ʻO nā puke maikaʻi loa 3 na Álvaro Enrigue

Kūkulu a hoʻohui ʻia e like me kekahi o nā mea kākau Mekiko o kēia manawa, ʻO Alvaro Enrigue He manaʻo kūlohelohe ia i ka mea Mekiko a me ka mea nāna hoʻi i kēia manawa ʻO Juan Villoro. ʻO ka mea maʻamau ke kuhi ʻana i nā mea kākau like e hoʻohālikelike i kēlā mele hanauna, o ka moʻokalaleo kikoʻī a i ʻole nā ​​mea hana i ka nui.

Akā wehewehe nā counterpoints i nā wahi hanahana ma mua o nā lepili. Ma muli o nā makahiki mālamalama mai kahi manaʻo lōkahi, pono e hoʻonohonoho ʻia ka manaʻo a me ka makemake o kahi mea kākau e like me ka pō a me ke ao e uhi i nā mea āpau. A i ʻole ma ka liʻiliʻi e hoʻāʻo.

I ka Palapala Enrigue ʻike mākou i nā nuances maikaʻi e pili ana i ka alegory, i ka wehewehe, hyperbolic inā pono, o ka mea e hana ʻia, o ka mea e hana ʻia iā mākou a neʻe iā mākou. Akā ma ke ʻano he mea kākau avant-garde maikaʻi, ʻaʻole hiki i kekahi ke pili i kahi kumuwaiwai a i ʻole hoʻonohonoho.

A ʻo kēia kahi e huki ai ʻo Alvaro Enrigue i kāna mea kaua a pau e hana a like me ka moeʻuhane existentialism, e like me kāna e kuhikuhi nei, e pane ana he moeʻuhane ke ola. I ka hopena, ʻo ka heluhelu ʻana iā Enrigue ma mua o kahi huakaʻi, me ka mākaʻikaʻi hiki ʻole ke heluhelu ʻia ma ka tikika hoʻokahi ala, a i ʻole hoʻi paha. No ka mea ma nā puke maikaʻi ʻaʻole ʻoe e ʻike inā hele ana ʻoe a inā ʻoe e hele mai ana.

ʻO nā puke noveloma kiʻekiʻe ʻoluʻolu ʻia na Álvaro Enrigue

I kēia manawa hāʻawi wau a ʻo ia wale nō

I loko o kēlā me kēia palena palena ʻole i kūkulu ʻia e ke kanaka e waiho ana kahi paradox ʻano ʻē, kahi dichotomy ma waena o ka "honua maoli" o kā mākou mau mea kumumanaʻo a me nā mea manaʻo delusional o kahi pā ʻole i kūkulu ʻia e like me kēlā palena (a hiki i ka hōʻea ʻana o Trump).

ʻAʻohe wahi maikaʻi aʻe ma mua o ka ʻāina o kēlā kanaka ʻole, ka paepae ma waena o nā ʻāina i hoʻonohonoho ʻia me ke koʻikoʻi o ka koʻo o ke keiki e hōʻailona ana i ka pā pāʻani. Ma laila kahi e hiki ai i nā mea āpau a mākou ke noʻonoʻo. Ma muli o ka hana ʻana a Álvaro Enrigue i nā huapalapala like ʻole mai nā ʻaoʻao ʻelua o kēlā laina i hala i ka palena, a he mea maoli ia no ka honua o kēia ao no ka mea he kime wale nō ia i loko o kāna kumu. Aia kēia pae ʻāina ma ka palena (ma waena o Mekiko a me ʻAmelika Hui Pū ʻIa), a e hōʻike ʻia nā hiʻohiʻona o ka wā i hala a me kēia manawa i loko. Puka pū kekahi nā mikionali, nā mea noho a me nā mea ʻē aʻe, nā ʻInia o nā ʻohana lāhui i noho mua ʻia a i ʻole nā ​​ʻohana ʻino hoʻi.

ʻIke ʻia kahi wahine e holo i loko o ka wao akua, a me kahi koa e alualu nei i kekahi mau ʻInia nāna i ʻaihue pipi i loko o kēlā wao nahele. A ʻo ka moʻo hoʻi o Gerónimo, ka Apache kipi, a me kahi mea kākau e huakaʻi i kēlā mau wahi e ʻimi ai i nā meheu o ka mōʻaukala ... komohana, moʻolelo pōkole moʻolelo, epic, kaao a me ka metaliterature. ʻO ka hopena: kahi hana o ka ʻiʻini nui a kākaʻikahi loa, e pīhoihoi ana.

Make make koke

Ke kū kekahi i ka hana koʻikoʻi o kahi leʻaleʻa e like me ka mea i loko o kēia puke, hiki i kekahi ke noʻonoʻo i ka hoʻāhu ʻana i ke kope ma ke ʻano he mea hōʻeuʻeu ʻole. A laila pono i kekahi e hilinaʻi i ka lapuwale ma ke ʻano he meahana i hiki ke wehe i nā aniani kilohi. ʻO ke koena ke kuleana o nā muses, noʻonoʻo a hāʻawi ʻia i ka mea kākau i kēia hihia ma mua o kahi puke moʻolelo ʻaʻole hiki ke haʻi ʻia.

