ʻO nā puke maikaʻi loa a Arturo Pérez Reverte

He manawa maikaʻi mau ia e hāʻawi i kahi kuanaʻike laulā e pili ana i ka bibliography ākea o kēia kālaiʻike o ka ʻōlelo, hiki ke hoʻohui i ka ʻōlelo maikaʻi loa me nā hana hoihoi loa, kahi ala maikaʻi loa e hoʻonui i ka ʻōlelo a hoʻolauleʻa ʻia ma loko o ka hana a Don Arturo Pérez Reverte. E aʻo paha nā mea kākau ʻē aʻe ...

No ka mea, ʻo kekahi o nā waiwai koikoi loa o ka mea kākau, noʻu ia, ka maʻalahi. Ke hiki i kahi mea kākau ke hana i nā ʻano hana like ʻole, hōʻike ʻo ia i ka hiki no ka hoʻomaikaʻi ʻana iā ia iho, kahi pono e ʻimi i nā wahi hou a me ka hoʻolaʻa ʻana i ka loea hana, me ka ʻole o ka hoʻoulu hou ʻana.

ʻIke mākou āpau i nā hōʻike ākea o ʻO Arturo Pérez Reverte ma o XL Semanal a i ʻole ma nā pūnaewele kaiaulu a aneane haʻalele ʻole iā ʻoe me ka nānā ʻole. Me ke kanalua ʻole, kēia ala o ka pili ʻole i ka mea i hoʻokumu ʻia ua maopopo leʻa i kāna hana e kākau wale no ka pono o ia mea, ma ke ʻano he kālepa manuahi, me ka ʻole o ka imperative kalepa (ʻoiai i ka hopena kūʻai aku ʻo ia i nā puke e like me ka nui).

Ke hele nei i loko o ka kikoʻī ʻana i kāna ʻoihana kākau kākau maikaʻi paha. Akā he mea ia e lilo ai i mea heluhelu manuahi. Hiki iaʻu ke ʻōlelo no ka mea ʻae, no laila e ʻaʻa wau e nānā nā puke āpau a Arturo Pérez Reverte, hana i kahi ʻoihana lōʻihi o, me ke kānalua ʻole, kekahi o nā mea kākau Paniolo maikaʻi loa o kēia lā.

Inā mākou e hoʻi i ka hoʻomaka, ʻike mākou i ka nā puke hou na Arturo Pérez Reverte ke kakali mua nei lākou i nā keaka keaka hope i mālama ʻia e ia na mākou. Akā hele mākou pākahi i ka hoʻonohonoho manawa. Welina mai i ke ao Reverte, ma ka liʻiliʻi ma nā ʻōlelo no nā puke:

Hana ʻia e Arturo Pérez-Reverte i ke kaʻina manawa

ʻO ka husar

ʻO kāna hiʻohiʻona mua, Hussar, kālele ana i ke kenekulia ʻumikūmāiwa. ʻOiai ua hele ka hoʻolālā i loko o ka wā mōʻaukala e pili pū ana, me nā ʻano kaua like ʻole i ka hoʻomaka ʻana o ke Kaua Kūʻokoʻa Sepania.

ʻO nā kiʻi o kēia moʻolelo e lawe mai i nā manaʻo a me nā hiʻohiʻona weliweli e pili ana i ke kaua, kahi mea kūpono loa i kahi mea kākau kaua i mea hou i ka moʻolelo moʻokalaleo. ʻAʻole pono mākou e poina i kāna mau makahiki ma mua o 20 ma ke ʻano he ʻelele kūikawā i nā hakakā like ʻole. ʻElua mau makahiki i hoʻolaʻa ʻia i ka misionari o ka haʻi ʻana i nā weliweli o nā hakakā kaua like ʻole a puni ka honua.

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Haku pā

Haku pā ʻo ia kāna puke ʻelua, i paʻi ʻia ma 1988. I lilo i kāna inoa ʻelua, he mea kūʻai aku mua ia; ke ala nei nō naʻe i kēia lā ma ke ʻano he hana pohihihi nui loa a hoʻopakele wau ma aneʻi i kona puka hou ʻana o ʻApelila 2017.

Ma waho aʻe o ka pani ʻana i Sepania i ka hopena o ke kenekulia XNUMX i kahi ala kikoʻī a waiwai hoʻi, hoʻomaka kahi mea hoʻopīhoihoi hoihoi i kēia hana. ʻO ke ola o Don Jaime, lawe ka haku pā i nā ala kūpono ʻole me ke ʻano o ka wahine enigmatic e ʻimi nei e hoʻopilipili iā ia iho i ka hoʻokō ʻana i kā lunge Don Jaime ponoʻī.

Coincidence ʻaʻole paha, i ka like, lilo ʻo Don Jaime i waihona o kekahi palapala o kahi marquis nāna i hilinaʻi iā ia e kiaʻi i kekahi ʻike nui. Me ka hōʻuluʻulu o kēia mau "mea haʻohaʻe" ʻelua i hoʻomaka ʻia ...

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Pākaukau kauā

He aha e ʻōlelo e pili ana Pākaukau kauā? ʻElua mau makahiki ma hope o ka haki ʻana me ʻO ka haku pā, ua hana hou ka mea kākau i ke ʻano me ka kūleʻa a i ʻole ʻoi aku ma mua o ka mea i kapa ʻia ma mua.

ʻO ka wā mau me kahi moe o kahi kaila nani i nā ʻano a animated ma hope, komo ka mea kākau i kahi hana hou o ka mea pohihihi e ʻaneʻane kokoke i ka thriller. ʻO Art, chess a me ka mōʻaukala, kahi hui kupaianaha e hōʻike i nā nane o ka wā i hala e hoʻāʻo ana ʻo Julia, kahi ʻōpio hoʻōla hou e wehewehe.

ʻO kahi puke e hoʻouluulu nei e komo i ka sophistication o kāna kipi, me he mea lā i komo i kēlā kekelē o ka erudition a me ka ʻike, ʻoiai e leʻaleʻa nei i kahi mele e mae ʻole. ʻO kahi rhythmic rhythm e kāna mau mea, i hoʻoulu ʻia i ka ʻike mōʻaukala o nā ana gigantic.

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ʻO ka lāʻau Dumas

ʻO ka lāʻau Dumas He mahalo ia i ka mea kākau nui ʻo Alexandre Dumas, kahi kuhikuhi no ka mea kākau iā ia iho a ʻoi aku ke aniani kūpono e hoʻomohala ai i ke kaila, ka hanohano, ka hohonu o nā huapalapala a me kēlā kikoʻī kālepa o nā puke i hoʻokō ʻia e nā knot a me nā hopena hopena.

I loko o kēia puke moʻolelo, ua komo ʻo Arturo Pérez Reverte i loko o ka honua o nā bibliophiles, kahi e aʻo ai e pili ana i ka waiwai o nā kumu kumu, nā paʻi mua a i ʻole nā ​​puke e hiki ke hana ʻia e Alexandre Dumas a me nā mea kākau ʻē aʻe.

Hoʻokomo ʻia ka moʻolelo me ka hoʻopā ʻana o ke kenekulia ʻumikūmāiwa, me ke ʻala o ka pepa kahiko a me ka inika peni. Hoʻopiha ʻia ka hoʻonohonoho me kahi kiko esoteric o nā enigma hoihoi e hōʻike, ʻo ia hoʻi e pili ana i kahi puke lurid: ʻO nā puka ʻeiwa o ke aupuni o nā aka.

