Daukakar adabin Hungary Imre Kertész ne adam wata, wanda ya lashe lambar yabo ta Nobel a 2002, yana da tushe a cikin adabin adabin ɗan uwansa Sandor Marai.
A cikin yanayin Márai ne kawai, daidaituwarsa da wanda zai kasance ɗaya daga cikin cikakkun masu ba da labari da tarihin Turai na farkon ƙarni na XNUMX, Thomas Mann, sun mamaye shi sosai a matsayin mai magana da wannan gaskiyar da aka sanya a cikin labari, da kuma yin bimbini da tunani a cikin babban aikin almara da ba labari ba.
Duk da haka, Márai kuma ya ɓata kansa cikin babban littafin tarihin littattafai. Saboda aikin rubuce -rubuce ba game da gasa ba ne, amma game da tuƙi, buƙatar bayyanawa, rabawa, haɓaka cikin almara da sanya a cikin kasidu. Ba tare da mantawa ba game da batun Márai ya shiga cikin waka da wasan kwaikwayo.
Kuma kamar koyaushe, iri -iri yana da ɗanɗano kuma a cikin dacewa, wadata. Don gano litattafan Márai shine shiga sabon salo inda zaku gano haruffa masu ban sha'awa waɗanda ke cikin waɗannan hanyoyin rayuwa masu ban sha'awa.
Domin akwai wani abu a cikin Márai koyaushe don neman matsalolin, hangen nesa na rayuwa azaman kasada daga zaɓin. Mafarin farawa daga wannan 'yancin zaɓin don ɗan adam wanda zai iya yin rayuwa ta sirri da abubuwan da ke faruwa na duniya daban -daban, tafiya zuwa ƙarshen rarrabewar rai.
Manyan litattafan da aka ba da shawarar 3 ta Sándor Márai
Taron karshe
Akwai wurare, sarari, wurare tare da saututtuka marasa lalacewa ga baƙo wanda ya dawo daidai kamar wannan, azaman baƙo zuwa abubuwan tunawa. Al'amarin yana da wani abu na waƙoƙin melancholic, na evocation na baya kusan mai sauraro kamar amsa kuwwa, kusan farfadowa daga ƙanshin halaye ...
Tambayar ita ce sanin yadda ake tsarawa, tare da wannan sihirin maye na nostalgia, labari kamar maganadisu kamar wannan. Domin sake haduwar masu wannan shirin yana da yawa na wannan maganadisu na sanduna biyu da yanayi ya raba su amma ta hanyar kwatsam. Haka yake faruwa da abin da ake kira sunadarai tsakanin mutane a matakin da ba a iya ganinsa na ruhi.
Kuma mace -mace kuma tana da ikon sa na tsakiya lokacin da ƙwaƙwalwar soyayya ta ratsa rayuwar maza biyu da suke son samun ta musamman. Sun kasance wasu kwanaki a cikin tsohon gidan. Waƙar tana kunna kowane maraice azaman bikin rayuwa da wadata. Yanzu babu kiɗa, aƙalla azaman sautin gaske amma wataƙila azaman amsa kuwwa tsakanin katanga mai kauri
Kawai a wannan karon komai yana sauti da karin sautin murya, kamar yana sanar da cewa bashin da ke jiran mutumin da ya yi nisa daga can da wanda ya zauna ya zauna a wannan dakatarwar rayuwa, ya girgiza a cikin lokacin da ya ƙunshi Ƙaddara ɗaya da ke gab da kasancewa An yanke musu hukunci, amma kafin nan, Sándor Márai zai ba mu kyakkyawan labari na komai. Game da abubuwan da kowanne daga cikin masu fafutuka da makomar duniyar da ke son kashe kowane kiɗa har abada.
Mace ta gari
A koyaushe ina tunanin babban marubuci shine wanda zai iya wadatar da albarkatu ba tare da wuce gona da iri ba. Idan, ban da haka, an sami akasin haka, na bayyanar haske ta hanyar ci gaba da jan abu É—aya, muna fuskantar mai hazaka.
Soliloquy wani abu ne wanda a cikin gidan wasan kwaikwayo yayi kyau sosai saboda ya isa. Muryar mai wasan kwaikwayo ta isa gare mu tare da amsawar sa kuma tana watsa mana duk zurfin ta tare da kowane motsi da motsawa. Amma ba shakka, Márai yana aiki daidai tsakanin rubutun da tsakanin litattafai. Kuma sakamakon a cikin wannan yanayin shine cikakkiyar daidaituwa.
Triangle na soyayya shine, mai yiwuwa, muhawara ta muhawara don yawan dabaru game da cin amana, ɓacin rai, ɗaukar fansa ... kusurwar su. Kuma abun da ke cikin triangle a ƙarshe ya zama geometry jirgin sama mai wanzuwa. Daga muryoyin Bitrus, Marika da Judit, ƙauna tana buɗe mana tare da cikakkun ma'anoni daga na zahiri zuwa na ruhaniya.
Ya kamata a tuna cewa wannan aikin, a ƙarshe ya zama jiki a lokuta daban -daban kuma tare da matakai daban -daban na wallafe -wallafe, gidaje waɗanda ke yin abubuwan da aka yi bimbini akai tsawon shekaru goma. day Sakamakon wani lamari na banal, ta gano cewa an ba mijinta jiki da ruhi ga soyayyar sirri da ta cinye shi, sannan yunƙurin banza na sake dawo da shi.
