Robert A. Heinlein's Top 3 ื‘ื™ื›ืขืจ

ืžื™ืจ ืจืขื“ืŸ ื”ื™ื™ึทื ื˜ ื•ื•ืขื’ืŸ ืจืื‘ืขืจื˜ ื ื”ื™ื™ื ืœื™ื™ืŸ, ื“ื™ ืœืขืฆื˜ืข ืขืงืกืคึผืึธื ืขื ื˜ ืคื•ืŸ ื“ื™ ื’ืจื•ื™ืก ืงืœืืกื™ืฉืข ืžื—ื‘ืจื™ื ืคื•ืŸ ื“ื™ ื–ืฉืึทื ืจืึท ืคื•ืŸ science fiction. ืื™ืŸ ื–ื™ื™ืŸ ืœื™ื˜ืขืจืืจื™ืฉืข ืงืึทืจื™ืขืจืข ืื™ืŸ ื“ืขื ื–ืฉืึทื ืจืึท CiFi ืฆื• ื•ื•ืึธืก ืขืจ ื–ื™ืš ื’ืขื˜ืจื™ื™ึท ืžื™ื˜ ืœื™ื™ึทื“ื ืฉืึทืคื˜ ืคึฟืึทืจ ืžื™ืจ destaca la voluntad de anรกlisis polรญtico, sociolรณgico y hasta antropolรณgico. Heinlein ื˜ื•ืจื ืก ื–ื™ื™ืŸ ืจืืžืื ืขืŸ ืื™ืŸ ืึท ื“ื™ื˜ืฉืึธื˜ืึธืžืึธื•ืก ืœื™ื™ืขื ืขืŸ ื•ื•ืึธืก ืงืขื ืขืŸ ืคืึธืจืฉืœืึธื’ืŸ ืึท ืคึฟืึทืจื•ื•ื™ื™ืœืขืจื™ืฉืข ืจื•ืฉื ืื•ืŸ ืคืึธืจืฉื˜ืขืœืŸ ืึทืŸ ืึทื ืึทืœื™ื˜ื™ืฉ ืคึผืขืจืกืคึผืขืงื˜ื™ื•ื• ืื•ื™ืฃ ืคื™ืœืข ืคืึทืจืฉื™ื“ืขื ืข ืึทืกืคึผืขืงืฅ ื•ื•ืึธืก ื–ื™ื™ึทื ืขืŸ ื“ืขืจ ืžืขื ื˜ืฉ ืื™ืŸ ืงื™ื™ืŸ ืึทืกืคึผืขืงื˜.

ื˜ื™ื™ืœ ืžืึธืœ ืžื™ืจ ื’ืขืคึฟื™ื ืขืŸ ืึท Heinlein ืื™ืŸ ืงืึทื ืกืึทื ืึทื ืก ืžื™ื˜ Orwell ืื•ืŸ ื–ื™ื™ืŸ ืžืขืจืกื˜ ื˜ื™ืฃ ืคึผืึธืœื™ื˜ื™ืฉ ื•ื•ื™ืกื ืฉืึทืคึฟื˜ ื‘ืขืœืขื˜ืจื™ืกื˜ื™ืง, ืงืึทืžืคึผืœืึทืžืขื ื˜ื™ื“ ื“ื•ืจืš ื“ื™ ื“ื™ืกื˜ืึธืคึผื™ืึทืŸ ื’ืขื“ืื ืงืขืŸ ืคื•ืŸ ืื ื“ืขืจืข ื’ืจืขืึทืฅ ื•ื•ื™ ื”ื•ืงืกืœื™ื™ o ื‘ืจืึทื“ื‘ื•ืจื™. Y a la vez siempre descubrimos una interesante trama viva, dinรกmica, con personajes antolรณgicos que intervienen en varias novelas, como Lazarus Long, o con historias perfectamente hilvanadas sobre invasiones de civilizaciones extraterrestres, o con inspiraciรณn a space operas, siempre con fundamentos astronรณmicos apabullantes aunque presentados con ese capacidad divulgativa que a la vez entretiene y cultiva.

