, ana iya cewa karatun Stendhal a zamaninmu yana samun ƙarin fa'ida don haɓaka tunani mai mahimmanci, don jin daɗin gaskiyar tunanin kanka kawai, maimakon yin tunani. Idan, ban da haka, an ɗauki asalin wani makirci inda sukar zamantakewa da labarin wani zamani mai nisantawa kamar Maido da Faransanci, babu shakka karatun ya zama nishaɗin alatu da adabi zai iya kasancewa.

Manyan littattafan Stendhal 3 da aka Ba da shawarar

Ja da baki

Kwastan sun kafa al'adun, amma mutane koyaushe suna motsawa tsakanin waɗannan al'adun tare da sha'awar karya su a wani ɓangare, don dora kawunansu kan na kowa, fiye idan zai yiwu a yanayin kowane ɗalibi mara galihu a tarihi.

Babban jarumin wannan labari shine Julián Sorel, daya daga cikin fitattun jaruman adabin duniya, talaka wanda ke jin daɗin karanta lokacin da zai iya kuma wanda ke burin cimma wata al'umma mai adalci, a dai -dai lokacin da Maidowa ya ci karo da kowane irin salon tunani.

Damar da za ta fara tsara hanyarta, daga ɓacin rai na ƙin yarda da ta taso a tsakanin sauran azuzuwan zamantakewa, ya zo lokacin da Monsieur de Rènal ya gano halayen ɗan adamta kuma ya ba ta aiki a gida, tare da yara.

A cikin wasan kwaikwayonsa, Julián Sorel yana yin hulɗa da mutanen da suka sha bamban da yanayin zamantakewar sa ta asali, kuma yana da kwarin gwiwa cewa zai iya bunƙasa, kuma yana jin daɗin lokacin samari masu haske waɗanda ke kai shi ga ƙauna, zuwa rayuwa mafi daɗi ... amma komai duhu daga Ba zato ba tsammani, mutuwar tashin hankali ta shiga gaskiyar ku don karya mafarkin ku.

Hakikanin lamari wanda a hannun Stendhal yana hidimar haɓaka madaidaicin hukunci akan yanayi, akan halin wanda ba zato ba tsammani ya sami rawar da ba a tsammani.

Gidan Gida na Parma

Fabricio del Dongo, babban jigon wannan labari, yana aiwatar da rayuwarsa zuwa kyakkyawar makoma. Duk abin da ke faruwa a ƙarshe yana wucewa ta hanyar wasan kwaikwayo na rayuwar da aka bayar a wasu lokuta ga bala'i ko wasan kwaikwayo.

Babu shakka littafin Stendhal ne mafi banbancin labari. A wasu lokutan da alama muna karanta wani labari na gaske tare da niyyar tarihi, amma ba zato ba tsammani muna juyawa zuwa soyayya, tarihin tarihi da sukar zamantakewa da mahimmancin kasada da Fabricio dole ne ya aiwatar don aiwatar da rayuwar da, a ƙarshe, alama alama ce ta bala'i.

Hasken yanayin soyayya wanda Fabricio ke watsa mana, amma mu ma muna godiya a cikin haruffa kamar Gina ko Cleni Conti, ya ƙare ƙaura da labari tare da hanyoyi masu ban sha'awa waɗanda ke magance ra'ayoyin ƙauna na rashin lokaci, ƙauna mara yiwuwa, ɓacin rai, rashi da abin da ke motsa ran mutum ya taba isar da soyayya ko kiyayya.

Tarihin Italiyanci

Stendhal ya yaba da wannan salon hayaniya a cikin mashahuran Italiya, don tashin hankali da shauki, don wasan kwaikwayo da sautin mutanen da suka sadaukar da rayuwarsu kamar walimar Venice na har abada. Waɗannan labaran tarihin Italiya suna nuna sha'awar da sha'awar komai Italiyanci.

A cikin tsoffin takardu waɗanda suka zama tushen wannan littafin, Stendhal ya yi amfani da mafi kyawun ɗan adam na waɗannan labaran daga ƙarni na XNUMX da XNUMX, a tsakiyar Renaissance.

Ƙauna da cin amana waɗanda suka ƙare har ana biya su a cikin jini, girmamawa a matsayin mai kyau wanda za'a iya nema da sauri a maye gurbin, ta rayuwa ko mutuwa.