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ʻO ke aka o ka ʻaeto

ʻO ke aka o ka ʻaeto ʻAʻole ia kekahi o nā hana i ʻike nui ʻia e Árturo Pérez Reverte, akā noʻu nei e hoʻomau nei ia i kahi moʻolelo kaua hoihoi e pili ana i nā hanana maoli i kū mai i ka wā o ka Napoleonic hoʻouka kaua o nā ʻāina Lūkini: ke kaua o Berézina.

I kēlā hoʻokūkū, ua komo nā pio Paniolo i ka ʻaoʻao Palani nāna i hāʻawi i ka loli weliweli o ka hoʻokūkū, ʻaʻole i hoʻokaʻulua i ka hoʻololi ʻana i nā ʻaoʻao ke pena lākou i nā lāʻau.

Pāʻani ka mea kākau i ka hapa-malamalama ma waena o ka maoli a me ka fiction, e pili ana i nā hopena a me ka ʻoiaʻiʻo hope loa o nā ʻike mōʻaukala i hiki ʻole ke hōʻole ʻia akā e hoʻololi ana i kāna hoʻomohala ʻana e hana i kahi moʻolelo manaʻo ʻole me ka ʻole o ka hoʻohenehene a me kahi ʻano parody o nā waiwai ma mua. nā lālani.

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Teritori o Comanche

Teritori o Comanche He hoʻomaha koʻikoʻi me ke kumumanaʻo moʻolelo i hoʻopaʻa ʻia a hiki i kēlā manawa e ka mea kākau. Ma ka hana, ʻike ʻia kahi wehewehe holomua, kahi maceration lohi, no ka mea ma kāna mau ʻaoʻao ua wehe ka mea kākau iā ia iho i ka honua ma kāna ʻano a me kāna hana ma ke ʻano he mea kākau kaua. No ka mea, loaʻa i ka hana nā wahi o ka moʻoʻōlelo, a i ʻole ka liʻiliʻi o ke kumuhana, akā paʻa mau i ka realism. Pehea e poina ai ʻo Arturo Pérez Reverte i hūnā ʻia i loko o kahi ʻauwaha i waenakonu o kahi hakakā? Pehea ʻo ia e haʻalele ʻole ai i kekahi hapa o kāna mau ʻike ma kahi hana e like me kēia?

ʻAʻole maʻalahi ka kākau ʻana e pili ana i ka maka o ka hakakā kaua. Ma kēia puke e pouli ana ka ʻōlelo i kekahi manawa. Me he mea lā e hōʻike ana i nā mea āpau i waiho ʻia e ʻōlelo ʻia ma ʻō aku o nā leo no nā kīwī kūhelu.

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ʻIli pahu

ʻIli pahu ua hoʻi ʻo ia e hoʻōla i ka mea kākau moʻolelo ʻo Reverte, ka mea kākau koʻikoʻi a koʻikoʻi hoʻi, ka mea haʻi moʻolelo o intrahistories a me ka mea nāna i hana i nā enigmas a me nā mea pohihihi hoihoi.

Ke hoʻi nei ka mea kākau multifaceted i kona wahi hanohano i ka moʻokalaleo. A ma nā ʻano hoʻolālā a me nā huapalapala, ʻo ka ʻoiaʻiʻo ua hana ʻo ia iā ia ma ka puka o mua. ʻO ke kūkulu ʻana o kēia puke e pono ai na Ken Follet, kahi cosmos o nā huapalapala a me nā ramipikipiki e hui pū i kahi ʻano hoihoi.

I loko o kēia puke moʻolelo ua hoʻokuʻu ka mea kākau i kāna hana, kona akamai a me kāna wahi nui o ka hana moʻokalaleo e hana i kēia lā a nehinei e pili ana. Mai ka helu ʻana i ke kenekulia ʻumikūmāiwa, e hoʻohui i nā huapalapala o nā ʻano āpau a e mālama mau i kahi pae kahi i paʻa ai nā mea heluhelu āpau.

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ʻO ka leka spherical

ʻO Arturo Pérez Reverte, inā ʻo John Smith Westinghouse ʻo ia, e piʻi (inā ʻaʻole i hiki mua ʻo ia) i ke kiʻekiʻe o nā mea kūʻai aku maikaʻi loa o ka honua, i ke kiʻekiʻe o pepa palapala, Palaunu o KingI ka hihia wale nō o nā mea ʻelua, me ka nui o ka luster i ke kinona a ʻoi aku ka sediment ma lalo.

He haʻohaʻo pehea e hiki ai i kēia mea kākau ke ʻike i nā hoʻolālā hou e huki mai e hana i nā moʻolelo hou a ikaika e like me kēia mai ʻO ka leka spherical. ʻO ka moku moku i ke kai o ka hapalua o ka honua kahi kumuhana hoihoi, ke ʻimi nei nō ka poʻe ʻimi waiwai i ka hohonu o ke kai a me ka moana.

A ʻo ia ka mea e pili ana i kēia puke, ke Kaiwaenahonua ma ke ʻano he luna hoʻokō o nā hōʻike moku waiwai nui o ka mōʻaukala nui loa.

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Moiwahine o ka hema

Moiwahine o ka hema Hōʻike ia i ka hoihoi palapala a Reverte i kēia mau wahine "ʻokoʻa". I loko o kahi honua e ʻimi mau nei i ka kaulike o nā kāne a me nā wahine i nā kiʻekiʻe kiʻekiʻe o ke kauoha, e noʻonoʻo ana e pili ana i nā mafias a i nā mākeke ʻeleʻele kahi e hiki ai i ka wahine ke holo i nā mea āpau āpau, e hoʻokiʻekiʻe nei i ka waiwai o kēlā wahine ma mua o nā mea ʻē aʻe. . kāne.

E ʻōlelo mākou ʻo ia ke kuanaʻike mai kahi manaʻo heluhelu e like me kahi huakaʻi lawehala. Akā ʻoiaʻiʻo, ma lalo o kahi hoʻolālā e kia ana i ka smuggling, e ala mai ka pilau o ka palaho, ka make a me nā hakakā o nā ʻano like ʻole. ʻO Teresa Mendoza, ka mōʻī wahine maoli o ka hema, e hauʻoli loa i ka ʻike ʻana iā ia iho i kēia moʻolelo pīhoihoi e pili ana i kona ola a me kāna hana.

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Cape Trafalgar

Cape Trafalgar no Arturo Pérez Reverte ʻo ia ka makana o ke Keʻa no ka pono kaiāulu, e hōʻike ana i ke koʻikoʻi a me ka ʻike o ka hana. Me ke kua o kāna puke

ʻO ka pakuhi spherical, ua lawa ka nui o ka ukana a ka mea kākau e hana ai i kahi moʻolelo no ka moana. Aia mākou i waena o ke kaua o Trafalgar, ka moku Sepania ʻO Antilla ke hoʻomākaukau nei ʻo ia e alo i ka maikaʻi loa o ka hakakā kaua moana o ka mōʻaukala āpau.

I mea e komo ai i ka hanana mōʻaukala, ʻike ʻo Reverte e hana maʻalahi mākou ma o ka ʻōlelo laha ʻole, ʻōlelo ʻino a ʻenehana paha, akā kūpono mau loa e hoʻonoho iā mākou i kēlā me kēia ʻano i ko mākou ʻili.