ืื•ื™ื‘ ืžื™ืจ ืงืขื ืขืŸ ืื•ื™ืš ื’ืขืคึฟื™ื ืขืŸ ืื™ืŸ ืคื™ืœืข ืคื•ืŸ โ€‹โ€‹ื–ื™ื™ืŸ ื‘ื™ื›ืขืจ ืึทืŸ ืื™ื‘ืขืจื‘ืœื™ืง ืคื•ืŸ ื“ืขืจ ื’ืขื ืขืจืึทืœ ื™ื™ื“ื™ืึทืœืึทื“ื–ืฉื™, ื“ื™ ืคืึธืœืงืก ืคืึทื ื˜ืึทื–ื™ืข ืื•ืŸ ืืคื™ืœื• ืžืึธืจืึทืœ ื“ื•ืจืš ื ื™ื™ึทืข ื’ืขื–ืขืœืฉืึทืคื˜ืœืขืš ื™ื ื•ื•ื™ื™ืจืึทื ืžืึทื ืฅ, ืžื™ืจ ื•ื•ืขืœืŸ ื’ืขืคึฟื™ื ืขืŸ ื“ืขื ืžื—ื‘ืจ ื•ื•ืึธืก ืื™ื– ื’ืขื•ื•ืขืŸ ื‘ื™ื›ื•ืœืช ืฆื• ื•ืคื•ื•ืขืงืŸ ืงืึธื ื˜ืจืึธื•ื•ืขืจืกื™ืขืก ืื•ืŸ ืคืึทืจืœื™ื™ื’ืŸ ืงืึทื•ื ื˜ืขืจืงื•ืœื˜ื•ืจืึทืœ ืžื•ื•ื•ืžืึทื ืฅ ืื™ืŸ ื“ืขื ื–ื•ื›ืŸ ืคึฟืึทืจ ื ื™ื™ึทืข. ืกืืฆื™ืืœ ืกื™ื ื˜ืขื– ื•ื•ืึธืก, ืื•ื ื˜ืขืจ ื“ืขื ื‘ื™ื™ืฉืคึผื™ืœ ืคื•ืŸ ืขืงืกื˜ืจืขื ืื•ืŸ ื’ืึธืจ ืึทื ื˜ืึทื’ืึทื ืึทืกื˜ื™ืง, ืคืึทืกื™ืœืึทื˜ื™ื™ืฅ ื“ื™ ืขืคืŸ ืคื•ืŸ ืึทืœืข ืึทืกืึทืžืคึผืฉืึทื ื–.

ืœืขืกืึธืฃ, ืœื™ื™ืขื ืขืŸ Robert A. Heinlein, ืžื™ื˜ ื–ื™ื™ืŸ ืžืขืจ ื•ื•ื™ 30 ืืจื•ื™ืก ื‘ื™ื›ืขืจ, ืื™ื– ืึท ืคืึทืจื‘ืขื˜ื•ื ื’ ืฆื• ื™ืžืึทื“ื–ืฉืึทื ืึทื˜ื™ื•ื• ืื•ืŸ ืื™ื ื˜ืขืœืขืงื˜ื•ืึทืœ ืขื ื“ื–ืฉื•ื™ืžืขื ื˜ ืื™ืŸ ืึท ื•ื•ื™ืกื ืฉืืคื˜ืœืขื›ืข ืกื™ื ืึธื’ืจืึทืคื™ ื•ื•ืขืžืขื ืก ื“ืึทืงื™ื•ืžืขื ื˜ืขืจื™ ื‘ืึทื–ืข ืึทื•ื•ืึทื“ืข ืขื ื“ื™ืงืŸ ื“ืจื•ืงืŸ ืึท ื›ื™ื“ืขืฉื“ื™ืง ืจืขืึทืœื™ื–ื ื•ื•ืึธืก ื˜ืจืึทื ืกืคืึธืจืžื– ื•ื•ื™ืกื ืฉืึทืคึฟื˜ ื‘ืขืœืขื˜ืจื™ืกื˜ื™ืง ืื™ืŸ ืœื™ื˜ืขืจืึทื˜ื•ืจ ืื•ื™ืฃ ื•ื•ื™ืกื ืฉืืคื˜ืœืขื›ืข ืึทืกืึทืžืคึผืฉืึทื ื–. ืžื™ื˜ ื“ืขื ืกืึธืจื˜ ืคื•ืŸ ื’ืจื•ื™ืก ืคึผืœืึทื ืขื•ื•ืขืŸ ืงื•ื•ืึทืœื™ื˜ืขื˜ ืื•ืŸ ื“ืึทืงื™ื•ืžืขื ื˜ืขืจื™ ืกืึธืœื™ื“ื™ื˜ื™, Heinlein ื”ืื˜ ื•ื•ืึทืŸ ืคื™ืœืข ื’ืจื•ื™ืก ืคึผืจื™ื™ื–ืึทื– ืคื•ืŸ ื“ื™ ื–ืฉืึทื ืจืึท.