Ma ʻOkakopa 4, 1599, ma ka hola ʻumikūmālua o ke awakea, hālāwai nā duelist ʻelua ma nā pā tenisa lehulehu o Piazza Navona ma Roma. ʻO kekahi kahi mea pena kiʻi Lombard ʻōpio nāna i ʻike ʻo ke ala e hoʻololi ai i ka noʻeau o kona manawa ʻaʻole ia e ka hoʻoponopono ʻana i ka ʻike o kāna mau kiʻi pena, akā ʻo ke ʻano o ka pena ʻana iā lākou: ua hoʻokumu ʻo ia i ka pōhaku kumu o nā mea noʻeau o kēia ao. ʻO ka mea ʻē aʻe, he mea haku mele Paniolo paha i akamai a maʻalahi hoʻi no kāna pono ponoʻī. Ua alakaʻi lāua ʻelua i nā ola i kahi o ka lepo: i kēlā lā, ua pepehi kanaka kekahi o lākou i ka holo, a ʻo kekahi e kokoke koke ana.

Aia lāua ʻelua i ka aloaliʻi e pale aku ai i kahi manaʻo hanohano i pau ai ka noʻonoʻo ʻana i loko o ka honua nunui, ʻano like ʻole a hoʻomaopopo ʻole hoʻi. He aha ka mea e hana ʻia no Caravaggio lāua ʻo Quevedo e pāʻani i ka pāʻani kinipōpō i ko lāua wā ʻōpio? Pāʻani ʻo Death Death i loko o ʻekolu set, me kahi loli o ka pā hale, i loko o ka honua i lilo a puni e like me ka pōpō. Hoʻomaka ia ke ʻaihue kahi kanaka koa Palani i nā kaula kila mai ke poʻo poʻo o Anne Boleyn.

A i ʻole inā e noho ana ʻo Malinche e ulana iā Cortés i ka makana hoʻokaumaha kaumaha loa o nā manawa āpau: kahi scapular i hana ʻia me ka lauoho o Cuauhtémoc. Malia paha i ka wā i hoʻokuʻu aku ai ʻo Pope Pius IV, kahi makuakāne o ka ʻohana a me ka peʻahi pā tennis, me ka ʻike ʻole i nā ʻīlio hae o ka hoʻomaʻau a hoʻopiha iā ʻEulopa a me ʻAmelika me nā ahi ahi; aiʻole i ka wā e kipa aku ai kahi mea pena kiʻi Nahua i ka lumi kuke o ka hale aliʻi Toledo o Carlos ua kau wau ma luna o ka mea i manaʻo ʻia he hāʻawi nui ʻo ʻEulopa i ka moʻomeheu ākea: kekahi mau kāmaʻa.

Ma ka manawa paha e heluhelu ai kahi pīhopa ʻo Michoacan iā Tomás Moro's Utopia a manaʻo ʻo ia, ma kahi o kahi parody, he puke aʻo ia. ʻO ka make koke ʻana o ka haku mele ʻo Francisco de Quevedo e launa me ka mea e lilo i mea pale nona a me ka hoa paina i kona ola a pau i kahi huakaʻi weliweli ma waena o nā Pyrenees kahi e noi ʻia ai kahi kaikamahine hūpō a Felipe II e nohoaliʻi ma Palani a me Cuauhtémoc, paʻahao i kahi mamao loa Laguna o nā ʻ Termslelo, nā moemoeā o kahi ʻīlio. Ua hele ʻo Caravaggio i ke kuea o San Luis de los Franceses, ma Roma, a ua ukali ʻia e nā kauā ʻelua e hāpai ana i ka pena e hoʻolilo iā ia i pōhaku pōhaku mua i ka moʻolelo o nā hana noʻeau, a ʻo Nahua Amateca Diego Huanitzin e hoʻololi i ka manaʻo kala i European. ʻoiai ʻo ia e ʻōlelo nei ma ka manaʻo Sepania.

Hele ka Duchess o Alcalá i nā saraos aliʻi me kahi pahu kālā i piha me nā pepelu serrano a hoʻohana i kahi huaʻōlelo i maopopo ʻole i kekahi, akā weliweli paha: «xingar». Hoʻohana ʻo Death Death i nā mea kaua āpau o ke kākau palapala ʻana e kahakiʻi ai i kahi manawa hoʻonani a weliweli hoʻi i ka mōʻaukala o ka honua i hiki ke hōʻike wale ʻia e nā mea hanohano a me ka hōʻino ʻia o nā ʻenehana, ka mea nona ka lula gula he kānāwai ʻole kāna: ʻO ka mōʻī ka puke. A ke alo nei mākou i kahi puke hanohano maoli, ka makemake nui a me ka maikaʻi kākau.

Nā ola kūpono

ʻO ka hoʻomaopopo ʻana i ke ola hou ʻana he mea wale nō ia o ka manawa. I kēia manawa ua ʻike ʻia he like ka manawa o nā mea āpau, ma ka liʻiliʻi ma lalo o nā pōpō o ke Akua nāna, e ʻae ʻole paha i kahi keiki e ʻike i ka pae o kēlā laina.