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Ka mea pena kiʻi o nā kaua

Ka mea pena kiʻi o nā kaua Hāʻawi iā mākou me kahi evocation o ke kaua ma Balkans. Inā ma ka Teritori o Comanche, ua hoʻopili ʻia nā hiʻohiʻona i kahi paʻi nūpepa, i kēia moʻolelo e neʻe ana ka knot ma waena o nā ʻano o nā ʻike, no ka mea he kaua pilikino ia, ke ʻano hoʻi o ka mea paʻi kiʻi a me ka mea hakakā, akā extrapolated pono. i kekahi koa, kīwila a i ʻole nā ​​mea i pana ʻia o kēlā hakakā a i ʻole kekahi mea ʻē aʻe.

Akā ma ʻō aku o ka transcendent, lawe mai ka moʻolelo i kahi kiko thriller. ʻO ke kipa o Ivo Markovic, kekahi o nā kiʻi paʻi kiʻi ʻia e Faulques, lawe i nā ala lawehala kahi e manaʻo ʻia ai ka make ma ke ʻano he hoʻopaʻi i hoʻopiha ʻia me nā hoʻomanaʻo a me nā waihona e kau nei.

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He lā huhū

I kēlā me kēia kaua aia kekahi lā virulent kikoʻī, kahi hālāwai hellish kahi e komo ai nā kānaka i ke koko me ka noʻonoʻo ʻole. He lā huhū e kālele ana i ka lā 2 o Mei, 1808 ma Madrid. ʻO ka hoʻopiʻi kaulana o nā Mamelukes i pena ʻia e Goya ma ke ʻano weliweli. ʻO ia ka lā o ka huhū nui e like me ka maʻi infernal.

I loko o kēia puke lawe ʻo Reverte i nā palapala moʻolelo i loko o ka noʻonoʻo nui, me ka ʻoʻoleʻa o ka paʻa ʻana i nā ʻoiaʻiʻo. Akā ʻo ka mea maoli i hana ʻia ma lalo o ka mea i hoʻopaʻa inoa ʻia. ʻO nā moʻolelo fictionalized liʻiliʻi he lawelawe ia o nā mea weliweli, i kēlā lā i kū aʻe ai ka poʻe kūʻē i ka hoʻouka kaua Napoleonic.

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Ka hoʻopuni

Ka hoʻopuni ʻO ia kekahi o nā hana nui a ka mea kākau. ʻO ka hōʻiliʻili ʻana o nā palapala a me ka ʻike e pili ana i ke Kaua Kūʻokoʻa Sepania i ka pau ʻana o ka ninini ʻana i kēia hana, ma ka liʻiliʻi e pili ana i ka hoʻonohonoho pono ʻana ma Cádiz ma waena o nā makahiki 1811 a me 1812. Inā ʻaʻole, he aha ka mea e neʻe ai i ka hoʻolālā i ka evolution o nā ʻano like ʻole i hoʻopili ʻia i kekahi manawa. , kahi pilina pili kupanaha i kūpono i kā Ken Follet kukahele kiʻekiʻe loa.

Akā i ka hoʻohui ua loaʻa ʻo Reverte i nā leo ʻokoʻa i ka hana, nā manawa i paheʻe ai ka huakaʻi ola o nā mea i ka ʻano mākaʻikaʻi a huli paha me kahi leo disco folletin a i ʻole heʻe i mua i kahi lālā ʻepekema, nā mea āpau me kahi knot mau a nani hoʻi.

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ʻO ka tango o ke kiaʻi kahiko

Con ʻO ka tango o ke kiaʻi kahiko, Hoʻolauna mai ʻo Arturo Pérez Reverte iā mākou i kahi moʻolelo aloha. He mea pīhoihoi ia ma hope o nā moʻolelo he nui me ke ʻano o ke kaua, ua hoʻomaka koke ʻo ia iā ia iho me kahi puke aloha. Akā kūpono ʻole ia wale nō e pili ana i kēlā.

ʻO ke kumu maoli e kamaʻilio e pili ana i ke aloha e kaupalena ʻia ia i nā manawa mōʻaukala ʻokoʻa. Alakaʻi ʻo Max Costa a me Mecha iā mākou, ma o kā lākou aloha hoʻokahi, ma o ka melancholy, ma o ka manaʻo o ka nalowale a, ʻoiaʻiʻo, kekahi o nā hakakā kaua like ʻole o ke kenekulia XNUMX.

I ka hopena, i nā makahiki 60, ua alo ka poʻe ipo i kahi pāʻani pīpeku pīhoihoi. He puke nūhou hoihoi a hoʻohele honua hoʻi, no ke ʻano ʻokoʻa, ua hoʻopiha ʻia me nā hoʻomaikaʻi a me ka noʻonoʻo nui. Pēlā paha. No nā ʻono, nā waihoʻoluʻu.

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ʻO ka sniper hoʻomanawanui

ʻO ka sniper hoʻomanawanui hewa ke kani. ʻO kēlā ahonui e hiki i kahi kāne e kokoke ana i ka pepehi kanaka ke hoʻomaʻamaʻa maikaʻi ke kali i kahi hana hou ma nā hiʻohiʻona hiki ʻole ke ʻike ʻia o ke kanaka. Akā ʻaʻole nā ​​ala o ka hoʻolālā i mua i kēia ʻano.

ʻO ka sniper i haʻi ʻia ma mua he ʻano hoʻopaʻapaʻa, i kapa ʻia ʻo Sniper, kahi ʻano inoa ʻole me kahi ʻano o ka hōʻike kiʻi. ʻO Alejandra Varela, he mea kākau moʻolelo, aia ma kāna alahele. Makemake ʻo ia e kiʻi iā ia ma mua o kekahi, e ʻimi i kāna mau kumu a kau i kahi maka ma luna ona. Akā no ka hele ʻana i Sniper aia kahi lua lalo e hele ai, ka mea e hana ʻia nei i loko o kā mākou hui o kēia manawa. ʻO kahi manaʻo hoʻohiwahiwa, me ka hoʻopiʻi nui akā me ka manaʻo pilikanaka maopopo.

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Kanaka maikaʻi

Kanaka maikaʻi ʻo lākou ka poʻe i ʻimi e lawe i ka mālamalama i Sepania aka. He maopopo ia, ma ke ʻano he haumana ma ka Royal Academy of the Language, ua ʻike ʻo Pérez Reverte i ka mōʻaukala maoli o Hermógenes Molina lāua ʻo Don Pedro Zárate, a ua hoʻouna ʻia lāua ʻelua e ka Academy e kiʻi iā The Encyclopedia of Diderot a me DʻAlembert.

ʻO ka kenekulia ʻumikūmāwalu e hele mai ana i ka hopena a ua maopopo i nā ʻatikala o ka manawa i kēia hana nui, ka Reasoned Dictionary of the Science, the Arts and the Trades, hiki ke loaʻa ka hopena kiʻi a me ka hoʻololi ʻana i kahi kaiāulu Sepania i hāʻawi ʻia i ka pōʻele o ka manaʻo. a me ka moʻomeheu. kumu ma lalo o ka malu o ka pono Katolika.

ʻO ka papa o ka huakaʻi ma waena o Sepania a me Palani e hōʻike ana i ka ʻokoʻa ma waena o ʻEulopa hema a me ka ulu pono o ʻEulopa, akā i ka manawa like e kaʻana like ai i kēlā mau moʻolelo kūlike, hauʻoli mākou i kahi huakaʻi nani, me kēlā mau huapalapala pili loa, me kā lākou ʻōlelo kikoʻī i ka manawa a me ka moʻolelo o kāna mau manaʻo a me nā ʻike i kahi huakaʻi i ke kukui.

