ʻO ka paradoxically, ʻike pinepine mākou i ka palapala manuahi a maikaʻi loa i nā mea kākau paʻa i hoʻolaʻa ʻole ʻia i ke kākau ʻana. A ʻO Martin Kohan ʻO ia kekahi o kēia mau mea haʻi moʻolelo o ko mākou wā. No ka mea hiki i kekahi ke loaʻa ka pono a i ʻole ka makana e hana i nā mea āpau i mea kūʻai aku maikaʻi loa ma o kēlā manaʻo uila ma waena o ka noʻonoʻo a me nā manamana lima ma ka papapihi, akā ʻo ka nīnau ke kūʻokoʻa loa o ka makemake e hoʻokau i nā mea āpau ...
I nā huaʻōlelo ʻē, e loaʻa i kāu puke hope loa Stephen King ke ʻike ʻole ʻoe e lilo ia i mea kūʻai aku hou aku koke? ʻOiai ʻaʻole ia he manaʻo hoʻohewa a Welina mai i kēlā me kēia o nā puke hou o Stephen King. Eia nō naʻe, kānalua wau e nalo mākou i kahi mea ʻoi aku ka maikaʻi o ka lilo ʻana i ka inertias paʻi mua mua e māka i ka manawa a me ke ʻano no kēlā me kēia hana hou.
ʻO Circumloquios kahi ʻē aʻe, hana ʻo Kohan i ka hapa nui o ia mea i waiho wale ʻia i nā mea mana nui loa o ka hālāwai kūloko, i ka atavistic, ʻuhane a me ka instinctive pono e kāhea i kahi hana hou. E hoʻolaʻa iā ia iho i nā hana ʻē aʻe i kona lā i kēlā lā. A no laila hele mai nā hana me ka ʻole o ka cadence temporal akā me kēlā ikaika o ka mea i kākau ʻia e hoʻolālā i kahi manaʻo nui, kahi hopohopo nui, nā mea e hōʻike iā mākou i kā lākou ʻoiaʻiʻo latent i kā lākou mau lima ...
Nā Manaʻo Manaʻo 3 kiʻekiʻe na Martin Kohan
ʻLelo hōʻoia
ʻAʻole ia he manawa kūpono e kū ai i ka haʻi e hōʻoiaʻiʻo ai i kā mākou hana a pau, ʻoi aku ka liʻiliʻi i nā manawa pouli o nā manaʻo i pōloli i nā makemake. ʻAʻole ia he manawa maikaʻi e hana ai i mua o mākou a i ʻole ma mua o nā poʻe ʻē aʻe. Akā hiki mai ka hōʻoia ʻana e kali nei no ka luaʻi o kā mākou ʻoiaʻiʻo.
ʻEkolu mau moʻolelo i ʻāpana o ka moʻolelo like. I ka makahiki 1941, i loko o ke kūlanakauhale ma nā panalāʻau o ʻArenekia, ua haʻi aku kekahi kaikamahine i ke kahuna pule i nā manaʻo moekolohe a hewahewa āna i ʻike ai i loko o kona kino, e pili ana i ka mea hoihoi āna i manaʻo ai no ke kanaka ʻōpio nona ka inoa ʻo Videla i hele ma kona puka aniani i kēlā me kēia lā. I ka makahiki 1977 ua hoʻomākaukau kahi hui o nā ʻōpio ʻōpio i kahi hoʻouka kaua ma ke kahua mokulele e pepehi iā Videla i ʻōpio a ʻike ʻia e nā mea āpau.
A i ka hopena, pāʻani kahi luahine (ke kaikamahine i ka moʻolelo mua) i kahi pāʻani kāleka me kāna moʻopuna, i hele mai e kipa iā ia ma ka hale noho i noho ai ʻo ia i kona mau lā, a ma waena o nā neʻe ua haʻi ʻo ia iā ia i ka mea i loaʻa iā ia. , makuakāne o ke keikikāne, e hopena ana i kahi haʻi hou. ʻEkolu mau moʻolelo a ʻekolu mau manawa i hoʻopili ʻia e hoʻopaʻa i hoʻokahi moʻolelo. ʻEkolu mau moʻolelo e pili ana i ka ʻeha, ka hewa a me ka hōʻoia.
