Mafi kyawun litattafai 3 na Haruki Murakami

Littattafan Jafananci koyaushe za su zama masu bashi Haruki Murakami su rushewa a cikin wallafe -wallafen yamma na yanzu, bayan manga don nishaɗi ko autochhonous tarihi mai taken monogatari. Domin zuwan wannan marubuci yana nufin hutu tare da yanayin wallafe-wallafen don cin abinci na gida, buɗe labarin Jafananci tare da kyawawan litattafai tare da tambari na musamman na sirri.

Ba marubutan suke so ba Kawabata ko mufuradi kobo aba (wanda za a iya yi wa Murakami wahayi zuwa gare shi) kada ku kai wannan fifikon tsakanin al'adu, amma Murakami ne ya san yadda ake daidaitawa da kyau daga asalin al'adun gargajiyar Jafananci zuwa ga sauran duniya.

Cakuda na surrealism da wanzuwar rayuwa (taɓawar da ba za a iya musantawa ba Kafka) don magance rayuwa gaba ɗaya, al'amuran yau da kullun, al'umma ko duk abin da ya dace, koyaushe tare da maƙasudin mutuwa inda ƙauna da bege ke haskakawa godiya ga bambanci da duhu na gaba ɗaya.

Shawarwari masu ban sha'awa don ganin duniyar da ta faɗi cikin banza, wataƙila za a iya warwarewa daga mafarkin. Hakikanin gaskiya shine taƙaitaccen hangen nesa wanda, a cikin aikin Murakami, yana haifar da mosaic mai jujjuyawa dubu, inda sahihancin sautin ya zama bege kawai.

Shi ba marubuci mai sauƙi ba ne amma ba game da zurfin falsafa ba. Murakami yana koya mana mu gani da idanu daban-daban, na wanda ya dage kan shawo kan gaskiya ta hanyar almara, almara mai canzawa da damuwa. Kyautar Nobel ta Adabi ta tashi akan siffarsa da aikinsa. A halin yanzu, da Kyautar Gimbiya na Asturia don Adabi 2023 Ba turkey booger ba.

3 Littattafan da aka Ba da Shawara Daga Haruki Murakami

Tokyo Blues

Idan muna magana akan menene Alamar Murakami, yana da kyau a ɗaga wannan aikin zuwa matsayi na farko. Godiya a gare ta, wannan marubucin ya ci miliyoyin masu karatu a Yammacin Turai, suna shakkar niyyar kirkirar kowane marubucin Japan.

Yayin da yake sauka a tashar jirgin sama ta Turai, Toru Watanabe, mai zartarwa mai shekaru 37, yana jin tsohuwar waƙar Beatles wacce ke mayar da ita zuwa ƙuruciyarsa, zuwa Tokyo mai rikice-rikice na shekarun sittin. Tare da cakuda rashin jin daɗi da rashin kwanciyar hankali, Toru sannan ya tuna da Naoko mara ƙima da ƙima, budurwar babban abokinsa kuma abokinsa tun yana ƙuruciya, Kizuki.

Kashe kansa ya raba Toru da Naoko tsawon shekara guda, har sai da suka sake haduwa kuma suka fara dangantaka ta kud da kud. Duk da haka, bayyanar wata mace a cikin rayuwar Toru ya kai shi ga kwarewa da jin kunya inda duk abin da ya kamata ya zama ma'ana: jima'i, soyayya da mutuwa. Kuma babu wani daga cikin haruffan da ya yi kama da zai iya daidaita daidaito tsakanin bege na matasa da buƙatar samun wuri a duniya.

Sputnik soyayya ta

Tauraron dan adam ba tare da kewayawa yana neman wani abu don sadarwa ba kuma, mafi mahimmanci, samun wanda zai sadar da shi. Babban birni kamar duhu sararin taurarin neon. Haka kuma, a cikin tafiyar tauraron dan Adam na kasar Rasha Sputnik, kare Laika ya zagaya duniya tare da karkatar da kallonta na kaduwa zuwa sararin samaniya mara iyaka, a birnin Tokyo wasu haruffa uku suna neman juna suna neman karya madawwamin tafiyar kadaici.

Mai ba da labari, matashin malamin makarantar firamare, yana soyayya da Sumire; amma ita, wacce ta ɗauki kanta a matsayin ɗan tawaye na ƙarshe, tana da sha’awa guda ɗaya: kasancewa marubuci. Sumire za ta sadu da Miû, matar aure mai matsakaicin shekaru kyakkyawa kamar yadda take da hazaka, kuma tare za su fara tafiya ta Turai daga baya kuma babu abin da zai sake zama iri ɗaya.