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ʻO nā huakaʻi a Kāpena Alatriste

ʻO nā huakaʻi a Kāpena Alatriste Hoʻokomo ʻia lākou i 7 mau puke o ka heluhelu kūʻokoʻa kūʻokoʻa, ʻoiai ke kiʻi piha loa o nā huapalapala i loaʻa me ka heluhelu piha ʻana, no laila ke hoʻokō nei i kahi leʻaleʻa kikoʻī, kahi ʻano premonition e pili ana i nā mea e hiki ke manaʻo ʻia mai kēlā me kēia hanana i ʻike ʻia e ke kāpena kaʻao. .

ʻO Kāpena Alatriste kahi ʻano me nā hua nui i nā puke Hispanic. ʻO kēlā me kēia nūhou 7 e hōʻike ai kēia ʻano mea he huakaʻi kupaianaha ia ma waenakonu o ka Spanish Golden Age.

ʻO ka ʻōlinolino o kēlā mau makahiki i ka wā he ao hoʻomālamalama o Sepania i hūnā i kona mau aka a me nā luʻuluʻu, kāna mau hōʻino a me nā hakakā. Hōʻike ʻo Alatriste i ka hanohano o ka ʻuhane, ʻaʻole i ke poʻo inoa, ke kanaka i mahi ʻia a koa hoʻi, me ka hanohano a me ka pahi kaua i mākaukau no ka hoʻopaʻi.

I ka leo e hiki ai iā ʻoe ke ʻike ma ke kaomi ʻana i ke kiʻi, hōʻike ʻia kahi ʻāpana o nā puke ʻehiku. Me ka hopohopo ʻole, kahi makana kūikawā i hiki i nā ʻōpio a me nā ʻelemakule ke ʻoliʻoli. Leʻaleʻa a me ke aʻo ʻana me kahi ʻōlelo momona.

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ʻO Falcó

ʻO Falcó. ʻO ka mea i kau ʻia ma ke ʻano he hua nui e loaʻa koke iā ia hāpana ʻelua: Eva. ʻO ka mea a mākou e ʻike ai i kēia ʻano Reverte hou he ʻano mea like me Alatriste antagonist i hoʻihoʻi ʻia i waenakonu o ke kenekulia XNUMX. He antihero ʻo Falcó, he kiu no ka hoʻolimalima, kahi mea maikaʻi loa i lawe ʻia mai no kēia mau manawa.

ʻO kahi ʻano e neʻe nei i nā palena kūpono ʻole o ka pono akā me ka inoa maikaʻi i kēlā mau honua pouli e lilo i mea hana no nā mea e hana wale ai. ʻO ke kahua o nā 30s a me 40s, me nā hakakā he nui i hala, i kēia manawa a i ʻole e kali nei, e hōʻike ana i kahi ʻano haunaele o ka mōʻaukala kahi mea e like me Falcó i ʻike pehea e hana ai i wahi nona iho a ola i nā mea āpau.

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Eva

Eve. ʻO Lorenzo Falcó kekahi o kēlā mau mea nā mea hōkū a Arturo Pérez Reverte i kūkulu kūleʻa ai no nā puke Hispanic. ʻOiaʻiʻo, ʻaʻohe pili iki kēia kanaka hewa, cynical a me ka oportunistic me Alatriste hanohano, akā ʻo ia ka hōʻailona o nā manawa. Hāʻawi ka meʻe i ka baton i ka antihero ma ke ʻano he protagonist paʻa loa. He mea luhi paha ia i ka maka o kahi ʻino e lanakila ana, ke ʻoluʻolu nei i kahi kaiāulu i hoʻoliʻiliʻi ʻia.

I kēia manawa, aia mākou i Malaki 1937. Ke hoʻomau nei ʻo Lorenzo Falcó i ka hana i nā aka, ma lalo o nā kuhikuhi a ka poʻe kipi, i kēlā hana ʻeleʻele e pono ai e hoʻololi i ke ʻano o ke kaua, inā pono. I ke kaua a me ke aloha hele kekahi mea, kahi huaʻōlelo i haku ʻia no kēia ʻano pouli, ka mea i loko e hiki ai ke hana me ke kolohe ʻole i kēlā mau aka o ka espionage, nā kipi a me nā pilina me ka diabolō ponoʻī.

Ua haʻalele ʻo ia iā Tangier, he misiona ʻo Lorenzo Falcó o ka hahau ʻana i ka ʻaoʻao aliʻi Sepania i haʻalele iā ia i ka waiwai ʻole, nāwaliwali a me ka ʻole o ka hōʻaiʻē me ke koena o ka honua. ʻO kahi hana lepo e hopena i ka ʻilihune, kaumaha a me ka wī no nā poʻe. ʻO kahi hana e pono ai e hoʻokō ʻia mai kēlā wahi hilahila ʻole e noho ai ko mākou ʻano, i ʻole e ʻike ka poʻe a lākou i hakakā ai me ka hanohano, i kēlā mau hana hoʻopunipuni.

I mua o Lorenzo Eva e kū mai nei, kahi wahine maka ʻole e hoʻohina iā Falcó akā komo pū nō i kēlā kaua lepo, aia wale nō ma ka ʻaoʻao ʻaoʻao. Kaukaʻi ʻia i ka pōʻaiapili, ʻo ke aloha a i ʻole ka inaina he mea nui wale ia o ka nānā ʻana, hiki ke neʻe mai kahi a kahi ʻē aʻe e like me ka mea e pono ai. Akā ʻaʻole ia he ʻoiaʻiʻo maoli i ka hiki ʻana mai a me ka hele ʻana ma waena o nā mea antagonistic sensations e hoʻopau i kahi waiho ʻana o ka ʻuhane, e wehe ana i ka lole ma mua o kahi ʻoiaʻiʻo e hiki ai ke alakaʻi iā ʻoe e noʻonoʻo hou i kou wahi i ka honua.

Maʻa i nā palapala nani a kēia mea kākau, a ma waena o ia e pāheʻe nei i nā moʻolelo wikiwiki i hoʻopio iā mākou e ko lākou leʻaleʻa, ko lākou ikaika a me ke kūpono kūpono me ka ʻoiaʻiʻo e hoʻopuni ana i nā huapalapala, ʻike hou mākou i kēlā haku maoli, kēlā. o kahi peni i hoʻohana ʻia e kiʻi i nā pae kiʻekiʻe loa o ka kūleʻa.

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ʻAʻole hulahula nā ʻīlio paʻakikī

ʻAʻole hulahula nā ʻīlio paʻakikī. Me nā haʻalulu hope loa o Eva, kāna puke i hala ma ka moʻo Falcó, e hoʻomanaʻo mau nei i kā mākou hoʻomanaʻo hoʻomanaʻo heluhelu ʻana, ua hāhā ʻo Pérez Reverte me kahi puke hou aʻu i ʻike ʻole inā he hoʻololi ia ma waena o nā noi hou a Falcó a i ʻole inā e hōʻike i kahi ka pani ʻana o ka mea i kākau ʻia e pili ana iā Lorenzo Falcó a me kāna modus vivendi kū hoʻokahi i nā makahiki piha o ke aupuni Franco.

E like paha me ia, ua hōʻike ʻia kēia puke moʻolelo me he fable me kahi ukana hōʻailona ikaika ma o ka pilikino ʻana e hoʻopau iā mākou e hoʻopoina he moʻolelo e pili ana i nā ʻīlio. ʻO nā ola o Teo, Boris el Guapo, Negro a me nā ʻīlio ʻē aʻe he nui i kēlā ʻano kanaka i hiki i Arturo Pérez-Reverte ke hoʻomohala i ka hilinaʻi nui loa.

