3 leabhar is fearr le MĂĄximo Gorki

I litrĂ­ocht na RĂșise faighimid raidhse eisiach Ășdair uilĂ­ocha. I measc Chekhov, Dostoevsky, a chomhaimseartha Tolstoy agus a chuid fĂ©in Gorki bhĂ­ siad in ann scĂ©alta a scrĂ­obh agus ĂșrscĂ©alta a shroich leibhĂ©al na bprĂ­omhoibreacha i scĂ©al na cruinne. Rinne gach duine acu, ar bhealach Ă©igin, samhlĂș ar thrasghnĂ©asacht dhoshĂĄraithe i ndomhan a raibh athruithe eacnamaĂ­ocha, corraĂ­l polaitiĂșla agus mĂ­bhuntĂĄistĂ­ agus fiĂș oiriĂșnuithe morĂĄlta nĂł reiligiĂșnacha ann.

Is fiĂș a lua go bhfĂ©adfadh na hamanna crua a bhĂ­ ina gcĂłnaĂ­ sa RĂșis idir an XNUMXĂș agus an XNUMXĂș haois, a bheith i bhfabhar an scĂ©ala dian, chriticiĂșil, mhothĂșchĂĄnach sin, a bhĂ­ an-mhĂłr i dtrĂ©ithe an duine an ainnise, agus Ă© nĂ­os measa san uacht a bheith ag iarraidh guth a thabhairt do dhomhan atĂĄ tostach ag an Tsarism ar an gcĂ©ad dul sĂ­os agus leis an rĂ©abhlĂłid nĂ­os dĂ©anaĂ­.

I gcĂĄs Maxim Gorky, lena ĂșrscĂ©al An mhĂĄthair a tharlaĂ­onn rud Ă©igin cosĂșil le Dostoevsky le Crime and Punishment nĂł Tolstoy le War and Peace. Is Ă©ard a bhĂ­ i gceist leis an scĂ©al a insint trĂ­ charachtair a d’fhĂ©adfadh mothĂșchĂĄin daoine a phionĂłsaĂ­tear go stairiĂșil a shintĂ©isiĂș agus a raibh eagla, athlĂ©imneacht agus dĂłchas rĂ©abhlĂłid ag a n-anamacha a bhĂ­ nĂ­os measa fĂłs sa deireadh, mar nuair a bhĂ­onn ollphĂ©ist eile ag teastĂĄil chun deireadh a chur leis, is Ă© fĂłrsa an t-aon dlĂ­ a Ă©irĂ­onn as an gcoinbhleacht.

Is beag taithĂ­ liteartha atĂĄ nĂ­os dĂ©ine nĂĄ lĂ©amha na scĂ©alaithe RĂșiseacha seo. I gcĂĄs Gorky i gcĂłnaĂ­ le pointe fĂ­ordheimhnithe polaitiĂșla, in ainneoin gur Ăł thĂșs a chĂ©ile taobh le Lennin agus a fhilleadh ar thaobh Stalin a lĂ©irigh siad gan amhras ag mĂșscailt go dodhĂ©anta rĂ©abhlĂłid ina raibh a idĂ©-eolaĂ­ocht rannphĂĄirteach go fonnmhar. TĂĄ daoine ann a deir gur fhulaing sĂ© ina fheoil fĂ©in an cos ar bolg Stalineach nach raibh aon rogha morĂĄlta eile aige ach aghaidh a thabhairt air ...

Na 3 ĂșrscĂ©al is fearr a mhol MĂĄximo Gorki

MĂĄthair

Mar is eol dĂșinn, bhĂ­ teannas mĂłr polaitiĂșil i sochaĂ­ na RĂșise i rith an XNUMXĂș agus an XNUMXĂș haois. BhĂ­ an tĂ­r mhĂłr anois ina talamh pĂłrĂșchĂĄin do Mharxachas agus Ă­ ag tabhairt aghaidh ar sĂł agus ar thras-rĂ©imeas rĂ©imeas na tsars.