Lissafi mai ban sha'awa, babban kwatanci don saduwa da wasu haruffan da ba za a iya mantawa da su ba wanda muke yin namu sosai a cikin wannan tunanin birni a matsayin madaidaicin sarari don nisantar inda za mu iya kewaya da ikon jirgin ruwan rayuwar mu.

Tarihin tsuntsayen da ke shawagi a duniya

Tunani na farko lokacin karanta wannan taken shine na tsuntsu cuckoo wanda ke fitowa daga cikin dusar ƙanƙara don tattara duniyar tunani; duniyar da ta kasance tana duban hannun na biyu na agogon da aka dora bango.

Matashi Tooru Okada, wanda ya bar aiki a wani kamfanin lauya, wata rana wata mata ta kira shi ba tare da an sani ba. Tun daga wannan lokacin, kasancewar Tooru yana fuskantar sabon canji. Matar sa ta ɓace, haruffa masu ban mamaki sun fara bayyana a kusa da shi, kuma ainihin ƙasƙantar da kai har sai ta ɗauki yanayin fatalwa.

Yayin da mafarki ke ƙara mamaye gaskiya, Tooru Okada dole ne ya magance rikice -rikicen da ya jawo a duk rayuwarsa.

Sauran shawarwarin littattafan Murakami…

Garin da katangarsa marasa tabbas

Gayyata bayan gaskiya. Garin ya juya ƙazafi inda duk wani abu mai kyau ke faruwa akai-akai. Cewa bin wani kamar annabin duk sha'awarmu da sha'awarmu, mai da hankali a cikin ishara, cikin soyayya da soyayya ta wuce lokaci. Murakami ne kawai zai iya gina wurin. Kuma halayensa ne kawai za su iya sa mu ji haka, muna tafiya tare da igiya na farin ciki mafi tsanani, a kan rami.

Ba kadan matashin jarumin wannan novel yayi tunanin cewa yarinyar da ya yi soyayya da ita ta kusa bace a rayuwarsa. Sun hadu ne a wata fafatawa tsakanin dalibai daga cibiyoyi daban-daban, kuma ba sa haduwa da juna sosai.

A cikin tarurrukansu, suna zaune a ƙarƙashin wisteria a wurin shakatawa ko tafiya tare da bakin kogi, yarinyar ta fara magana da shi game da wani birni mai ban mamaki, wanda yake, a fili, a cikin wata duniya; Sannu kadan ta k'arasa fad'a tana mai damun zuciyarta cewa gaskia tana cikin wannan birni mai ban mamaki. Ba zato ba tsammani, a faɗuwar rana, jarumin ya karɓi wasiƙar daga gare ta wanda zai iya nufin bankwana, kuma hakan yana jefa shi cikin baƙin ciki mai zurfi. Shekaru za su shuɗe kafin ya hango duk wata yiwuwar sake samunta.
Amma duk da haka, wannan birni, kamar yadda ta bayyana shi, akwai. Domin komai yana yiwuwa a cikin wannan sararin samaniya mai ban mamaki inda gaskiya, ainihi, mafarkai da inuwa ke jujjuyawa da tserewa madaidaicin iyakoki na hankali.

Mutum na farko na mufuradi

Yawancin kowane ƙwarewa yana zaune cikin cikakken ikon kowane girman fasaha ko fasaha. A takaice, Murakami yana motsa al'amuransa da halayensa tare da tashin hankali, kamar neman lokacin tauraro wanda ke motsa komai. Fiye da haka lokacin da al'amarin ya ci gaba da haskaka abubuwan da aka taɓa fuskanta, daga jimlar rayuwar da aka bayar zuwa wucewar lokaci, tare da tukin da ba zai yuwu ba a farkon damar, zuwa mawuyacin hali ba tare da juya baya ba ...

Matasa suna ƙauna tare da rashin kwanciyar hankali, da ƙyar matasa, jazz yayi bita akan rikodin da ba zai yiwu ba, mawaƙin da ke son ƙwallon baseball, biri mai magana wanda ke aiki a matsayin masseur da tsoho wanda ke magana game da da'irar tare da cibiyoyi da yawa ... al'amuran wannan Girman labaran da aka dade ana jira yana busa iyaka tsakanin hasashe da ainihin duniya.

