Ke kamaʻilio nei i nā hiʻohiʻona kū hoʻokahi o ka honua nui loa, Andres Barba kono iā mākou e hele ma waena o kahi puke puke puke nui o nā huaʻōlelo a me nā ʻike, ʻo ka hapanui mai ka wā ʻōpio. I loko o kāna mau puke, kāna mau moʻolelo lōʻihi a i ʻole i kāna mau moʻolelo, hāʻawi ʻia kēia manaʻo e ka nānā ʻana i ka pilina. Mai ke kumumanaʻo kānalua ʻole o ka honua i ka hoʻopili ʻana o kēlā me kēia kanaka i nā laina i kaha ʻia o ka pilikanaka.
ʻAʻole mākou ma mua o ka mea akeakamai. Akā ʻae kēlā ʻike mākou a leʻaleʻa i kēlā akeakamai koʻikoʻi o kēlā me kēia i nā mimetic pilikino o nā protagonists me ke kumu o ka existential. No ka mea, e like me ka ʻōlelo a ka mea naʻauao, "He kanaka au, ʻaʻohe mea ʻē ke kanaka iaʻu."
I loko o nā moʻolelo o nā mea waiwai o nā puke he nui a mākou i ʻike ai i ka kikoʻī, ka hoʻokaʻawale ʻana akā ʻo ke kūlike hoʻi, ka pilina me kēlā ao ponoʻī e hiki ke hoʻopau i ka pakele i ka maʻamau i hōʻike ʻia i ka lua kupapaʻu.
ʻO nā kuʻikahi kaiaulu e like me nā masquerades lehulehu. He predilection no ka ʻoiaʻiʻo ma waena o nā contrad contradict me he maopopo leʻa o ka misfit o ke kiʻi paʻi. Nā moʻolelo liʻiliʻi i kekahi manawa, a me nā puke nui ʻē aʻe. ʻO ka realism Crude i nā manawa a me nā loli o nā papa inoa i nā haʻi ʻōlelo a i ʻole ka hoʻoilina surrealism i kēlā mea mua Kafka.
I ka pōkole, nā moʻolelo e hele ai ma waena o ka ʻokoʻa me ka ʻike disquieting piha o kēlā mau huapalapala e hōʻike iā mākou. ʻO nā essay e hoʻopau ai i ka hoʻopuni ʻana i kahi manaʻo hoihoi loa no ko mākou mau lā. ʻO kahi patina o ka hoʻomākeʻaka i hānau ʻia mai ka waikawa corrosive o ka noho ʻana. ʻO ke ʻano he hoʻopaʻapaʻa o ka hana akamai i hiki i nā palapala a nā keiki.
ʻO nā puke kiʻekiʻe e 3 a Andrés Barba i ʻōlelo ai:
ʻAʻohe moʻolelo
I kekahi manawa heluhelu ʻoe i kahi puke he kamaliʻi a ʻaʻole ʻoe ʻike inā he ʻōlelo nane me ka makemake metaphorical o ka pono, a i ʻole, ma waho o ka moʻolelo kupaianaha, he hana palekana paha ia e hoʻohuli iā ʻoe i kēlā keiki i hoʻi i nānā i nā mea ma waena o naivety a me ka hoihoi o ka loaʻa.
He kūlanakauhale ʻo Nadas nona ka inoa e wānana nei i ka triviality, ka mea nui ʻole, ka ʻōlelo hōʻino o kēlā me kēia lā. A mai laila maoli mākou e alo ai i ka hihia ʻano ʻē o ka aniani ʻana o ka ʻōlinolino hōkū.
Lele ka leo lani pō iʻeleʻele, me he mea lā e poina ana i kēlā wahi kahi i kū ʻole ai kekahi mea kūpono e ʻike i ka wehewehe kupaianaha o nā hōkū. ʻO nā ʻimi noiʻi no ka hana ikaika e alakaʻi ʻia e ka meia o ia wahi e noiʻi i nā mea i hana ʻia.
He puke kamaliʻi ʻaʻole keiki, kekahi o kēlā mau moʻolelo i hiki ke heluhelu mau ʻia a heluhelu hou ʻia e ʻimi ana i ka wai momona a me nā kiʻi i hāpai ʻia e like me nā hōʻailona i piha i ke ʻano.
Repubalika Luminous
ʻAʻole hiki ke maʻalahi ke poina i kahi moʻolelo e like me ia o "The Lord of the Flies," na ʻO William Golding. Mai nā puke nunui e like me kēlā, hiki ke hōʻike mau i nā pālua hou me kekahi ʻano hoʻohālikelike.
ʻO ke ʻano o kēia moʻolelo me he mea lā ua lawe ʻia mai nā ʻōpio he kanakolu i pohō i ka mokupuni wao nahele o Golding i kekahi kūlanakauhale i kapa ʻia ʻo San Cristobal. ʻO kahi hōʻike hou o nā kānaka i haʻalele ʻia i ka anarchy ma muli o ka ʻike ʻole i ke ʻano o ke ola i loko o ke kaiāulu, pau i ka hoʻonāukiuki i ka hana ʻino a me ka improvisation e hōʻailona i kā lākou kalaiwa.
Mai ka leo o kekahi o kēlā mau ʻōpio, he castaway hope loa a hope loa ia mai kēlā mau lā pouli, lohe mākou i ka moʻolelo o nā hanana, o nā kuko ma ke ʻano he kānāwai, o ka hoʻololi ʻana i ka mea nui o nā keikikāne i hoʻoholo e kau i kā lākou alakaʻi alakaʻi.
Malia paha e lawelawe kēlā kanaka mua e hāʻawi i ka hopena hope loa o ka verisimilitude spooky. He mea wale nō ʻo Chaos, e like me ka ʻike mau, ʻo nā ʻuhane a me ka naʻau e lanakila i nā pae āpau āpau e pili ana i ka hoʻohanohano.
ʻAukake ʻOkakopa
Kū ke ʻano o Tomás i kēlā mau manawa mua o ke oʻo makua, i kēlā manawa i ka wā o ka wā ʻōpio e waiho ʻia ana e like me ka hoʻololi ʻana o ka ʻili, e like me ka hoʻoholo ʻana me nā ʻāpana o ka hemahema hiki ʻole ke hoʻopili ʻia i kēlā me kēia ala maʻalahi o ka manawa.
ʻO kā Tomás wahi hoʻomaha wā kahiko, ke kahua pāʻani e like me kā Antonio Vega e ʻōlelo ai. A me ka hiki o ka manawa koʻikoʻi e hōʻike ʻia me kēlā huli i ka hewa mua.
ʻO kahi puke e ʻai ai mākou i ka wā e hiki mai ana ʻo Tomás i ka hoʻololi ola crude e kū nei iā ia me nā kūʻē nui: ʻōpio. Nona ia ʻāpana e hoʻowalewale a lanakila ai, e hāʻule ana i nā insti crudest me ka waiho ʻole ʻana i kahi kukui liʻiliʻi o ke kumu. A i loko o kēlā hewa e waiho nei ka magnetism hoʻokalakupua o kēia moʻolelo.
ʻAʻole hiki ke kaulike ke kākau ʻia ke aupuni ponoʻī e kekahi mau lā o ke kānalua, no ka hoʻouka ʻana i ke kūlana makua, ka hana ʻino ma ke ʻano he ala e haki me nā mea āpau.