ʻO kahi puke nui a pīhoihoi hoʻi, i kūkulu ʻia me kahi hoʻolālā nani e hiki ai i ka mea kākau ke komo i ke kumu o nā moʻolelo (o ka moʻolelo) āna i haʻi mai ai iā mākou.
Ma waho o kahi
ʻAʻohe mea i waho o ka wahi ma mua o ka stateless kanaka a i ʻole ka lawe pio ʻana mai ka paradaiso kamaliʻi wale nō. ʻAʻohe mea kūpono ʻole (hōʻike hou ʻia kēia ma waho o kahi), ma mua o ka neʻe ʻana o ka neʻe e hoʻokahi tausani mau hoʻololi i neʻe iā mākou mai ka pūnaewele, i waena o ka nostalgia i hoʻonui ʻia e ka manaʻo o ka mea i hiki ʻole ma muli o ka hopena ʻino loa.
Ma kahi o kahi e mālama ʻia ai i nā kālaihonua like ʻole: nā pae mauna, ke kahakai, nā wahi e pili ana, nā ʻāina mamao o ka Hikina, kahi palena. A ma ka Pūnaewele hoʻi, ka hakahaka o nā wahi āpau. ʻOiai, ʻo nā poʻe e neʻe ana mai kekahi wahi ai kahi ʻē aʻe, ʻo ka poʻe i haʻalele a hele i waho, ʻaʻole lākou e kokoke i ka ʻoiaʻiʻo no kēlā kumu ma mua o ka poʻe i paʻa mau i ka helu like.
A ʻo ia ke kumu o ka loiloi i kau ʻia ma Out of Place ʻaʻohe mea ʻē aʻe o ke kaʻe. ʻO ke alahele: i nā kekeʻe paha o nā kiʻi me nā keiki i haʻi ʻia i ka hoʻomaka, a i ʻole i ka huakaʻi hele hewa i haʻi ʻia i ka hopena. He aha ka mea i waho o kahi ma Out of place? Ma kahi ʻāpana ʻo ia ka aberration: ka mea pono ʻole e hana ʻia a, akā nō naʻe, hiki mai. ʻO kahi ʻāpana he dislocation: ke ala make kahi e disorient a nalowale ai ka poʻe i hilinaʻi nui loa i ka hahai ʻana i nā kuhi kūpono.
A ma kahi ʻāpana ke ala a Martín Kohan e hoʻonohonoho ai i ka mākaʻi o kēia puke: aia nā hana a aia nā kuhi, aia nā ʻoiaʻiʻo a aia nā hopena; akā ʻike mau nā meheu a me nā hopena ma kahi ʻokoʻa mai kahi e manaʻo ʻia ai, kahi e manaʻo ʻia ai, kahi e nānā ai kekahi iā lākou.
ʻO Bahía Blanca
Aia kekahi mea hoihoi i nā kūlanakauhale he nui kahi e ʻōlelo ʻia ai nā mea maikaʻi. Akā ʻaʻole hiki ke hoʻohālikelike ʻia i ka hoʻokalakupua o ke kūlanakauhale e pili ana i nā mea maikaʻi ʻole i ʻōlelo pinepine ʻia a ʻaneʻane paha. ʻO ia ke kumu ʻo Bahía Blanca, ka ʻīpuka i Patagonia ma ka hema o ka panalāʻau o Buenos Aires, ke heroine o kēia puke. Ma muli o ke kūlanakauhale i hoʻopiʻi ʻia me ka negativ i lilo i wahi kūpono no kekahi e pono e poina, hoʻopau, kāohi, hōʻole.
A ʻo ia ka mea i hana ʻia iā Mario Novoa, ke koa a i ʻole antihero o kēia moʻolelo. Ma muli o ka hōʻea ʻana o kā lākou moʻolelo aloha i kēlā kiko weliweli kahi e hui pū ai ka poʻe desperate a me ka impassive a hana pū i ka manawa like. A ke hiki mai kēlā, ʻaʻohe koho ʻē aʻe akā ka poina. ʻO ka hopena ka puke hou e nā mea kākau Argentina pono.
