I litrĂocht na RĂșise faighimid raidhse eisiach Ășdair uilĂocha. I measc Chekhov, Dostoevsky, a chomhaimseartha Tolstoy agus a chuid fĂ©in Gorki bhĂ siad in ann scĂ©alta a scrĂobh agus ĂșrscĂ©alta a shroich leibhĂ©al na bprĂomhoibreacha i scĂ©al na cruinne. Rinne gach duine acu, ar bhealach Ă©igin, samhlĂș ar thrasghnĂ©asacht dhoshĂĄraithe i ndomhan a raibh athruithe eacnamaĂocha, corraĂl polaitiĂșla agus mĂbhuntĂĄistĂ agus fiĂș oiriĂșnuithe morĂĄlta nĂł reiligiĂșnacha ann.
Is fiĂș a lua go bhfĂ©adfadh na hamanna crua a bhĂ ina gcĂłnaĂ sa RĂșis idir an XNUMXĂș agus an XNUMXĂș haois, a bheith i bhfabhar an scĂ©ala dian, chriticiĂșil, mhothĂșchĂĄnach sin, a bhĂ an-mhĂłr i dtrĂ©ithe an duine an ainnise, agus Ă© nĂos measa san uacht a bheith ag iarraidh guth a thabhairt do dhomhan atĂĄ tostach ag an Tsarism ar an gcĂ©ad dul sĂos agus leis an rĂ©abhlĂłid nĂos dĂ©anaĂ.
I gcĂĄs Maxim Gorky, lena ĂșrscĂ©al An mhĂĄthair a tharlaĂonn rud Ă©igin cosĂșil le Dostoevsky le Crime and Punishment nĂł Tolstoy le War and Peace. Is Ă©ard a bhĂ i gceist leis an scĂ©al a insint trĂ charachtair a dâfhĂ©adfadh mothĂșchĂĄin daoine a phionĂłsaĂtear go stairiĂșil a shintĂ©isiĂș agus a raibh eagla, athlĂ©imneacht agus dĂłchas rĂ©abhlĂłid ag a n-anamacha a bhĂ nĂos measa fĂłs sa deireadh, mar nuair a bhĂonn ollphĂ©ist eile ag teastĂĄil chun deireadh a chur leis, is Ă© fĂłrsa an t-aon dlĂ a Ă©irĂonn as an gcoinbhleacht.
Is beag taithĂ liteartha atĂĄ nĂos dĂ©ine nĂĄ lĂ©amha na scĂ©alaithe RĂșiseacha seo. I gcĂĄs Gorky i gcĂłnaĂ le pointe fĂordheimhnithe polaitiĂșla, in ainneoin gur Ăł thĂșs a chĂ©ile taobh le Lennin agus a fhilleadh ar thaobh Stalin a lĂ©irigh siad gan amhras ag mĂșscailt go dodhĂ©anta rĂ©abhlĂłid ina raibh a idĂ©-eolaĂocht rannphĂĄirteach go fonnmhar. TĂĄ daoine ann a deir gur fhulaing sĂ© ina fheoil fĂ©in an cos ar bolg Stalineach nach raibh aon rogha morĂĄlta eile aige ach aghaidh a thabhairt air ...
Na 3 ĂșrscĂ©al is fearr a mhol MĂĄximo Gorki
MĂĄthair
Mar is eol dĂșinn, bhĂ teannas mĂłr polaitiĂșil i sochaĂ na RĂșise i rith an XNUMXĂș agus an XNUMXĂș haois. BhĂ an tĂr mhĂłr anois ina talamh pĂłrĂșchĂĄin do Mharxachas agus Ă ag tabhairt aghaidh ar sĂł agus ar thras-rĂ©imeas rĂ©imeas na tsars.