ʻAʻole maopopo iaʻu inā pau kāu heluhelu ʻana i kēia puke hiki iā ʻoe ke nānā hou i kahi ʻīlio. Inā ua kānalua mākou i kēlā mau hiʻohiʻona ʻike i hūnā ʻia kekahi ʻano ʻike ma luna o ka mea i manaʻo ʻia, ke hoʻopau mākou i kēia kuhi e hōʻoia mākou i kēlā mau kānalua.

Ma ke ʻano he ipo maikaʻi i nā holoholona i ka nui a me nā ʻīlio, ua mālama ka mea kākau e hōʻike iā mākou i kahi hanana piha o kēlā ao holoholona i ʻike ʻia e nā kaʻao. ʻO kahi hiʻohiʻona ʻīlio kahi e hoʻomau ai nā hiʻohiʻona ma waena o ka pono, ka instinctive a me ka ʻuhane. ʻO nā alakaʻi i mahalo ʻia e nā kāne ma ke ʻano he hoʻonohonoho maʻamau e mālama i ka liʻiliʻi o ka noho like ʻana ma waena o nā mea like.

ʻO ka huakaʻi a Negro e ʻimi nei i kāna mau hoa nalowale kahi hele pū i loko o kēlā mau kūmole āpau i ʻike ʻia e nā ʻīlio mai nā kāne i ke kaʻina hana e pili ana i ka hana hoʻokipa.

Inā ola kekahi mea ma kēia honua ma hope o kekahi ʻano hecatomb e kali pono ana iā mākou i ka lā ʻapōpō a i ʻole millennia, hiki i nā ʻīlio ke hoʻoikaika wale e hoʻihoʻi i kahi honua kahi e noho ai nā waiwai kahiko, ma ka wahi mua no ka mālama ʻana i kēlā me kēia ʻano.

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Hoʻomaha sabotage

Me kēia puke e hiki aku ai mākou i ka trilogy o ka Falcó saga, kahi moʻo o ka mea kākau i hoʻonele i ka noʻonoʻo, ʻoihana a me ka ʻike o nā subterfuges politika i waena o ke Kaua Kivila Sepania.

ʻOiai ʻoiai ke kamaʻilio nei mākou e pili ana i kahi wā pōʻino, ʻo nā mea i kanu ʻia ma waena o nā pōʻino o ke kaua he mea kānalua ia no ka mea a lākou e manaʻo ai he kumu nui ia no ka hoʻomohala ʻana i nā hanana. A loaʻa mau nā hoʻopaʻapaʻa hoihoi e kūkulu i nā puke moʻolelo.

ʻO nā hoihoi i hāʻawi ʻia, ʻoiai ke alo nei ka poʻe ʻōpio i ka lima i mua, e hāʻawi i kahi laʻana maikaʻi o nā mea āpau e neʻe ana a puni ke kaua i ko mākou ʻāina. Eia hou, ua lawe ʻo Falcó i ke kua o kēia moʻolelo e hele ma waena o nā hanana a me nā ʻike i hele pū me mākou i ka "Eva" i hala.

1937 hou, kēia manawa ma Palisa. Ma ʻApelila 26 o ia makahiki ua luku nā pōkā i kēia kaona Biscayan. I kekahi mau mahina ma hope ua hōʻike ʻo Pablo Picasso i ka pōʻino o ka poʻe i hiki ʻole ke heʻe. Ma waena wale paha o nā mahina o Mei a me Iune kahi a ka mea kākau i hana ai i ka hana, ʻaʻole paha e hoʻokō ʻia ka palapala o ka hana e like me nā hoʻolālā a ka mea hana kiʻi nui ...

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He moolelo o Sepania

I kēia mau lā, ua hoʻolohe au i kahi nīnauele me Don Arturo Pérez Reverte e kamaʻilio ana i ka pilikia o ka lāhui, ka manaʻo o ke kuleana, nā hae a me nā mea e uhi ana iā lākou iho. ʻO ka manaʻo o ka Spanish i kēia lā i ka ʻona e nā manaʻo, nā manaʻo, nā paʻakikī a me ke aka lōʻihi o ka kānalua e pili ana i ka ʻike e lawelawe nei i ke kumu o ka hoʻopaʻapaʻa mau e pili ana i ke ʻano o ka Spanish.

ʻO nā lepili a me Manichaeism e kaupaona i kekahi manaʻo o ka Paniolo, no ka makemake o ka poʻe āpau e kipi i ka ʻoiaʻiʻo o ka noho ʻana, e hoʻopiha nei iā ia me ka lawehala, e hoʻokokoke ana iā ia mai ka prisma hoihoi o kēia manawa e hoʻihoʻi i nā hala pouli e hoʻohana iā ia. ʻO ka manaʻo hana nui i kēia manawa ʻo Sepania e like me ka wā i noho ʻia a kākoʻo ʻia e kahi ʻāpana, manaʻo ʻia he ʻike piha loa ua nalowale nā ​​mea āpau, nā mea nāna i hoʻololi ia mea ma lalo o ka prism hoʻokahi e mālama iā lākou iho i mua o ka poʻe aloha. he mea ia. ʻoi aku ka nui a me nā ʻano.

ʻO kahi hōʻino i kahi ʻano aupuni, e like me nā mea ʻē aʻe, he mau kukui kona a me kona aka a ʻo ka hopena, ʻaʻole ia he ideology akā ʻo ka poʻe e noho ana i ka poli ʻōiwi ʻē a lehulehu hoʻi. ʻO ia ke kumu e hōʻeha ʻole ai ke nānā aku i ka mea kākau moʻolelo maʻamau o ko mākou mau lā.

ʻO kahi mea kākau e hana pono ʻole e pili ana i ke kumu o ka ʻike mai ka anecdotal i ka mea nui. Ma muli o kēia ʻano hōʻuluʻulu manaʻo i kikoʻī loa i nā wahi kūlohelohe o ka panorama Iberian kahi e ulu ai nā rogues, scoundrels, wahaheʻe, conjurers o ka huaʻōlelo a me nā indoctrinators me kā lākou mau kumu ponoʻī pono ʻole a maikaʻi, mai nā ʻaoʻao ʻelua o ka pseudo-ideological range.

A ʻōlelo wau "pseudo" ke waiho nei i mua o ka ideology no ka mea maoli, i nā manawa he nui e pili ana i ia mea, e wehe i ka wahaheʻe, e hōʻike i ka wahaheʻe, e kākau me ka stiletto ʻehaʻeha loa a Pérez Reverte e hoʻopau ai i ke kaha ʻana i kēlā me kēia me kā lākou mau pilikia.

ʻO ka haʻaheo o ka Paniolo a i ʻole Pukiki a i ʻole Palani e noho i ka ʻōlinolino o ka poʻe manuahi mai ka stigma o kēia ʻano hana i ka wahaheʻe. I mea e kū ai i kahi nationalism i manaʻo ʻia, kau nā Paniolo huhū hou i ka hae ʻē aʻe, ka mea a lākou e ʻaʻa ai i ka ʻoiaʻiʻo a me ka maʻemaʻe, ka mea i pale ʻole i nā mea kolohe ke ʻole nā ​​lawehala.

Me he mea lā aia wale nō ka poʻe ʻino ma kahi ʻaoʻao, me he mea lā e noʻonoʻo ʻokoʻa ana iā lākou e komo ana i loko o kēlā Sepania ʻeleʻele i manaʻo ʻia inā aia ia ma muli o ka ʻāʻī huhū kahi e nānā wale ai kekahi me nā maka o nehinei, a ʻo kekahi, e like me pane ʻeha, hāʻawi ʻia lākou i nā ʻuhane kahiko.

