The 3 best books by L.S. hilton

The thing about the English writer Lisa hilton is an interesting crossbreeding between his devotion to art in combination with a eroticism unleashed that, clad precisely by that notion of the artistic makes us contemplate suggestive undresses instead of simple nudes. And no, the first is not the same as the second.

In any other writer the issue could point to the overtly sexual. But in Lisa Hilton and her Master trilogy we enjoy his scenes distilled over live fire, we are coaxed between the disturbing visions while we are waiting for always latent plot resolutions.

The invention of the erotic with dark aspects is nothing new. And the truth is, despite a sexual liberation consolidated decades ago in almost everyone, they always like that flirtation with taboos, with the limits of passion and pain, with the morbid of the forbidden and the projection of carnal punishment as a counterweight to the I enjoy the gushing blood.

Rarities of the human, philias and phobias of which Hilton takes the witness like many other current cases. Except that the Hilton adds a dose of mystery, artistic fetishism and thriller that complement everything with that twist that improves the genre.

LS Hilton's Top 3 Recommended Novels

Dominatrix

Sometimes the second parts are not worse than the first but also far exceed them. This time we place at the top of the podium a continuation of the saga with all its well outlined characters, a captivating action and expectations in its development and its more intense scenes that do not disappoint.

Judith Rashleigh has shown us how, thanks to her bloody career, she has been able to go from being an exploited intern at an auction house to becoming an international art dealer. Yes, Judith has left a trail of blood in her path, but her new life as a gallery owner in Venice, surrounded by elegance and greed, represents everything she has always wanted to be. And besides, behind closed doors, high society offers a lot of lustful activities that Judith continues to enjoy.

As she hatches her future amidst this sophisticated environment in Italy, her past reappears again; Judith believed she had fled Paris without a trace, but she made a small mistake, a detail that can directly mark her guilty. Judith also hears a distant and apparently innocuous comment at a party, but it reveals that someone is watching her and is on her trail. Undeterred, she continues to think about her career with singular nonchalance, as she is invited to appraise a collection of contemporary art in the private mansion of a Russian millionaire. A collection of art that Judith considers impressive, but refuses to value. From here, a sinister campaign of subtle terror begins in true Stasi style.

So Elena, the soon-to-be ex-wife of the Russian millionaire, visits Judith. Elena has discovered Judith's sordid past, confesses that she knows her bloody trajectory and threatens to expose her while making her a proposition. Her husband believes that Judith has stolen a Caravaggio drawing and demands that she give it to him in exchange for some protection before her husband asks for a divorce. In return, Judith's secrets will be safe.

There are only two problems: the first is that Judith does not have the drawing, nor does she know where it might be. The second is that she is convinced that the drawing in question is a fake.

Once again, Judith finds herself at a crossroads and feels her only option is to escape. In her constant flight, Judith will come into contact with the art scene underground from Serbia, she will move through the most unhealthy districts of Paris and will be carried away by the hedonism of the commune of St. Moritz, in a race against time to not be discovered. What Judith still doesn't know is that her enemies have invited her into a dangerous game that goes beyond, far beyond, the world of art.

Dominatrix LS Hilton

Teachers

We now return to the first part. Because a saga is always indebted to the original idea, to the beginning, to the location and the approach to characters. We talk about first impressions, surprises, the excitement of embarking on an adventure. Aspects that can always improve in a plot but that are already kept in retention as the basis of everything.

By day, Judith Rashleigh is a young assistant at a prestigious London auction house. At night, she becomes a confident, seductive companion at a seedy downtown hostess club.
But when Judith discovers a millionaire fraud in the art world and is fired before she can report it, her double life is radically upset.

In desperation, he flees to the French Riviera with a wealthy club client and enters a world as glamorous as it is corrupt. During all this time, Judith has learned to dress elegantly, to speak with an imposted accent, and to act before men. She has learned to be a good girl.

However, she has a friend that a good girl like her shouldn't have: rage. Knowing that the tentacles of the plot can reach her, Judith has to rely on her willpower and cross all limits in order to survive.

Teachers

Last

If it is about closing a series in style, Hilton was clear that he had to jump all the limits. Only in the overexposure some moments can sin from that defect of the implausible for the deep reader. But it was the risk to run to endow the trilogy with an explosive end ...

The glamorous and internationally known art dealer Elisabeth Teerlinc knows quite a bit about the world of counterfeiting. After all, she herself is still a fake or a kind of fraud. Her true identity, Judith Rashleigh, is buried under a thin layer of lies.

Not to mention the amount of corpses that has been carried ahead, of all those who wanted to stand in his way. But now, caught in the murderous crossfire between a Russian mob boss and a corrupt Italian police detective, Judith is forced to create an even more daring piece of art, a fake masterpiece that she must lead to the famous house of auctions where he used to work as a humble assistant, and sell the work for 150 million dollars. However, exposing your new identity to a space where you can become the center of attention carries a deadly risk.

Last
5/5 - (12 votes)

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