A cikin wannan birni, wani dare, mutumin da mijinta ya shaida wa abokinsa yadda ya bar matarsa ​​zuwa matar da ya so shekaru da yawa, amma ya rasa ta har abada bayan ya aure ta. Da gari ya waye, a cikin ƙaramin fansho na Rumawa, wata mata ta gaya wa masoyinta yadda ta, daga asalin ƙasƙantar da kai, ta auri wani attajiri, amma auren ya faɗa cikin fushi da ɗaukar fansa.
Kamar 'yan tsana ba tare da' yancin yin nufinsu ba, Marika, Péter da Judit sun ba da labarin rashin nasarar alakar su da ainihin gaskiyar waɗanda ke ɗaukar farin ciki a matsayin yanayin da ba za a iya cimmawa ba. Mace ta gari. A cikin wannan labari akwai mafi shafuka da tsage -tsage, mafi hikima. Kwatancensa na soyayya, abokantaka, jima'i, kishi, kadaici, so, da mutuwa yana nuna kai tsaye zuwa tsakiyar ruhin ɗan adam.
mai kishi
Babu wani abu da ya fi hasashe kamar kishi, a kowane mataki. Rushewar alaƙar haɗin gwiwa kamar mafi yawan ruwaye. Domin da zarar haɗin ya ɓace, gangar jikin da ke riƙe da rassan tare, guguwar da ba a yi tsammani ba na iya lalata komai.
Shugaban daular Garren yana kan gadon mutuwarsa. Ga ’yan uwa, lokaci ya yi da za su koma garinsu su sake haduwa a gidan yarinta. Duk da haka, ba da daɗewa ba suka gano cewa haɗin kansu kawai shine uba kuma suna tunanin ko mutuwarsa za ta kawo ƙarshen iyali.
Tare da gagarumin nuni na albarkatun fasaha, Sándor Márai da basira ya jagorance mu ta hanyar tunani da motsin zuciyar halayensa kuma ya rarraba sarkakiyar dangantakar dangi a cikin yanayin siyasa da zamantakewa na Turai tsakanin yaƙe-yaƙe, wanda ke nuna alamar rushewar daular Austro-Hungary. , wanda ya bar kasar ba tare da wani yanki na yankinta ba da kuma zamantakewar zamantakewa, bourgeoisie, wanda aka yanke masa hukunci.
Sauran shawarwarin littattafan Sándor Márai
Furuci na Bourgeois
A cikin haruffa ɗaya ko manyan masu hazaka, dole ne mu yi fare, idan ya yiwu, akan tarihin rayuwar mutum. Domin duk littafin da marubuci ya rubuta tare da wannan cikakkiyar dabi'ar furci, ya jiƙa da jin cewa ana iya koyan wani abu. Kuma tabbas, a cikin sunan wannan littafin mun riga mun gano niyya ta gaskiya, ba ya nufin ikirarin gwarzo ko mayaƙi.
Márai ya bayyana kansa a matsayin ɗan bourgeois mai sauƙi, ƙaramin mutum mai wadata. Amma a ƙarshe akwai tawaye da yawa a cikin samun jin daɗin rayuwa da haɓaka shi don shiga lahira kuma ya kuskura ya rubuta kyauta game da lokacin da ya rayu ... Kuma idan kowane ɗan lokaci yana da kyau a shigar da cikakkiyar ikirari, shine lokacin da mutum yana ƙuruciya kuma yana tunanin abin da ya rayu, yanzu da abin da ya rage, tare da wannan kuzarin da ke da ikon canja wuri zuwa abin da aka rubuta da mafi girman hauka.
Ga karatunsa, shakuwar sa da rubuce -rubuce, sha’awar aikin jarida, masoyan sa, auren sa, haduwarsa da shahararrun marubuta, tafiye -tafiyen sa, jin an tumbuke shi, fatalwar shaye -shaye. An kafa ta a cikin Hungary tsawon ƙarnuka, Márai ta fara labarinta da bayanin wadataccen bourgeoisie wanda take cikinta, wanda da alama yana rayuwa a cikin ingantacciyar duniya inda al'adu da haƙuri suke sarauta.
An gajartar da wannan wanzuwar ba zato ba tsammani a lokacin bazara na 1914, a Sarajevo, tare da kashe magajin kursiyin Habsburg. Ana kiran Márai yana ɗan shekara goma sha bakwai kuma, a ƙarshen yaƙin, danginsa sun tura shi Jamus don yin karatun aikin jarida. A can, a matsayin ɗan jarida na jaridar Frankfurter Zeitung ta Jamus mai girma, Márai ya fara aikin hajji ta Turai a cikin XNUMXs : daga Leipzig zuwa Weimar, daga Frankfurt zuwa Berlin, zai shaida saurin sauye -sauyen wata nahiya wanda, wanda aka ba da son kai da lalata, ya yi watsi da hanyoyin ƙiyayya da ke tsirowa a cikinta wanda kuma babu makawa zai kai ga bala'i.
Florence, London, Gabas ta Tsakiya kuma, ba shakka, Paris, tsakiyar yankin bohemian da rayuwar duniya, za su kasance cikin tsarin tafiyar Márai, har sai, a ƙarshe, tare da danginsa da ajin jama'a ya ɓace kuma ƙasarsa ta gutsure, ya zaɓi ya keɓe kansa . labarin wannan rupture mai raɗaɗi a matsayin mai ba da labari na ƙarshe na sararin samaniya "wanda na yi imani da ikon hankali da ruhu."
