Top 5 Russian writers

Russian literature has an I don't know what melancholy, like assuming the icy in anticipation of a spring that is never enough to comfort the soul. Precisely for this reason, many of the great Russian writers provide us with a wonderful balance between their longing for live-action plots where their characters are plunged into an existential wait that addresses everything from the social to the most personal.

Circumstances also help, of course. And knowing my intention to rescue the best writers of each country, going back as far as the XNUMXth century, we find ourselves with a Russia that is always convulsive, with a marked classism either through the czars or through the Soviet leaders who ended up replicating the behavior of the former Russian emperors. . Very human paradoxes.

Thus, narrating for the great writers such as Dostoiveski or Chekhov could even be an exercise of chronic interest to which later add their own sensations between disenchantment, alienation and a romantic touch on occasions, sifted by the hope of splendors that do not finish arriving. .

The legacy of the greatest Russian writers takes over in new current authors who also stand out with their imaginary crossing ices where passions were always thriving and that in the literary field break towards unsuspected horizons among so many good current authors.

Top 5 best Russian writers

Chekhov. Russian essences in story

As far as short narrative is concerned, Anton Chekhov it becomes the fundamental reference for anyone in love with the brief, with the synthesis, with the little great stories that can transmit that essence of the world that remains in what is suggested, in what is simply announced.

The story is an intermission of one's life, a complete reading that can be enjoyed on a journey to any place or as an accompaniment before succumbing to sleep. And in that brief perfection Chekhov performs as the greatest genius of all. Dedicating yourself to the brief, as a writer, can be thought of as a frustrating point. Every narrator seems to point to his final novel, the one that opens up to a more complete and complex universe.

Chekhov never wrote a novel in the sense of a voluminous and capitulated work with a clear approach, development and closure. And yet his work has survived to this day with the same force as that of any other voice. To such an extent that, together with Tolstoy y Dostoyevsky, composes an incomparable trilogy of Russian and world literature, for its diversity and depth.

Its beginnings were marked by necessity. Writers as a kind of fiction columnists were in high demand in Chekhov's time. Once consolidated, he did not stop writing about the brief, with the idea of ​​the anecdotal, of the unique scene as the best reflection of who we are. One of his most current compilations, here:

The best Chekhov stories

Dostoevsky. complex realism

No one would say that Dostoyevsky surrendered to the arms of literature thanks to the romantic authors. If something can be highlighted in the great Dostoyevsky It is the rawness within a captivating sense of humanity of each and every one of its characters.

But it certainly was. The romantic movement, which, although he was already caught in the retreat phase, was still a fundamental influence of the readings that served as the first food for Fyodor.

What must have happened is that this author discovered that reality is stubborn. The convulsive circumstances and the social deterioration of the Russian people ended up bringing another type of muses much more realistic and determined to deepen to the last requirement of the soul.

Of exquisite narrative aesthetics, despite this, its general argumentation absorbed that feeling of generalized boredom, little externalized of a people governed, above all, by fear and a kind assumption of fatality as the only destiny of the people devoted to the cause of Tsarism. .

In addition to that intention of reflecting the social interiorities of his country and that search for the deepest soul of his characters, Dostoyevski could not avoid his own life experience as a literary motive. Because his political position, once evident, and when his literary dedication could be considered dangerous, ended up leading him to a sentence of forced labor in Siberia.

Luckily he escaped the death penalty for conspiracy and, after serving the Russian army as the second part of his sentence, he was able to write again. Here below one of the most valued editions of «Crime and Punishment»:

Tolstoy. the tragic chronicler

The History of Literature houses some curious coincidences, the best known being the synchronicity in deaths (they must have been only hours away) between the two universal writers: Cervantes and Shakespeare. This great coincidence comes to collation with the one shared by the author that I bring here today, Tolstoy with his compatriot Dostoyevsky. The two greatest Russian writers and undoubtedly among the best in world literature, were also contemporaries.

A kind of collusion of chance, a magical synchronicity caused this alliteration in the verses of history. It is so obvious ... if we asked anyone by the name of two Russian writers, they would quote this tandem of letters.

Predictably, contemporaryity involved thematic analogies. Tolstoy was also carried away by the tragic, fatalistic and at the same time rebellious feeling around a Russian society so stratified still ... Realism as a starting point for awareness and the will to change. Pessimism as an inspiration for an existentialist scenography and extremely brilliant in its humanism.

Here is one of the best editions of his great work “War and Peace”:

Maxim Gorky. Russian intrahistory

It is noteworthy that the hard times lived in Russia between the XNUMXth and XNUMXth centuries, could favor that intense, critical, emotional narrative, extreme in the human traits of misery, exacerbated in the will to want to give voice to a world silenced by the Tsarism in the first instance and by the revolution later.

In the case of Maxim Gorky, with his novel The Mother something similar happens to Dostoevsky with Crime and Punishment or Tolstoy with War and Peace. It was about telling the story through characters who could synthesize the feelings of a historically punished people and whose souls lived with fear, resilience and the hope of a revolution that in the end was even worse, because when the monster needs another monster to end up defeated, force ends up being the only law resulting from the conflict.

So few literary experiences are more intense than the readings of these Russian narrators.In the case of Gorky always with a point of political vindication, despite the fact that from his beginnings with Lennin and his return to the side of Stalin, they undoubtedly represented a awakening to the impossible of a revolution in whose ideology he participated eagerly. There are those who say that in his last days he suffered in his own flesh the Stalinist repression which he had no other moral option but to face ...

The Mother, Gorky

Alexander Pushkin. the awakening of russian realism

For simple chronology, Aleksandr Pushkin acquires that role of father of the great Russian literature that later came into the hands of Dostoyevsky, Tolstoy or Chekhov, that narrative triumvirate of universal letters. Because, despite the thematic disparity and the change of approach typical of the times of each narrator, the figure of Pushkin supposed food and inspiration, a critical point of view oriented in his pen towards a romanticism that was becoming more crude, until that realism crude adapted to the imaginary of each of the three later greats.

From her gentle aristocratic cradle, Pushkin However, he ended up practicing as a critical narrator, always from that latent romantic point always in the author thanks to his refined education and his first poetic orientation.

However Romanticism can also be a powerful ideological tool that invades readers from their emotions. And well, that possible intention was interpreted by the censors of the Tsar, who always had him in their sights as the focus of possible uprisings.

Being separated from the social and political nerve centers, without being able to take drastic measures against him due to his aristocratic origins, Pushkin was orienting his narrative production towards a powerful realism dotted with his undeniable admiration for that kind of magical manners, full of myths and legends, typical of the romantic of training that he always was.

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