Ma muli o ka like ʻole o ka hana hou ʻana i ka hoʻihoʻi kūpono o nā kuleana a me ka hanohano o ka mea i eo i kēlā me kēia kaua ma mua o ka hoʻāʻo ʻana e hoʻohaʻahaʻa i nā mea āpau āpau i ka hilahila, a hiki i ka hopena o nā lā a me nā mea āpau e neʻe ana i ka wikiwiki like.

ʻO La Historia para Pérez Reverte kahi manawa e kamaʻilio manuahi ai, me ka ʻole o ka ʻōlelo i kāohi ʻia e ka polikino pololei, me ka ʻole o nā ʻaiʻē me kāna mau mea kākoʻo, me ka loaʻa ʻole o nā hoʻokō a me ka manaʻo ʻole e kākau i kahi mōʻaukala hou. ʻO ka mōʻaukala kekahi manaʻo, ʻoiai ʻaʻole kēia ka hoʻolaha wahaheʻe pilikino iā ia iho.

Pili nā mea āpau. A ʻike nui ʻia kēlā e kahi mea kākau e hana i ke aloha i mea hana o ke kālepa. A no laila ʻike mākou i kēia puke e kamaʻilio e pili ana i ka loko ʻino i ke kānāwai kūpilikiʻi a wehe ʻia i ka hakakā inā ka hakakā o nā ideology i alakaʻi i ka ʻino. ʻO Sepania, ka huina o nā lāhui e like me ka mea nāna e ʻike, papahana e pili ana i ka pili kaiāulu maʻalahi, homeland e ka hodgepodge kaʻana like mai Pyrenees a Gibraltar.

ʻO lākou āpau i ka pīhoihoi maʻamau, ke komo nei i nā manawa hanohano a i ʻole nā ​​ʻaoʻao pouli, e like me ka makemake e heluhelu. He leo akamai ʻo Pérez Reverte i kēlā o nā ʻike e pili ana i nā lole wela nā hae.

ʻO kahi moʻolelo o ka mea i hiki ai i kēia Sepania kahi i ʻoi aku ka maikaʻi e noʻonoʻo ai i nā poʻe ʻē aʻe e like a leʻaleʻa i kā lākou mea ke hele pū mākou me kēlā ʻohana pilikino o kahi ʻāpana hānai i hānai ʻia. ʻAʻole iki ʻo Sepania, ʻaʻohe leka hoʻoweliweli no ka mele. ʻO kahi Malaki Malaki i nalowale kona kumu i kahi hoʻouluulu hana heterogeneous.

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Sidi

ʻO ke kiʻi paradoxical o El Cid ma ke ʻano he hōʻailona o ka Reconquest e hele mai i ko Don lauoho ʻO Arturo Pérez Reverte e hoʻokuʻu i ka moʻo'ōlelo no kekahi manawa, i ka manaʻo hoʻohui o ka mōʻaukala kūhelu.

Ma muli o kēlā, nā kaʻao a me nā kaʻao ka manawa mau i ko lākou mau puka lou, ko lākou mau ʻaoʻao pouli. I ka hihia o El Cid, he noe a pau ʻo ia i hoʻokomo ʻia ai kāna kiʻi i ka hala ʻana o ka manawa. Hoʻohanohano ʻia e nā mele a kipaku ʻia e nā mōʻī a me nā haku.

ʻAʻohe mea i ʻoi aku ma mua o ka hoʻoponopono hou ʻana i ka kaao e hoʻonui ai i ke kiʻi mai kāna kūʻē ʻana, ʻoi aku ka laina me ke keiki a kēlā me kēia hoanoho. E hoʻomaka, e noʻonoʻo e pili ana i ka mea hoihoi i ka inoa heroic o Cid i kēia manawa mai kēlā Sidi (Lord i ʻAlapia), e alakaʻi ana i ka manaʻo he mea mālama kālā ʻo Rodrigo Díaz de Vivar me ka hoihoi hou aku i ke ola ma mua o ka hoʻonui ʻana o ka aupuni. kekahi ma ka peni.

ʻOi aku ka noʻonoʻo ʻana i ka loaʻa ʻana o ka pettiness ʻoi loa ka mea i hoʻokūʻē i kāna lawe pio ʻana e hoʻokūʻē iā ia e hāʻawi ākea i kāna mākau koa i kekahi mea kūʻai aku.

A no laila, me kēlā lepili o nā mea kaua i kākoʻo ʻia, ua huakaʻi kēia koa lāhui āpau ma Sepania a pau me kāna mau pūʻali. Kūleʻa ʻo Guys i kāna mau kauoha, me kēlā wahi hewa o ka ʻoiaʻiʻo mai kahi manawa he mea ʻole nā ​​mea āpau, a ke ola nei hoʻi i kēlā me kēia wanaʻao.

Makemake nā kāne e hana i kekahi mea me kēlā hanohano, i ke alo o ka ʻenemi o kekahi ʻano hoʻomana, ʻo ia hoʻi ka hāʻawi ʻana i ko lākou ola no kahi lanakila kahi i lanakila ai kēlā me kēia mea: ma ka haʻalele ʻana i kēia ao a i ʻole ma kekahi hihia ʻē aʻe ʻai wela ʻoiai e waiho ana i ke koko i kā lākou mau pahi kaua.

Ua hauʻoli loa wau i ka ʻōlelo e hōʻike ana he hero ka mea nāna e hana i ka mea hiki iā ia. A hoʻi i ke kenekulia XNUMX, me nā kūlana kūpono, he koa ka mea i mālama i ka ʻai, e like me ka holoholona hihiu. Maʻalahi no ka mea ʻaʻohe mea hou aʻe.

ʻO ka lunamanaʻo i hāʻawi ʻia i kēlā me kēia hihia i ka manaʻoʻiʻo. ka manaʻo paʻa i hoʻokumu i nā mea hakakā ikaika i ko lākou manaʻo Karistiano, ʻo ka mea ʻole a lākou e alo ai. Ma mua o nā mea āpau wale nō he paradaiso e kipa aku a hiki iā lākou ke lilo aku ma hope o kahi ola pōʻino ma kēia honua.

No laila, i ka manawa o kahi manaʻo hilinaʻi e hōʻike ʻia nei o kahi ʻano e like me El Cid, ʻaʻohe mea i ʻoi aku ma mua o Pérez-Reverte e hoʻokau iā ia iho ma ke ʻano he biographer.

Ma ke ʻano he reporter pono o ka nui a me ka luʻuluʻu; ma ke ʻano he kākau moʻolelo haʻohaʻo o kekahi mau makahiki paʻakikī. Nā lā o nā kāne a me nā wahine paʻakikī paʻakikī. Eia nō naʻe nā ʻano i waena o lākou e ʻike ʻia ai ka mea ʻoi loa i ka ʻokoʻa o ka pouli o kēlā ao.

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Ana ʻo Cyclops

Ke ulu nei nā aphorism hou e like me nā fungus ma twitter, i ka wela wela o ka poʻe inaina ahi; aiʻole mai nā memo i aʻo ʻia o ka mālamalama ʻoi loa o ka wahi.