Top 3 ืจืขืงืึทืžืขื ื“ื™ื“ ืกืคืจ ื“ื•ืจืš Robert A. Heinlein

ื“ื™ ืœื‘ื ื” ืื™ื– ืึท ื’ืจื•ื™ื–ืึทื ืœื™ื‘ื”ืึธื‘ืขืจ

ืื™ืš ืžื•ื–ืŸ ืึทืจื™ื™ึทื ืœืึธื–ืŸ ืึทื– ืื™ืš ื˜ืึธืŸ ื ื™ื˜ ื•ื•ื™ืกืŸ ืฆื™ ื“ืึธืก ืื™ื– ื“ืขืจ ื‘ืขืกื˜ืขืจ ืจืึธืžืึทืŸ ืคื•ืŸ Heinlein, ืึธื‘ืขืจ ืื™ืš ืกืขืœืขืงื˜ื™ืจืŸ ืขืก ื•ื•ื™ื™ึทืœ ืื™ืš ื˜ืจืึทื›ื˜ืŸ ืขืก ืื™ื– ื“ื™ ืžืขืจืกื˜ ืฆื•ื ืขืžืขืŸ ืื™ืŸ ืื•ื ื“ื–ืขืจ ืฆื™ื™ื˜.

ืงืึทื ืขืงื˜ื™ื•ื•ื™ื˜ื™, ื“ื™ ืื™ื ื˜ืขืจื ืขื˜ ืคื•ืŸ ื˜ื”ื™ื ื’ืก ืคื•ื ื˜ ืฆื• ืึท ืคืึธืจืขื ืคื•ืŸ ื™ื ื˜ืขืจืึทืงืฉืึทืŸ ืฆื•ื•ื™ืฉืŸ ืžืขื ื˜ืฉืŸ ืื•ืŸ ืึทืœืข ืžื™ื ื™ื ืคื•ืŸ ื“ืขื•ื•ื™ืกืขืก ืื•ืŸ ืจืึธื•ื‘ืึทืฅ. ืึธื‘ืขืจ ื“ื™ ืึทืจื•ื™ืกื’ืขื‘ืŸ ื”ืื˜ ืื•ื™ืš ื–ื™ื™ืŸ ืจื™ืกืงืก, ืื™ืŸ ืขืจืฉื˜ืขืจ ื‘ืœื™ืง, ืกื™ื™ื‘ืขืจ ืึทื˜ืึทืงืก ื•ื•ืึธืก ื ื•ืฆืŸ ื“ื™ ืงืึทื ืขืงื˜ื™ื•ื•ื™ื˜ื™ ืฆื• ื“ืขืจื’ืจื™ื™ื›ืŸ ืงื™ื™ืŸ ืžื™ื˜ืœ.

Heinlein ืงืึทื ืกื™ื•ื•ื“ ื“ื™ ื“ืขืจืฆื™ื™ืœื•ื ื’ ืื™ืŸ 1966 ืื•ืŸ ื“ืขืจืฆื™ื™ืœื˜ ืื•ื ื“ื– ื•ื•ืขื’ืŸ ืึท ืงืึทืœืึทื ื™ื™ื–ื“ ืœื‘ื ื” ืื™ืŸ ื•ื•ืึธืก ืึทืŸ ืึทื˜ืึธืจืึทื˜ืขืจื™ืึทื ื™ื–ืึทื ืฉื•ืจืœื™ ืงื™ื™ื ืžืึธืœ ื™ืžืึทื“ื–ืฉืึทื ื“ ืื™ื™ื“ืขืจ ื“ื™ ืงืึทื ื’ืงื•ื•ืขืกื˜ ืคื•ืŸ ืึท ื ื™ื™ึท ืคึผืœืึทืฅ ื•ื•ื™ื™ึทื˜ืขืจ ืคื•ืŸ ื“ืขืจ ืขืจื“ ืื™ื– ื™ืžืคึผืœืึทื ื˜ื™ื“. ืžืึทื ื™ืข ืœืขื‘ื˜ ืื•ื™ืฃ ื“ืขืจ ืœื‘ื ื” ืื•ืŸ ืื™ื– ื‘ืืฉืœืืกืŸ ืฆื• ื‘ืึทืคืจื™ื™ืขืŸ Wyoming Knott.