Kuma sun dawo gare mu, ƙaunatattu, ƙaunatattun ƙauna, yanke zumunci da kaɗaici, ƙuruciya, haɗuwa da kuma, sama da duka, ƙwaƙwalwar soyayya, saboda «babu wanda zai iya cire ƙwaƙwalwar tunawa da ƙauna ko na kasancewa cikin soyayya a rayuwa ", ya tabbatar da mai ba da labari. Mai ba da labarin mutum na farko wanda, a wasu lokuta, zai iya zama Murakami da kansa. Shin abin tunawa ne, wasu labaran da ke da alaƙa da tarihin rayuwa ko ƙaramin almara? Mai karatu zai yanke hukunci.

Mutuwar kwamanda

Mabiya babba Marubuci ɗan ƙasar Japan Haruki Murakami Muna kusanci kowane sabon wallafe -wallafen wannan marubucin tare da muradin muradin sabon karatun karatun, zaman hypnosis na ruwa wanda ya zama dole a kwanakin mu.

Zuwan dogon labari Mutuwar kwamanda ya zama balm ɗin karatu don biye da nishaɗin karatu da canza shi zuwa kusanci ga haruffa tsirara daga ciki, voyeurism na ruhi ga masu karatu da ke buƙatar gano kowane ra'ayi na rayuwa.

Murakami ya tunkaro mu da ramukan duniya, tare da ƙananan ɓoyayyun kai, tare da keɓe kan kankara a cikin girman duniyar da ta ƙi tsayawa a banza. Kuma Murakami ne kawai nan da nan ya ba da begensa na bege, wanda ya ƙare daidaita ma'aunin rayuwar adabi.

Maƙasudin raɗaɗi a gefe, a cikin littafin 1 na Mutuwar kwamanda mun sami labari wanda ke buƙatar ci gaba da aka tsara don shekara mai zuwa, yana gama tsarawa a cikin littafin 2 wasa mai wuyar warwarewa kawai a tsayin Murakami kuma a yanzu, zai ƙare da tayar da hauka yayin jiran ƙudurinsa na ƙarshe.

A wannan lokacin, fasaha ta zama hujja mai mahimmanci don magance buƙatu na zahiri don bayyana ɗan adam daga mahangar fasaha. A bayyane yake cewa yanayin labarin yana iyakance ga wani lokaci na yanzu a cikin shirin labyrinthine tare da evocations na Dorian Grey kuma an manta da zanen a cikin ɗaki ...

Domin daidai ne, gano canvas mai taken Mutuwar kwamanda, wanda ke nuna farkon farawa zuwa maye gurbi na jarumin, wanda a cikinsa ake ganin alamun duniya da ke da alaƙa da wannan aikin wanda ya ƙare samar da sihirin maye na gaskiya, wataƙila a cikin ra'ayi mai sauƙi ko wataƙila a matsayin sabon ƙaddara da aka gano tun lokacin da aka samu damar. .

Abu mafi ban sha’awa game da labari shine yadda duniyar wani jarumi wanda ke rugujewa bayan jimlar rashin nasara, yana ɗaukar iska mai ba da kai a cikin baƙon alaƙa tsakanin mai zanen zanen da ba zai taɓa kasancewa a can ba, jarumin da maƙwabci. na gidan wanda jarumi ya yi ritaya daga duniya. Triangle mai jan hankali na haruffa waɗanda ke da'awar kuma suna sarrafawa don mayar da hankalinmu gaba ɗaya.

A cikin wani makirci da aka buɗe don fassarori iri -iri da karatun sau biyu da sau uku, mun ƙare fuskantar ma'anar fasaha. Bukatar da ake buƙata ninki biyu da ke da alaƙa da duk fassarar fasaha: daga tsammanin gaskiya ba kawai iyakance ga azanci ba, zuwa zurfafa bincike kan dalilan da za su iya haifar da hankulanmu don yin nuni ga halittar duniya "cikin kamanninmu da kamanninmu." Ee, megalomania tsarkakakku, a matsayin alloli na kadaicinmu da yanke shawara.

Mutuwar Kwamandan (Littafin 2)

Manufar Murakami tare da wannan ɗaba'ar ɗaba'ar don irin wannan aikin toshe mai ƙarfi, kuma cewa sakamakon fitowar kwanakinsa na iya rufewa a cikin juzu'i ɗaya, ba zai iya zama ban da bambance wani abu da ke tsere mana.

Gaskiyar ita ce labarin yana fama da rarrabuwa saboda karuwar kari, amma koyaushe ana karanta shi azaman cikakken ci gaba wanda, saboda kowane dalili, marubucin ya fahimci shi azaman wani abu wanda dole ne a gabatar dashi daban, azaman darasi na biyu ko na biyu inzali ....