Ma nā ʻaoʻao ʻē aʻe o kēia pūnaewele ʻike ʻike mākou i nā malihini kikohoʻe hanohano e like me ʻO Arturo Pérez Reverte. Malia paha i nā manawa ma waho o kahi, e like me kahi Dante hoʻomanawanui nui e hoʻāʻo nei e ʻike i kona ala mai nā pōʻai o Hell. ʻO Hells kahi, mai loko mai o ka ʻuhane hakakā e kūʻē i nā daimonio e noho aliʻi ana iā mākou, ʻo Pérez-Reverte e ʻimi nei me ka haʻaheo koa e kūʻē i ka lapuwale o nā haipule he nui a Sātana.

ʻAnoʻino lākou āpau i loko, e like me Cyclops me ko lākou maka hoʻokahi i kau i ka ʻoiaʻiʻo ke kūʻai maikaʻi aku nei lākou no lākou, refried me ke ahi o nā daimonio makemake hewa. Akā i ka hopena, hiki iā ʻoe ke aloha iā lākou.

No ka mea he aha ia. I kēia ao hou, hoʻomaopopo kēlā me kēia iā ia iho me ka mea e hōʻoia ai i kāna mana, pio ke ahi o nā makemake koʻikoʻi āpau a huki i mua i ka hohonu.

ʻO ia nō paha ke kumu e ʻoi aku ai ka maikaʻi e hoʻi i nā pūnaewele like me ka mea e hele i ka pā no ka inu. Ke hoʻopoina nei i ka parish bravado e hoʻoponopono i ka honua a me ka nānā ʻana i nā puke, nā puke, nā ʻuhane o kahi ʻano ʻokoʻa, i nā ʻuhane weliweli akā ʻike ʻia ma hope o nā mea āpau, ʻoiai nā kānaka i mahi i kā lākou ʻoiaʻiʻo a me ka noho pū o kā lākou ʻaoʻao ʻē aʻe.

Ma muli o ka moʻokalaleo a me kona hiki empathic hiki i nā manawa he nui, no ka hōʻike ʻana i nā hōʻike hou a me nā hoʻopaʻapaʻa, ʻike hou ʻana i nā mea a ʻoluʻolu i nā lanakila me ka hauʻoli o ka mea e inu nui me he mea lā no ka manawa mua.

«ʻO ke kamaʻilio ʻana e pili ana i nā puke ma Twitter e like me ke kamaʻilio ʻana me nā hoaaloha ma kahi pā ʻaukā -e ʻōlelo ʻo Arturo Pérez-Reverte-. Inā he mea hauʻoli ka kamaʻilio ʻana e pili ana i nā puke. Ma laila kūlohelohe wau i kahi ola holoʻokoʻa o ka heluhelu, a ma laila wau e kaʻana ai, me ka naturalness like, ke ola heluhelu o kaʻu poʻe heluhelu. A he hoa aloha ka mea heluhelu. "

Ua huli ʻo Arturo Pérez-Reverte i ʻumi ma Twitter. Nui a hewahewa nā kumuhana āna i kamaʻilio ai e pili ana i kēia pūnaewele i kēia wā, akā ʻo kahi puke kahi kūlana kiʻekiʻe. Ma waena o Pepeluali 2010 a me Malaki 2020, ua kākau ʻo ia ma mua o 45.000 mau leka, ka hapa nui o lākou e pili ana i nā puke, nāna ponoʻī a me ka mea āna e heluhelu nei a i ʻole ka mea i hōʻailona iā ia i nā makahiki he mea kākau.

ʻO kēia mau leka e hui pū nei me kāna poʻe ukali ma kā Lola pā ʻaʻanā a ua hana ʻia ia mau manawa mai kēlā lā mamao iā ia i komo ai i kēia "ana o nā cyclops", ʻoiai ʻo ia iho i kapa aku ai i ka pūnaewele.

Ma waena o nā hiʻohiʻona e pili ana i ka moʻokalaleo, ua nīnau nā mea tweeter iā ia e pili ana i kāna puke hou a i kāna kaʻina kākau, a ua noi lākou iā ia no ka heluhelu ʻana i nā ʻōlelo aʻoaʻo.

Hoʻohui pū kēia puke, mahalo i ka hana hōʻuluʻulu o Rogorn Moradan, kēia mau kamaʻilio pololei ʻana me ka ʻole o nā mea waena i loaʻa iā Arturo Pérez-Reverte me kāna poʻe heluhelu. Hāʻawi ʻia i ke ʻano koke a me ka ephemeral o nā manaʻo ma kēia pūnaewele, aia kekahi mau moʻolelo, e like me kā Rogorn i ʻōlelo ai, "loaʻa nā nugget gula e kūpono ke mālama." ʻO Arturo Pérez-Reverte kekahi o lākou.

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Laina ahi

No kahi mea kākau o nā kaʻao mōʻaukala, kahi i ʻoi aku ka nui o ka moʻolelo i ka informativeness o ka moʻolelo, ʻaʻole hiki ke hoʻokaʻawale ʻia mai nā kaua kīwila ma ke ʻano he kahua a me kahi hoʻopaʻapaʻa. No ka mea i kēlā hale hōʻikeʻike o nā mea hoʻoweliweli ke kūʻē i nā fratricidal āpauʻO nā intrahistory transcendent ʻoi loa, nā uila ʻino loa o nā kānaka i waena o nā pelapela o ke kaua, e ala aʻe ana.

Mai Hemingway i luna ʻO Javier CercasHe nui nā mea kākau i hoʻokokoke aku i kā lākou mau puke e pili ana iā Sepania i ka ʻulaʻula a me ka uliuli ma ke ʻano he mana mana lawehala. I kēia manawa aia i ʻO Arturo Pérez Reverte kaʻa hele Ua hana kēlā manawa i wahi hoʻāno piha i nā mea i hōʻino ʻia a me nā martyrs, o nā meʻe a me nā heroine. Hoʻokomo wale mākou iā mākou iho i kahi pō pouli e hoʻomaka ai nā mea āpau ...

I ka pō o Iulai 24 a 25, 1938, i ke Kaua o ka ʻEbro, 2.890 kāne a me 14 mau wahine o ka XI Mixed Brigade o ka Pūʻali Koa o ka Repubalika i hele i ka muliwai e hoʻokumu i ke alahaka o Castellets del Segre, kahi e hakakā ai lākou i loko o nā lā he ʻumi. Eia nō naʻe, ʻaʻole ʻo Castellets, a me ka Brigade XI, a me nā pūʻali koa e kū pono ana iā ia i loko Laina o fuego ʻaʻole lākou i ola.

ʻO nā pūʻali koa, nā wahi a me nā huapalapala i hōʻike ʻia i loko o kēia puke moʻolelo kuhihewa ia, ʻoiai ʻaʻole nā ​​ʻike a me nā inoa maoli a lākou i hoʻoulu ʻia ai. Pēlā nō ia e hakakā ai nā mākua, nā kūpuna a me nā ʻohana o nā Paniolo he nui o kēia lā ma nā ʻaoʻao ʻelua i kēlā mau lā a me kēlā mau makahiki weliweli.

ʻO ke kaua o ka Ebro ka paʻakikī loa a me ke koko o nā mea a pau i kaua ʻia ma ko mākou lepo, a e pili ana i ia mea he nui nā palapala, nā hōʻike kaua a me nā hōʻike pilikino.

Me kēia mau mea āpau, e hui pū ana i ka ʻoʻoleʻa a me ka mea hou, ua kūkulu ka mea kākau heluhelu nui ʻia i kēia manawa i nā puke Paniolo, ʻaʻole wale kahi puke e pili ana i ke Kaua Kivila, akā kahi puke nui o nā kāne a me nā wahine i kēlā me kēia kaua. ka hoʻomanaʻo o ko mākou mau mākua a me nā kūpuna, ʻo ia kā mākou moʻolelo ponoʻī.

