Harrison Ford's Top 3 Movies

Today we visit one of those actors who have accompanied the lives of several generations. Both because of his seniority and because of the variety of his records. A heartthrob with ample acting skills to make him that chameleon capable of the most unbridled action as well as the most leisurely suspense or even the most unexpected humor.

The Harrison Ford of the beginning already pointed to that factotum of interpretation that could accompany all types of proposals with artistic solvency, with a photogenic hook and with that point of charisma, between a charm and an attractiveness worked from the merely physiognomic to the gestural.

That yes, I warn the readers that for the occasion I am going to discard series and installments of the type Indiana Jones or Star Wars. Because, curiously, Harrison Ford makes me a little cloying in deliveries, as if he repeats me. And since the good is in the brief and the best in the essence, I go there with my selection of the best three films by Harrison Ford, as Sinatra would say to my way…

Top 3 Recommended Harrison Ford Movies

Blade Runner

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The story had charm of its own, the free extension of the short novel of Philip K. Dick He managed to enhance the best of the plot and win in exponential turns towards much more elaborate assumptions. I don't mean to say that Dick's story is any worse. It's just a matter of taking advantage of the resources of the cinema to try to match the incomparable sensation of imagining from reading, it is done well and in a big way.

Everyone remembers mythical phrases from this film. And even in my student days we were offered the possibility of seeing it in some philosophy class and then the philosopher made in BUP on duty would expand at ease. But the most important thing is to recognize the movie that Blade Runner is.

Interestingly, its setting and its effects are not so diminished over time. Because any revisited eighties movie today loses a lot of grace in special effects and others. But the darkness of this film favors that sensation of full creative force in what is merely gimmicky.

And then there is the plot. The good of Harrison Ford on the hunt for "andys" in a 2019 that has remained for borage broth compared to what this dystopia announced. Androids that at times seem more human than humans. A sense of apocalypse from self-destruction. The power as always scheming in the shadows. And ordinary humans immersed in new-old dilemmas that make the future always present...

The fugitive

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One of the films that awakened the domestic suspense genre. The one that pivots around the familiar and the homely to destabilize even the smallest nook of security. Dr. Richard Kimble, whom our parents already met in the series version of the 60s, takes on another dimension in the role of a majestic Harrison Ford in the role.

Because as we get to know the doctor with irreproachable morals and the husband accused of his wife's murder, we immediately want to discover a new Count of Monte Cristo in search of the harshest revenge, the one that is served on a cold plate and that requires the greatest of the skills of the affected party.

A stroke of chance sets Kimble up for escape. From that moment we accompany the doctor in his search for the truth that places him there, more than as an accused, as the first person affected by the murder of his wife. An absorbing film that you cannot stop watching. If you are one of the few who have not seen it, it will take you a while to get carried away by a Harrison Ford who embodies tension on the verge of desperation, but who also gives a master class in resistance and resilience, fiction mode, of course.

Sole witness

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Chance placed little Samuel Lap facing murder. Only he can point to the culprit. The point is that guilt hides the most disturbing interests.

But also, Samuel is not just any child. Belonging to an Amish community, nothing will be easy for the police officer who must ensure his safety. John Book, our friend Harrison Ford, will have to accompany him into the darkest interiors of his community.

At times one does not know if there are more dangers lurking outside or inside. Because a stranger like the policeman John Book will discover everything that is going on on the other side of the fence that separates the inhabitants of the community from the rest of the world. One of those slow-paced films in which the good work of its main actor fills the simplest sensations towards new meanings and greater transcendence. The film in which the actor manages to raise the bar of the plot several levels.

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