ʻO ke kanalua hoʻohiwahiwa streak o ʻO Yasmina Reza e kaha i kou ke komo ʻana o ka prose i ka hana keaka like o nā mea a pau. ʻO kekahi mea kaulana loa i kā lākou ʻoi aku ka nui o nā kiʻi ma mua o ka overexposed i ka honua. No ka mea, i loko o ka paio me ka honua, aia ka poʻe i ʻeha a me ka poʻe i manaʻo i kahi hakakā ʻoluʻolu.
ʻO ia ke ʻano o ke ola i loko o kahi loiloi tragicomic e mālama ana i ka uhi ʻana i kā mākou mau manaʻo kumuhana āpau e hana i ka ʻoiaʻiʻo. Kūlike mākou ma waena o nā pou o ka hauʻoli a me ke kaumaha; ʻO nā maka ʻelua o ke mele mele Talia a me ka Melomene pōʻino.
Aia ʻo Yasmina i kāna mau puke no ka hoʻonoho ʻana iā mākou i mua o ke aniani ma o kekahi mau hiʻohiʻona mimetic koke me kekahi ʻuhane mai ka maikaʻi o ka mea haʻi moʻolelo i ʻike i nā wili a me ka huli ʻana i ko mākou makemake.
ʻO nā moʻolelo kiʻekiʻe 3 i manaʻo ʻia e Yasmina Reza
nō
Ka manaʻo noʻeau. ʻO ka wehewehe hikiʻole ma keʻano. ʻO nā mea a pau e hoʻāʻo e kaupalena i ka "art" e pau ana i ka paheʻe ʻana, ʻoiai mai ka manaʻo o ka ʻike o ia mea. No ka mea, ua wehewehe ʻia ke kiʻi e ka manaʻo o ka mea nānā aku, ʻo ia ka hoʻoilina maoli o ka mea noʻeau. ʻAʻole hiki i kekahi ke hoʻopuni iā ia, ʻaʻole hoʻi e hoʻopuni.
Mai kēlā mau manaʻo kumuhana, hiki ke hoʻololi i nā manawa a pau. No laila ʻo kēia moʻolelo kahi i hōʻailona ai ka hoʻololi, ʻike, pakele, kūʻokoʻa ʻoiai nā mea āpau. A ʻo ka palapala o ka manaʻo e hoʻāla i ka pīhoihoi a me ka hilarity a me ka huikau.
Ua kūʻai ʻo Sergio i kahi pena kiʻi hou no kahi kālā nui. ʻAʻole hoʻowahāwahā ʻo Marcos iā ia a ʻaʻole hiki iā ia ke manaʻoʻiʻo ʻaʻole he hoa aloha o kāna ʻano hana. Hoʻāʻo ʻo ʻIvana, ʻaʻole kūleʻa, e hōʻoluʻolu i nā ʻaoʻao ʻelua. Inā hoʻokumu ʻia kou aloha ma ka ʻaelike haʻi waha ʻole ʻia, he aha ka mea e hana ai ke hana a kekahi kanaka i kahi mea ʻokoʻa a me ka mea i manaʻo ʻole ʻia?
ʻO ka nīnau: ʻo wai ʻoe i kou manaʻo a i ʻole no ka manaʻo paha o kāu mau hoa aloha? Ua hoʻomaka mua ʻia kēia hana hoʻohenehene ʻo Yasmina Reza ma Paris ma ka Comédie des Champs-Elysées i ʻOkakopa 1994, kahi i holo ai no 18 mau mahina; ma Berlin, ma ka Hale Keaka Schaubühne i ʻOkakopa 1995; ma Lādana, ma Wyndham's Theatre i ʻOkakopa 1996; ma New York, ma ka Royal Theatre i Malaki 1998, a ma Madrid, ma ka Marquina Theatre i Kepakemapa 1998, i kahi mana i alakaʻi ʻia e Josep Maria Flotats i lanakila i ʻehā mau makana Max a me kekahi o nā makana hanohano o ko mākou ʻāina.
Hauʻoli ka hauʻoli
ʻO wau ʻo wau a ʻo kaʻu mea e haʻalele ai. Hoʻopaʻa hou ʻia kahi maxim e akaka ai ke ʻano o ka moekolohe i loko o mākou ma ke ʻano he hōʻike o ka hoʻokele ola hope loa. No ka mea ʻo ka ʻimi no kēlā "mort petite" ʻo ia ka puka mai ka orgasm e hoʻohoka pinepine ʻia e ke kumu, e ka pono, e nā ʻano ʻano āpau e hōʻike iā mākou e ʻike i kēlā hālāwai ʻana o ke kuko nui o ke kino me ka ʻuhane ma nā ʻano he nui. ...
