ʻO nā puke maikaʻi loa 3 na ka mea kupaianaha Víctor del Arbol

Inā he mea kākau i haki i loko o ka hanana moʻokalaleo Sepania hou loa, ʻo ia hoʻi ʻO Victor o ka Lāʻau. Hoʻopili ʻia kona ʻano moʻokalaleo i nā mea āpau, mai nā kipi kupaianaha kupaianaha, a i ka lexicon waiwai nui e hoʻomalu ana a hopu ʻia e hāʻawi i ka waiwai i nā wehewehe (nā mea kūpono), a me nā huapalapala. ʻO kahi mea kākau e hāʻawi nei i kahi inscrutable ke kaulike kūpono ma waena o ka hohonu o ka noʻonoʻo a me ka māmā i ka hana, ka huikau paha i kali ʻia e hōʻoluʻolu i nā purists o nā puke a me nā mea heluhelu makemake o ka leʻaleʻa moʻolelo me ka sediment.

Koʻu hele ʻana i kēia mea kākau ma ka ʻōlelo paipai. ʻO ka puke mua aʻu i heluhelu ai e pili ana iā ia ʻO ka pō o ka aneane nā mea āpau, i puka wale mai nei i kēlā mau lā. Naʻu, he mea heluhelu ikaika o Stephen KingʻO ka loaʻa ʻana o kekahi mau mea like ma waena o nā characterization o nā huapalapala kahi loaʻa maoli. He ʻano ʻokoʻa paha ke kumuhana, akā ʻo ke kaha kiʻi ʻana o nā huapalapala ma lalo o ka ʻili e hiki ai iā ʻoe ke paʻi me lākou he mea kupaianaha maikaʻi loa ia o kēia mau mea kākau ʻelua, a me kekahi mau poʻe ʻē aʻe ...

I kēia hihia, e hōʻike i kaʻu mau puke ʻoi loa 3, hoʻomaka wau me kahi pono. Ka hānau ʻana o ka ʻO Victor del Arbol mea kākau ʻAʻole ia i hele mai ma mua loa, no laila ʻaʻole i piha kāna puke i kāna ʻoihana kūleʻa i nā puke.

ʻO nā puke noveloma kiʻekiʻe ʻoluʻolu e Victor del Arbol

ʻO ka pō o ka aneane nā mea āpau

Ma ka heluhelu ʻana a me ka loiloi ʻana i kēia puke i kēlā manawa, kanalua wau inā paha e kuhi ia i kēia papa inoa. Akā ʻaʻole ia e kūlike inā ʻaʻole wau e kau ma ke poʻo o ka mea a ka mea kākau i kākau ai a hiki i kēia manawa. E hoʻihoʻi wau i aneʻi i kahi ʻāpana o ka loiloi aʻu i hana ai i kēlā manawa i kēia wahi like:

Mai ka ʻimi e hoʻoponopono i kekahi nā mea i hōʻeha ʻia i ka dictatorhip o Argentina, a hiki i ka recomposition hiki ʻole o makuahine e lilo ana kā lākou keiki, ke hele nei i loko o nā moʻolelo o kaohi keiki mai ka wā kamaliʻi lokoino a na ʻuhane pīhoihoi ʻaʻole lākou i ʻike, ʻaʻole hoʻi lākou i ʻike, ʻaʻole hiki iā lākou ke loaʻa i ko lākou wahi i ka honua.

Me ke kanalua ʻole o ke ao kūlohelohe o nā pilikino e ʻālohilohi i ka pouli hohonu, me nā kumuwaiwai moʻokalaleo maʻamau o nā flashbacks e hoʻohuli i ka moʻolelo i loko o kahi puzzle, nā mea āpau i hoʻoneʻe ʻia (e like me ka cocktail maikaʻi) mahalo i ka ʻimi noiʻi mākaʻi ʻo ka de de Ibarra maikaʻi pili i ka personifying ma ke ʻano he pae maʻamau no nā mea he nui a nui loa o nā vespers o nā mea āpau.

Ma ka hopena wale nō, kahi manaʻo hoʻohuli ʻole o ka manaʻolana e hōʻike ana i ka mālie o kekahi o ka poʻe i pakele iā lākou iho. ʻO ka poʻe, ma hope o ka haki loa ʻana o ko lākou ʻuhane i nā pōhaku, hiki iā lākou ke hoʻolālā i kahi holo hou.