Para ello se ayudarรก de Mike, un ordenador conectado capaz de subvertir el orden establecido en la Luna gracias a su inteligencia artificial que bordea la intuiciรณn humana. Que la Luna alcance su libertad del opresor gobierno terrรญcola, dependerรก de Mannieโ€ฆ

ืคืจืขืžื“ืขืจ ืื™ืŸ ืึท ืžืึธื“ื ืข ืœืึทื ื“

La novela por excelencia para abrirnos a la propuesta mรกs crรญtica sobre la civilizaciรณn humana. El personaje de Michael, un hรญbrido de humano y extraterrestre (por lo menos entre sus disparidades fรญsicas con su educaciรณn en manos de marcianos) es un personaje trascendentalรญsimo que sirve para la causa de tomar perspectiva sobre nuestras costumbres, nuestros vicios, nuestra moral, nuestras contradicciones y todo aquello que nos conforma en humanos como seres dรฉbiles de cuya debilidad se aprovechan leyes, instituciones y estados. Cuando Michael llega a la Tierra el conflicto estรก servido.

ื•ื•ื™ื™ึทืœ ืžื™ื›ืืœ ื”ืื˜ ื’ืขืœืขืจื ื˜ ืฆื• ื ื•ืฆืŸ ืึทืœืข ื“ื™ ืคึผืึธื˜ืขื ืฆื™ืขืœ ื•ื•ืึธืก ื™ื•ืžืึทื ื– ื”ืึธื‘ืŸ ื‘ืขืจื™ื“ ืคึฟืึทืจ ืึท ืœืึทื ื’ ืฆื™ื™ื˜. ืื•ืŸ ืึทืžืึธืœ ืžื™ื›ืืœ ื“ื™ืกืงืึทื•ื•ืขืจื– ื“ื™ ืึทื ืึทืžืึทืกืึทื˜ื™ ืึทื– ืึทื•ื•ื™ื™ืงืึทื ื–, ืžื™ื˜ ื–ื™ื™ืŸ ื”ื™ืœืฃ ืคื•ืŸ ื–ื™ื™ืŸ ืจืขืกืงื™ื•ืขืจ ื“ื–ืฉื•ื‘ืึทืœ ื”ืึทืจืฉืึทื•ื•, ืขืจ ื•ื•ืขื˜ ืึทื ื˜ื“ืขืงืŸ ืึทืœืข ื“ื™ ืคึผืึธื˜ืขื ืฆื™ืขืœ ื•ื•ืึธืก ืงื™ื™ืŸ ืื ื“ืขืจืข ืžืขื ื˜ืฉ ืงืขืŸ ืึทื ื˜ื•ื•ื™ืงืœืขืŸ.

ืคืจืขืžื“ืขืจ ืื™ืŸ ืึท ืžืึธื“ื ืข ืœืึทื ื“

ืกืคืขื™ืก ื˜ืจื•ืคึผืก

ืื•ื™ื‘ ืื™ืจ ื–ืึธื’ืŸ ืึทื– ืขืก ืื™ื– ืึท ืคึผืœืึทืฅ ืึธืคึผืขืจืึท, ืขืก ืงืขืŸ ื•ื™ืกืงื•ืžืขืŸ ื•ื•ื™ ืึท ื“ืขืจืžืึธื ื•ื ื’, ื•ื•ื™ื™ึทืœ ื“ืขืจ ืจืึธืžืึทืŸ ืื™ื– ืคื™ืœ ืžืขืจ ืคื•ืœืฉื˜ืขื ื“ื™ืง. ืึธื‘ืขืจ ืื™ืŸ ื“ืขื ื–ื™ื ืขืŸ ืขืก ืงืขื ืขืŸ ืฉื˜ืขื ื“ื™ืง ื–ื™ื™ืŸ ืœื™ื™ื‘ืึทืœื“ ื•ื•ืขืŸ ืžื™ืจ ืึทื ื˜ื“ืขืงืŸ ื™ื ื˜ืขืจืกื˜ืขืœืขืจ ืึทื“ื•ื•ืขื ื˜ืฉืขืจื–.