ʻO nā mea pili i ka male, nā manaʻo sadomasochistic, ka ʻoluʻolu ʻole o ka moekolohe a me nā moemoeā, nā haʻihaʻi, nā hōʻeha, a me nā hopena hauʻoli. Ua ulana akamai ʻo Yasmina Reza i nā moʻolelo o ke ola o nā kānaka he ʻumikumamāwalu me he mea lā ʻaʻohe mea like.
Akā, ʻoiai ua hypnotized ka mea heluhelu e nā leo i hoʻokumu i ka manaʻo, e ʻike lākou i kā lākou mau mea i manaʻo ʻole ʻia a pīhoihoi. No laila, hoʻopau ʻia ka hana maʻamau o ka male ʻana o Pascaline lāua ʻo Lionel Hutner i ka wā i ʻike ai ua lilo ka nānā ʻana o kā lāua keikikāne iā Céline Dion.
A, ʻo ia hoʻi, ke ola nei kāna psychiatrist, ʻo Igor Lorrain, i kahi hui hou ʻana me kahi aloha ʻōpio, ʻo Hélène, ka mea i male iā Raoul Barnèche, he mea pāʻani alahaka ʻoihana hiki ke huhū a hiki i ka ʻai ʻana i kahi leka ... Inā kū kekahi mea. ma kā Reza kaila, ʻo ia kona hiki ke kūkulu i kahi polyphony melodic, kahi palapala e hōʻike ākea nei i nā ʻano like ʻole, kahi e ʻike ai ka mea heluhelu me ka maopopo loa o ka leo o kēlā me kēia o kāna protagonists.
Ma kēia moʻolelo mele, ua wehe ka mea kākau Farani i ke kahawai i nā ʻuhane o kāna mau ʻano, e hōʻike ana i kā lākou phobias a me nā philias sentimental a me ka moekolohe. E like me ka Schopenhauer's On the Sleigh, ʻo ka puke moʻolelo he mea hoʻomāʻewaʻewa, waha ʻino, a i kekahi manawa he hiʻohiʻona o ke ʻano o ke kanaka, akā he noʻonoʻo puʻuwai hoʻi i ka pōkole o ko mākou ala i ke ola, a me ke koʻikoʻi o ka manaʻo ʻana i ke ola piha.
Ma ka waʻa Schopenhauer
ʻO ka ʻōlelo ʻana ʻo Schopenhauer pono kūpono no kēlā me kēia pessimist mahalo iā ia iho. No ka mea, o ka nihilism o Nietzsche ua ʻoi aku ka nui ʻoiai ʻo Schope kahiko e mālama mau i kāna fatalism nani. Akā ʻo ia ka mea, ʻo kā mākou mau kuhikuhi a pili mākou iā lākou e hāʻawi i nā ala koʻikoʻi a i ʻole nā manaʻoʻiʻo e hoʻohui ʻia ...
ʻO Ariel Chipman, he kumu aʻoaʻo noʻonoʻo i hāʻawi i kona ola i ka hoʻolaha ʻana i ka pono o ka leʻaleʻa o ke ola, hāʻule i loko o kahi puʻuwai. Hoʻomaka ʻo Nadine Chipman, kāna wahine, e māʻona me kāna kāne a ke noʻonoʻo nei no ke aha e kipi ai iā ia.
Ua ʻōlelo ʻo Serge Othon Weil, ka hoa pili o ka male, ua hoʻomaopopo ʻo ka noʻonoʻo ʻana e pili ana i ke ola holoʻokoʻa he mea ʻole a hōʻole i kekahi hint o transcendence. A ʻo ka psychiatrist o Ariel e ʻōlelo kūʻē i ka manaʻo. Akā ʻo ka mea a lākou a pau i ʻike ai, ʻo ia ka manawa i ʻike ʻole ʻia ai ko mākou ola ʻana. A laila, hōʻike mai ke kahe o nā nīnau iā mākou ʻaʻole like ka honua e like me kā mākou i ʻike ai. ʻO kēia ka minuke manawa a mākou e ʻike ai iā mākou iho e luku ʻia i ka make ...