ʻO ka poʻe i hala a me ka poʻe, ʻoiai nā mea āpau, hoʻomau i ka pili ʻana i nā mea i hala e like me ka noho ʻana e like me kā mākou i ʻike ai iā lākou, mired i kēlā mau ahiahi ʻaʻole hoʻolaha i kahi lā nui.

ʻO ke kaumaha o ka samurai

Aia nā poʻo inoa evocative āu e ʻike ʻole ai no ke aha lākou. ʻO kēia kekahi o kēlā mau hihia. Nā pāʻina me ka manaʻo exotic, remote sadness ... ʻAʻole wau maopopo, kahi mea like me kēlā. Akā ʻo ka mea, holo pono ia, pau ia i ka nānā ʻana iā ʻoe.

ʻO ka loio ʻo María Bengoechea ka mea i hele mua i mua no ka waiho ʻana i ka Luna Nūhou ʻo César Alcalá ma hope o nā kaola, i kahi hihia kani i Barcelona i nā makahiki kanahiku.

Ua hoʻi hou ka hana ʻino ma kahi o hoʻokahi mau makahiki ma hope mai ka wā i ʻike ai ʻo María e pili ana kekahi poʻe ʻē aʻe: he kālaiʻāina me kahi hala pouli, kahi kanaka kolohe a me kahi hermit.

E wehe ʻo María i ka skein o ke koko a me ka hāmau a hiki i ka hoʻāʻo pepehi kanaka a ka Falangist Guillermo Mola i 1941, i hoʻonohonoho ʻia e kāna wahine ʻo Isabel, kahi e sila ai kahi pilina ʻano ʻē ma waena o kēia mau wahine koa ʻelua.

ʻO ke kaumaha o ka samurai ʻo ia, i ka manawa like, kahi moʻolelo mākaʻikaʻi i piha i nā wili a me ka huli ʻana o ka mōʻaukala e hoʻomaopopo i kēia manawa, me ka haku o Del Arbol e wehewehe ai i nā hiʻohiʻona brutal a me nā ʻano pili loa.

Ma luna o ka ua

Me he mea lā ua haki kēia puke me nā mea āpau i kākau mua ʻia e kēia mea kākau, a ma nā mea e pili ana i nā kumuhana heʻoiaʻiʻo ia, a he ʻano hana ia o kekahi e ʻimi ʻole i ka nūnū maʻalahi a ʻoluʻolu hoʻi.

Eia naʻe, ʻaʻole nui ka haki i nā mea nui. Hui mākou i nā ʻuhane ʻeha a aloha, me kā lākou ʻino i loko, ko lākou scars a me ko lākou hemahema. A ua nui nā mea i loko o nā puke i hala e kēia mea kākau e hoʻomau nei e ulu a, hāʻawi ʻia i ka mea i ʻike ʻia, e hana hou iā ia iho.

ʻO Miguel lāua ʻo Helena nā ʻelemakule ʻelua e kokoke ana i ka haʻalele. Eia naʻe, ke hui lāua ma ka hale noho, lilo lākou i mea kaulike kekahi. A ma waena o kā lākou kaua nalo a me ko lākou makaʻu ʻike lākou i ka wiwo ʻole e hana pū i nā huakaʻi hou.

Ma ke kiʻekiʻe o nā luna hiki ʻole iā mākou i maʻa mau iā mākou, ʻike pū mākou i kēia moʻolelo hoʻokalakupua ʻo Yasmina, kahi malihini e ʻimi nei i kona ʻano ma waena o nā ālai mau a me nā koʻikoʻi o kona mau hoahānau kokoke.

ʻO nā huapalapala ʻekolu, ʻelua ma ke kino a pili loa i ka naʻau a me ka naʻau, e hōʻike iā mākou i nā ʻano ʻokoʻa o ka ikaika e hoʻokokoke ai nā kūlana ola. Will, aloha a lana ka manaʻo e like me nā ʻenekini e hana i kekahi huakaʻi.