Ar ndĂłigh, ba iad na daoine ba mhĂł a d’fhulaing Ăł aon choimhlint. Agus Ăłn mbaile sin a rugadh Ă­omhĂĄ mhĂĄthair an scĂ©il seo, mĂĄthair na mĂĄithreacha is dĂłcha, le nĂ­os mĂł meĂĄchain nĂĄ mĂĄthair DĂ© Ă­ fĂ©in. TĂĄ eagla ar Pelagia, gĂ©illeann a hanam do sceimhle agus impleachtaĂ­ polaitiĂșla a fir.

Ach nuair a fhaigheann a fear cĂ©ile bĂĄs, dĂșisĂ­onn Pelagia leis an bhfeasacht sin nach bhfuil san eagla ach tuiscint suibiachtĂșil is fĂ©idir a shĂĄrĂș mĂĄ ghlacann tĂș leis nach fĂ©idir aon rud a bheith nĂ­os measa nĂĄ bĂĄs sa saol.

MothaĂ­onn a mhac Pavel saoradh athar freisin agus tosaĂ­onn sĂ© ag lĂ©iriĂș i gcoinne an oiread sin impleachtaĂ­ agus easpa saoirse. Is Ă­ an tSibĂ©ir an ceann scrĂ­be deireanach ina dtugann an mhĂĄthair agus a mac aghaidh idir an anrĂł a bhaineann le pian coirp agus saoradh a dtroid nach bhfuil amhras orthu ach go dtiocfaidh siad chun bheith ina rud nĂ­os fearr.

La Madre

An gan dĂ­dean

Chothaigh Gorky freisin, cosĂșil lena chara Chekhov, an scĂ©al agus Ă© mar aidhm aige an pheirspictĂ­ocht a leathnĂș go scĂ©alta Ă©agsĂșla le tosach coitianta na hĂ©agĂłra, difrĂ­ochtaĂ­ ranga, ocras, eagla, fuar agus dĂ­-ĂĄitiĂș na strataĂ­ is sĂłisialta.

I gcĂĄs Gorki, baineann a lĂĄn dĂĄ bhfuil scrĂ­ofa le heispĂ©iris ĂĄirithe ĂĄirithe i mbochtaineacht. BailĂ­onn eagrĂĄin Ă©agsĂșla samplaĂ­ iomadĂșla den tasc scĂ©alaĂ­ochta seo i dtreo an choimre.

CĂ© nach sroicheann an compendium gile Chekhov, atĂĄ in ann corraĂ­ a dhĂ©anamh ina scĂ©al is giorra, is fĂ­or go solĂĄthraĂ­onn sĂ© rĂ©alachas nĂ­os amh Ăłna dtugann sĂ© dĂșinn an ghnĂ© rĂłmĂĄnsĂșil nach gcaithfidh ach cailliĂșnaithe a bhuachan ...

An gan dĂ­dean

Malva

AtreoraĂ­odh an grĂĄ i dtreo na mothĂșchĂĄn tragĂłideach agus amharclainne sin sa RĂșis ag tĂșs an XNUMXĂș haois. Le gnĂĄth-hyperrealism Gorki, agus Ă© diongbhĂĄilte cur sĂ­os a dhĂ©anamh ar gach mionsonra agus gach braistint chun gach radharc a iompĂș ina mheand iomlĂĄn i samhlaĂ­ocht an lĂ©itheora, leathnaĂ­onn Malva, an bhean lena dtagann a hathair agus a mac i ngrĂĄ, trĂ­d an scĂ©al le hĂșire an an grĂĄ is Ă©adroime agus is gĂ©ire agus dorchadaĂ­tear pearsantachtaĂ­ a leannĂĄin, go dtĂ­ go mbĂ­onn coincheapa maidir le patricĂ­d fhĂ©ideartha le feiceĂĄil sa phlota mar an t-aon rogha rĂ©itigh.

Mar gheall gur fĂ©idir le fear i ngrĂĄ aghaidh a thabhairt ar gach rud a bheith leis an mbean sin. De ghnĂĄth bĂ­onn scĂ©alta agus scĂ©alta eile cosĂșil leis na Boles mar a thugtar air, scĂ©al aisteach ar cosĂșil uaireanta go bhfaigheann sĂ© pointe erotic agus go dtĂ©ann sĂ© ar deireadh i dtreo fĂ­orĂș uaigneas agus nĂ©altrĂș.

Malva
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