Ar ndĂłigh, ba iad na daoine ba mhĂł a dâfhulaing Ăł aon choimhlint. Agus Ăłn mbaile sin a rugadh ĂomhĂĄ mhĂĄthair an scĂ©il seo, mĂĄthair na mĂĄithreacha is dĂłcha, le nĂos mĂł meĂĄchain nĂĄ mĂĄthair DĂ© Ă fĂ©in. TĂĄ eagla ar Pelagia, gĂ©illeann a hanam do sceimhle agus impleachtaĂ polaitiĂșla a fir.
Ach nuair a fhaigheann a fear cĂ©ile bĂĄs, dĂșisĂonn Pelagia leis an bhfeasacht sin nach bhfuil san eagla ach tuiscint suibiachtĂșil is fĂ©idir a shĂĄrĂș mĂĄ ghlacann tĂș leis nach fĂ©idir aon rud a bheith nĂos measa nĂĄ bĂĄs sa saol.
MothaĂonn a mhac Pavel saoradh athar freisin agus tosaĂonn sĂ© ag lĂ©iriĂș i gcoinne an oiread sin impleachtaĂ agus easpa saoirse. Is Ă an tSibĂ©ir an ceann scrĂbe deireanach ina dtugann an mhĂĄthair agus a mac aghaidh idir an anrĂł a bhaineann le pian coirp agus saoradh a dtroid nach bhfuil amhras orthu ach go dtiocfaidh siad chun bheith ina rud nĂos fearr.
An gan dĂdean
Chothaigh Gorky freisin, cosĂșil lena chara Chekhov, an scĂ©al agus Ă© mar aidhm aige an pheirspictĂocht a leathnĂș go scĂ©alta Ă©agsĂșla le tosach coitianta na hĂ©agĂłra, difrĂochtaĂ ranga, ocras, eagla, fuar agus dĂ-ĂĄitiĂș na strataĂ is sĂłisialta.
I gcĂĄs Gorki, baineann a lĂĄn dĂĄ bhfuil scrĂofa le heispĂ©iris ĂĄirithe ĂĄirithe i mbochtaineacht. BailĂonn eagrĂĄin Ă©agsĂșla samplaĂ iomadĂșla den tasc scĂ©alaĂochta seo i dtreo an choimre.
CĂ© nach sroicheann an compendium gile Chekhov, atĂĄ in ann corraĂ a dhĂ©anamh ina scĂ©al is giorra, is fĂor go solĂĄthraĂonn sĂ© rĂ©alachas nĂos amh Ăłna dtugann sĂ© dĂșinn an ghnĂ© rĂłmĂĄnsĂșil nach gcaithfidh ach cailliĂșnaithe a bhuachan ...
Malva
AtreoraĂodh an grĂĄ i dtreo na mothĂșchĂĄn tragĂłideach agus amharclainne sin sa RĂșis ag tĂșs an XNUMXĂș haois. Le gnĂĄth-hyperrealism Gorki, agus Ă© diongbhĂĄilte cur sĂos a dhĂ©anamh ar gach mionsonra agus gach braistint chun gach radharc a iompĂș ina mheand iomlĂĄn i samhlaĂocht an lĂ©itheora, leathnaĂonn Malva, an bhean lena dtagann a hathair agus a mac i ngrĂĄ, trĂd an scĂ©al le hĂșire an an grĂĄ is Ă©adroime agus is gĂ©ire agus dorchadaĂtear pearsantachtaĂ a leannĂĄin, go dtĂ go mbĂonn coincheapa maidir le patricĂd fhĂ©ideartha le feiceĂĄil sa phlota mar an t-aon rogha rĂ©itigh.
Mar gheall gur fĂ©idir le fear i ngrĂĄ aghaidh a thabhairt ar gach rud a bheith leis an mbean sin. De ghnĂĄth bĂonn scĂ©alta agus scĂ©alta eile cosĂșil leis na Boles mar a thugtar air, scĂ©al aisteach ar cosĂșil uaireanta go bhfaigheann sĂ© pointe erotic agus go dtĂ©ann sĂ© ar deireadh i dtreo fĂorĂș uaigneas agus nĂ©altrĂș.