Nā puke ʻē aʻe i manaʻo ʻia e Víctor del Árbol

aohe kanaka ma keia honua

Lawe ʻo Víctor del Árbol stamp i kāna ʻano ponoʻī no ka moʻolelo e hele ana i ke ʻano noir no ka loaʻa ʻana o ka pili nui i nā mea i manaʻo ʻole ʻia. No ka mea, ʻo nā ʻuhane i hoʻomāinoino ʻia e noho nei ma nā ʻāpana o kēia mea kākau e hoʻokokoke iā mākou i nā hanana ola me he mea lā i luku ʻia e nā kūlana.

ʻO nā poʻe e hele i ke ala o ka hopena paʻakikī loa, me kahi ʻāpana o ka manaʻo ʻana i ko lākou hopena ma waena o nā mihi a me nā hoʻopaʻi liʻiliʻi, ʻoi aku me ʻoe iho. Nui ka poʻe protagonists o kahi puke moʻolelo i hana ʻia ma Víctor del Árbol i ke aloha kūikawā no kēia ʻano o lalo, kahi e hana ai nā mea ʻino a pau, kahi e waiho mau ai iā lākou e pale i ka hohonu ke hāʻule ʻole i loko o lākou.

ʻO ia e pili ana i ke kānalua nui loa, ʻo ka thriller e hoʻopuni ana i ka hoʻokolokolo mākaʻi ma ka hana. No ka mea, ua huki nā aka i nā aka e like me ka lua ʻeleʻele nui, i hoʻokumu ʻia mai ka foci ʻaʻohe mea ma kēia honua, pololei, makemake e hoʻokokoke.

He mākaʻi mākaʻi ʻo Julián Leal ma Barcelona ʻaʻole e hele ana i kāna manawa maikaʻi loa. Ua ʻike ke kauka i ka maʻi kanesa a ʻaʻole i hāʻawi i ka manawa e ola ai, ua hoʻopiʻi ʻia ʻo ia no ka hahau ʻana i kahi mea hoʻomāinoino keiki.

Ma hope o ka mākaʻikaʻi ʻana i kona kūlanakauhale ma Galicia, hoʻomaka kekahi mau kupapaʻu e pili ana iā ia a makemake kona poʻo e hoʻopiʻi iā ia e hoʻopaʻi i ka huhū i hala. E hoʻokomo ʻia ʻo ia a me kāna hoa ʻo Virginia i kahi hoʻokolokolo hohonu a paʻakikī hoʻi ma mua o ko lākou manaʻo a hiki ke uku iā lākou a me nā mea āpau a lākou e aloha ai i ko lākou ola. ʻAʻole pono ʻo Julián e hoʻoponopono i nā moʻolelo me kāna manawa i kēia manawa, akā me kāna mea i hala.

ʻOiai ke ʻōlelo nei ka honua ʻaʻole

ʻO kēlā Víctor del Arbol ʻaʻole wau i ʻike i ke ʻano o ka lyricism i kāna hiʻohiʻona, ʻaʻohe kānalua. Ma waena o nā ala hohonu loa ma waena o ka noir a me ka existentialism, ʻo nā hiʻohiʻona i kāna mau moʻolelo e hoʻololi mau a ʻeha. Hoʻouna kāna mau ʻano i ke kaumaha o ke ao nei, e hoʻoholo ana i ka manaʻo a me ka ʻuhane. ʻO kēia ke ʻano o kou hoʻomaopopo ʻana i kahi vein poetic, i kēia hihia, waiho mākou a pau ʻole.

Hoʻomaʻamaʻa mau ʻo Víctor del Arbol i ke kākau mele, me ka hoʻolaha ʻole ʻana, ma ke ʻano he manaʻo pilikino, a mahalo i kēia, kāna puke poʻomanaʻo mua, ʻike mākou i kahi huaʻōlelo maopopo a pololei e kamaʻilio ai i nā kumuhana liʻiliʻi a me nā kumuhana nui o ke ola (ke aloha. , kamaliʻi, nalowale...), nā manaʻo a me nā manaʻo like ʻole, e kū mai ana i nā makahiki, ma o ka ʻike a me ka hohonu e hoʻokūkū iā mākou a hōʻike iā mākou. ʻO kahi ʻike mele ʻoiaʻiʻo.