Con Laina o ahi, Hoʻonohonoho ʻo Arturo Pérez-Reverte i ka mea heluhelu me ka nui maoli i waena o ka poʻe, me ka manawaleʻa a me ka ikaika paha, ʻaʻole i ka hope, akā e hakakā ana ma nā ʻaoʻao ʻelua ma nā kahua kaua. Ma Sepania he nui nā puke moʻolelo i kākau ʻia e pili ana i kēlā hoʻokūkū mai nā kūlana ideological like ʻole, akā ʻaʻohe mea e like me kēia. ʻAʻole i haʻi ʻia ma mua ke Kaua Kivila e like me kēia.

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ʻO ka Italia

ʻO wai ka mea i haʻi ʻo Arturo Pérez Reverte he mea haʻi moʻolelo nui loa o nā kaʻao mōʻaukala? No ka mea, ma aneʻi o ka hōʻike ʻana iā mākou me kekahi o kēlā mau intra-mōʻaukala e hoʻolilo ana i ka mōʻaukala i ipu hoʻoheheʻe hoihoi o nā anecdotes a me nā mea kuʻikahi, ua kono ʻo Pérez Reverte iā mākou e noho i kahi huakaʻi aloha i waena o nā pōkā pahū a me nā ʻōuli pouli no kahi Europa i loko o nā ā hohonu. o ka Nazism.

I nā makahiki 1942 a me 1943, i ke Kaua Honua II, ua piholo a hōʻino paha nā mea hoʻoili kaua Italia i ʻumikumamāhā mau moku Allied ma Gibraltar a me ke kai kūʻono o Algeciras. I loko o kēia puke moʻolelo, i hoʻoulu ʻia e nā hanana maoli, he ʻano kuhi wale nō kekahi mau ʻano a me nā kūlana.

ʻO Elena Arbués, kahi mea kūʻai puke puke he iwakāluakūmāhiku makahiki, hui aku me kekahi o ia poʻe ʻokoʻa i kekahi wanaʻao ʻoiai e hele ana ma kahakai, nalowale ma waena o ke one a me ka wai. Ke kōkua nei iā ia, nānā ka wahine ʻōpio i kēia hoʻoholo e hoʻololi i kona ola a ʻo ke aloha e lilo i ʻāpana o kahi huakaʻi weliweli.

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Kipi: He Novel

ʻO kēia ka moʻolelo o ke kāne, ʻekolu wahine, kahi kipi a me kahi waiwai. ʻO ke kipi ʻo Mexico i ka wā o Emiliano Zapata a me Francisco Villa. ʻO ka waiwai he ʻumikūmālima kaukani kālā gula o iwakālua pesos o nā mea i kapa ʻia maximilianos, i ʻaihue ʻia mai kahi panakō ma Ciudad Juárez i ka lā 8 o Mei, 1911. ʻO Martín Garret Ortiz ka inoa o ke kanaka a he ʻenekini ʻeli ʻo Sepania. Ua hoʻomaka nā mea a pau iā ia i kēlā lā hoʻokahi, i ka wā i lohe ai ʻo ia mai kona hōkele i ka pana mamao mua. Ua hele ʻo ia i waho e ʻike i nā mea e hana nei a mai ia manawa i hoʻololi mau ai kona ola...

ʻOi aku ka Revolution ma mua o kahi moʻolelo e pili ana i nā hanana koʻikoʻi i hoʻoluliluli i ka Repubalika Mekiko i ka hapakolu mua o ke kenekulia XNUMX. He moʻolelo ia o ka hoʻomaka ʻana a me ke oʻo ʻana ma o ka chaos, lucidity a me ka hana ʻino: ka ʻike kupaianaha o nā lula huna e hoʻoholo ai i ke aloha, kūpaʻa, make a me ke ola.

ʻO ka pilikia hope loa

ʻO Don Arturo Pérez Reverte he chameleon o nā leka i hiki ke hoʻohui ʻia me ka moʻolelo nūpepa, me ka moʻolelo hoʻokūkū ma ke ʻano kūlana i koi ʻia, me ka moʻolelo moʻolelo, me ka kānalua o nā kūlana āpau a i ʻole ke ʻano noir i kekahi o kā lākou hōʻike. . He haku ʻo Pérez Reverte i nā mea kākau moʻokalaleo āpau a e like me ka mea i hōʻike ʻia e kēia pihi metaliterary hou e hoʻopau ana i ka neʻe ʻana ma waena o ka palapala, ka hale kiʻiʻoniʻoni a me ka hale kiʻiʻoniʻoni, me ka hewa ma ke ʻano he hana keaka e hiki ke lilo e like me Shakespearean e like me ka mea e pono ai ke keaka mele i pale ʻia mai ke kanaka. kuee. .

"He makai," wahi a kekahi. He makaʻu.
"He hoʻokahi kā mākou," wahi a Foxá.
Ua hahai lākou a pau i ke ala o kona nānā.
"He ʻakaʻaka kēlā," i kūʻē aku ai au. Ua pupule anei lakou?
―ʻO ʻoe ʻo Sherlock Holmes.
"ʻAʻohe mea ʻo Sherlock Holmes. ʻAʻole i ola kēlā makaʻu. He mea haku palapala.
-ʻO kou incarnated ma ke ʻano mahalo.
Akā aia ma nā kiʻiʻoniʻoni. ʻAʻohe mea pili i ke ola maoli. He mea keaka wale au.
Ua nana mai lakou ia'u me ka manaolana, a o ka mea oiaio, e hoomaka ana au e komo iloko o kekahi kulana, me he mea la ua pio na kukui a lohe au i ka leo malie o ka pahupaʻiwikiwiki e kaa ana. ʻOiai naʻe, ua hoʻoholo wau e noho hāmau, ua kau nā manamana lima ma lalo o koʻu auwae. ʻAʻole wau i hauʻoli nui i kēia mai koʻu pana ʻana i ka Hound of Baskerville.

Iune 1960. Ua mālama ka ʻino i ʻeiwa poʻe e noho ana ma ka hōkele liʻiliʻi ma ka mokupuni ʻo Utakos, ma waho o Corfu. ʻAʻohe mea e hōʻike ana i ka mea e hiki mai ana: ʻO Edith Mander, kahi mākaʻikaʻi Pelekane naʻauao, ua ʻike ʻia ua make ma ka pā kahakai. ʻO ka mea i manaʻo ʻia he pepehi kanaka e hōʻike ana i nā ʻike i ʻike ʻole ʻia e kekahi koe wale nō ʻo Hopalong Basil, he mea hana keaka i hoʻokani mua i ka detective kaulana loa o nā manawa āpau ma ka pale.

ʻAʻohe mea e like me ia, i maʻa i ka hoʻohana ʻana i nā mākau unuhi o Sherlock Holmes i ka hale kiʻiʻoniʻoni, hiki iā ia ke wehe i ka mea i hūnā maoli ʻia i loko o kēlā enigma lumi pani. Ma kahi mokupuni ʻaʻole hiki i kekahi ke haʻalele a hiki ʻole i kekahi ke hele aku, e lilo nā mea a pau i mea hoʻopiʻi i kahi pilikia novel hoihoi kahi e hui pū ai nā palapala a nā mākaʻi me ke ola.

nīnau pinepine e pili ana iā arturo perez reverte