ื•ื•ื™ื™ึทืœ ื“ืขืจ ืกื•ืฃ ืคื•ืŸ ื“ืขื ืจืึธืžืึทืŸ ืื™ืŸ ื“ื™ XXIII ื™ืึธืจื”ื•ื ื“ืขืจื˜ ื’ื™ื™ื˜ ื“ื•ืจืš ืงืึทืžื‘ืึทื˜ ืื™ืŸ ืคึผืœืึทืฅ, ื•ื•ื• Johnny Rico ืžื•ื–ืŸ ื‘ืึทื•ื•ื™ื™ึทื–ืŸ ื–ื™ื™ืŸ ื•ื•ืขืจื˜ ื•ื•ื™ ืึท ืจื™ืจืขื•ื•ื“ื™ืง ื™ื ืคืึทื ื˜ืจื™ ืคึผื™ืœืึธื˜.

ืžื™ื˜ ืžื™ืœื™ื˜ืขืจื™ืฉ ืจืขืžืึทื ื™ืกืึทื ืกื™ื– ืคื•ืŸ ื“ืขื ืžื—ื‘ืจ 'ืก ื’ืขื ื™ื˜ื•ื ื’ ื‘ื™ื– ื–ื™ื™ืŸ ืงืจืึทื ืงื™ื™ื˜ ืคึผืจื™ื•ื•ืขื ื˜ื™ื“ ืื™ื ืฆื• ืคืึทืจืœืขื ื’ืขืจืŸ ื–ื™ื™ืŸ ืงืึทืจื™ืขืจืข, ื“ื™ ื“ืขืจืฆื™ื™ืœื•ื ื’ ืงืึทืžืคึผืึธื•ื–ื– ืึท ื–ื™ื™ืขืจ ืœืขื‘ืขื“ื™ืง ืื•ืŸ ื“ื™ื ืึทืžื™ืฉ ืคึผืœืึทื ืขื•ื•ืขืŸ ืื•ื™ืฃ ื“ื™ ืจื™ืงืขืจื™ื ื’ ื˜ืขืžืข ืคื•ืŸ โ€‹โ€‹ื“ืขื ืงืึธื ืคืœื™ืงื˜ ื•ื•ืึธืก ืงืขื ืขืŸ ื“ืขืจื•ื•ืึทืจื˜ืŸ ืื•ื ื“ื– ืžื™ื˜ ืกื™ื•ื•ืึทืœื™ื–ื™ื™ืฉืึทื ื– ืคื•ืŸ ืื ื“ืขืจืข ืคึผืœืึทื ืึทืฅ.

ื•ื•ื™ ื‘ืึทื˜ื™ื™ึทื˜ื™ืง ื“ืึทื˜ืŸ, ืขืก ื–ืึธืœ ื–ื™ื™ืŸ ืื ื’ืขื•ื•ื™ื–ืŸ ืึทื– ื ื™ืฉื˜ ืึทืœืฅ ื›ืึทืคึผืึทื ื– ืื™ืŸ ื“ื™ ื™ื•. ืขืก., ื“ื™ ืฉื˜ืึธื˜ ืคื•ืŸ ื‘ื•ืขื ืึธืก ืขืจื™ื– ืื™ื– ื“ืขืจ ืขืจืฉื˜ืขืจ ืฆื™ืœ ืคื•ืŸ ืขืงืกื˜ืจืึทื˜ืขืจืขืกื˜ืจื™ืึทืœ ืฉื™ืคืŸ ... ืื•ืŸ ืึทื– ื–ื™ื™ืŸ ืคื™ืœื ืงื•ืงื˜ ื•ื•ื™ ืึท ื™ื™ ืคึฟืึทืจ ืึท ืงืขืกื˜.

ืกืคืขื™ืก ื˜ืจื•ืคึผืก
5/5 - (10 ื•ื•ืึธื•ืฅ)

1 ื‘ืึทืžืขืจืงื•ื ื’ ืื•ื™ืฃ "ื“ื™ 3 ื‘ืขืกื˜ืขืจ ื‘ื™ื›ืขืจ ืคื•ืŸ Robert A. Heinlein"

ืœืึธื–ืŸ ืึท ื‘ืึทืžืขืจืงื•ื ื’

ื“ืขื ืคึผืœืึทืฅ ื ื™ืฆื˜ ืึทืงื™ืกืžืขื˜ ืฆื• ืจืขื“ื•ืฆื™ืจืŸ ืกืคึผืึทื. ืœืขืจืŸ ื•ื•ื™ ื“ื™ื™ืŸ ืงืึธืžืขื ื˜ืึทืจ ื“ืึทื˜ืข ืื™ื– ืคึผืจืึทืกืขืกื˜.