ʻOiaʻiʻo, e like me kā mākou e manaʻo ai, ʻaʻole e like ka honua i kēia manawa. A i ʻole ma ka liʻiliʻi ʻaʻole ia mai ka manaʻo no ka hala ʻana o kēia puke. ʻO Jeronimo Rodríguez Loera ke ʻano o ke keiki Mekiko e like me nā mea ʻē aʻe, akā ʻo ia nō kekahi moʻo nui. hana kanaka āpau.

Ma ka hoʻomanaʻo ʻana i ko lākou ola, e hōʻike aku ʻo Jerónimo i ka mea heluhelu i ka pāʻani mau loa e ʻaiʻē ai kāna poʻe komo. I ke kūkulu mua ʻana i nā alahaka ma ke kumu hoʻohālike o ka puke kahawai, ʻo Perpendicular Lives kahi ʻano ʻokoʻa, kahi puke nui, kahi e like ai nā manawa a me nā manawa like ʻole. Ma kēia ala wale nō e hiki ai i ka poʻe holo lio ke hoʻokau iā Germánico César a me ka mea kanu māla Laguense, ka mea aloha Neapolitan o Francisco de Quevedo a me ka mea hoʻonāukiuki Asturian ma Buenos Aires, ka mea hoʻokele kāmelo o nā steppes Mongolian a me ka muralist i kū ʻole ma muli o kona ʻākau , ʻO Pablo de Tarso lāua ʻo Homo sapiens puppy i hoʻolālā ʻia e kau i kā lāua DNA me kā lākou mau lāʻau.

A mai kēia kuʻina o nā mea maoli i puka mai ai nā mea pohihihi a Enrigue i wehe ai: pehea lā kahi keikikāne Tureke, kahi mea ulana hale lole a makemake ʻia no ka Sanhedrin, i hoʻokumu i ka modernity? Pehea ke ʻano o ka mea haku mele ʻoi loa o ka ʻōlelo ke kanaka hoʻopailua loa o kona kenekulia? Pehea mākou i ʻike ai i ka honua ma mua o ka haʻiʻōlelo?

Nā puke ʻē aʻe i manaʻo ʻia e Álvaro Enrigue…

Hypothermia

ʻO ka mea kākau moʻolelo o "Dumbo's peni", ua manaʻoʻiʻo mai kona wā'ōpiopio i kekahi lā e liloʻo ia i mea kākau nui, e hoʻolohe ana i ka'ōlelo hoʻopiʻi mai kāna keiki e pili ana i ka puke moʻolelo nui i hikiʻole mai; i loko o ka "Toilet", e hiamoe ana ka mea uila i loko o ka hale kaʻawale kahi āna e hana ai, a i kona ala ʻana, kāhea ʻo ia i kahi kaikamahine me ka leo hoʻowalewale iā ia mai ka lumi lumi; ʻO Drake, ke kanaka ʻōpala i haʻalele ʻia e kāna wahine mai "Outrage" hoʻohuli i ke kaʻa ʻōpala i moku pōā no hoʻokahi pō. A ma ka "Extinction of the Dalmatian" a me "The Death of the Author" ua haʻi ʻia ka hopena nui weliweli o nā kāne ʻelua, ʻelua mau ʻōlelo kahiko i pau pū me lākou.

Akā i ka Hypothermia he nui aku. No ka mea, i loko o kēia puke, ma waena o nā moʻolelo paʻa, paʻa, poepoe, i hoʻopili ʻia kekahi i kekahi a i ka hana ʻana pēlā e haʻalele iā lākou iho, aia ʻekolu mau moʻolelo i hoʻemi ʻia i ko lākou mau manawa climactic: ʻo ka mea kākau o nā puke kōkua pilikino nāna, i hoʻopōʻino ʻia e ka ʻO nā aʻo āna i haʻi aku ai, hoʻopau ʻo ia i kona ʻano manaʻo a hoʻopau ʻo ia ma ke ʻano he polopeka ma Bosetona, Gehena; ʻO ka luna hoʻokō o ka World Bank, ma hope o ka hoʻohālike ʻana he mea ʻē aʻe, hiki ke ʻike i ka ʻoiaʻiʻo ke hoʻopili ʻia e ke kīwī, kelepona paʻa a leka uila; a ʻo ka mea kākau moʻolelo o ke ola pilikino, ka mea i make ma ka ʻuhane, ua hoʻāla ʻia ma ke ʻano he kuke, he mea pena kiʻi kupapaʻu, ʻo ke ʻano nani loa o nā manawa hou, a ʻo ia ka protagonist o ka "Exit from the city of suicides" a me "Return to." ʻO ke kūlanakauhale o ka pāʻani", me ka mea e hoʻopau ai akā ʻaʻole e pani i kēia kumu hoʻohālike nani o ke kūʻokoʻa moʻolelo ʻo Hypothermia, he moʻolelo i haku ʻia i nā moʻolelo, e like me ka manaʻo o ka mea kākau.