Kasancewar haka, abin nufi shine daga sashin farko wanda aka sadaukar da shi ga wannan karatun mai zurfin tunani kuma duk da cike da tashin hankali, irin na Murakami, yanzu mun ci gaba zuwa wani ci gaba mai ƙarfi a bango. Uzurin makircin zanen mai ban mamaki wanda ke motsawa da ha'inci jarumin a kashi na farko yanzu ya juya zuwa tashin hankali mai rikitarwa na alwatika wanda aka haɗa tsakanin mai zanen zanen, Menshiki, maƙwabcin mai ritaya na protagonist da shi kansa jarumin.

Domin Menshiki yana gayyatar jarumi kuma mai ba da labari don yiwa yarinyar da ke wucewa a gaban gidajen su kowace ranar makaranta. Budurwar, wacce ake kira Marie Akikawa, ta fara ɗaukar rayuwar ta ta musamman a cikin sigogin fasalulluranta da aka sace kowace rana. Har sai Marie ta ɓace kuma faduwarta ba zato ba tsammani tana da alaƙa da ƙwaƙwalwar faɗar da Menshiki ya danganta ga mai ba da labari, game da sabon Alice wanda zai iya kaiwa wani matsayi.

Binciken Marie yana ba da wani abin shakku tsakanin na ainihi da mara gaskiya, tsakanin hankali, hauka da abubuwan da ke tattare da abubuwa waɗanda ke tafiya daga matsanancin fahimtar ɗan adam zuwa ɗayan kuma wanda ya kai ga mafi kyawun bayanin halitta a cikin zane -zane.

Sanarwar labarin, wacce ta barke bayan gogewar karatu na farin ciki irin na mafarki, da alama yana kusantar da mu zuwa ga ɗaya daga cikin abubuwan da marubutan manyan asirai ke nema koyaushe.

Kawai a wannan karon yana da ƙarin bayani ne game da tsinkewar hankali. Tasirin ƙarshe wanda ke shafar duk manyan amsoshin da mai ba da labari ba ya nema. Mai ba da labari wanda a ƙarshe mun fahimci aniyarsa ta cikakken kwatanci.

Kiɗa, kiɗa kawai

Wataƙila don murakami shinkafar ta Lambar yabo ta Nobel a adabi. Don haka babban marubucin Jafananci yana iya tunanin yin rubutu game da komai, game da abin da ya fi so, kamar yadda lamarin yake a wannan littafin. Ba tare da tunani game da masana ilimi waɗanda koyaushe suna mantawa da shi ba a lokacin ƙarshe, kamar ƙungiyar abokai da aka bari don cin abincin dare ...

Saboda abin da ke bayyane shine cewa bayan bayan ɗanɗano na Stockholm, Masu karatun Murakami suna bautar sa duk inda aka tura shi. Domin littattafan sa koyaushe suna yin sauti kamar gabatarwar avant-garde wanda aka daidaita tare da waɗancan kyawawan nasiha na mai ba da labari. A yau dole ne mu yi magana game da kiɗa, babu abin da ya rage kuma babu ƙasa.

Kowa ya san cewa Haruki Murakami yana da sha’awar kida da jazz na zamani da kuma kiɗan gargajiya. Wannan sha’awar ba wai kawai ta kai shi ga gudanar da kulob din jazz ba a lokacin ƙuruciyarsa, amma don shigar da mafi yawan litattafansa kuma yana aiki tare da nassoshi na kiɗa da gogewa. A wannan lokacin, shahararren marubucin Jafananci a duniya yana raba wa masu karatu buƙatunsa, ra'ayoyinsa kuma, sama da duka, sha'awar sanin fasaha, kida, wanda ke haɗa miliyoyin mutane a duniya.

Don yin wannan, a cikin shekaru biyu, Murakami da abokinsa Seiji Ozawa, tsohon madugu na ƙungiyar makaɗa ta Boston Symphony, sun yi waɗannan tattaunawa masu daɗi game da sanannun sassan da Brahms da Beethoven, na Bartok da Mahler, game da masu gudanar da ayyuka irin su Leonard Bernstein da ƙwararrun soloists kamar Glenn Gould, akan gungun ɗakuna da wasan opera.

Don haka, yayin sauraron rikodin da yin sharhi kan fassarori daban -daban, mai karatu yana halartar amintattun abubuwa masu daɗi da son sani waɗanda za su cutar da su da ɗimbin sha'awa mara iyaka da jin daɗin jin daɗin kiɗa da sabbin kunnuwa.